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  • af Laurie Kuntz
    183,95 kr.

    In awe of all that is offered - that is how we depart from Laurie Kuntz's newest collection. In this book that talks of small and big inconveniences of life, wonder blooms everywhere. For every kind of sadness, her poems show the flip side of the record. These are her words, which treasure the little that can save us. The always imminent boredom of a shared life with a long-time partner is infused with a careful and caring perception of what is gained, even when it seems everything may be lost, including poetry itself. A trellis through which we hear the murmurs of an adult innocence constantly refreshed, That Infinite Roar plants in us vivid images of experiences always reframed in reconnection. Lúcia Leão-Translator and writer Laurie Kuntz' That Infinite Roar humanely explores the hidden byways of the heart, investigating how our recollections shape lived experience into something we can carry. Concise, tender, and always present, her poems come to terms with transience and the fallibility of memory. As she writes in Anniversary, Again: Every act of creation, also an act of destruction/ and memory is history's great reviser. Kuntz maps pathways toward healing and acceptance-of aging, of the inevitable open door at the end of parenting, of loss and tragedy and loneliness. Her work reminds us of the power of integration when we examine all the selves we inhabit over a lifetime. That Infinite Roar invites us to walk with Kuntz toward wholeness. As she writes in "North of Sorrow" Everyone waits for hope/ to blow through an open window/for all that is on the outside/ can enter a home, a heart, a memory, /and north of sorrow/ are the lit borders, /which we can cross. It is a journey well worth taking. Alison Hurwitz, Poet Founder of Well-Versed Words, and Best of the Net Nominee Laurie Kuntz's books are: That Infinite Roar, Gyroscope Press, Talking Me Off The Roof, Kelsay Books, The Moon Over My Mother's House, Finishing Line Press, Simple Gestures, Texas Review Press, Women at the Onsen, Blue Light Press, and Somewhere in the Telling, Mellen Press. Simple Gestures, won Texas Review's Chapbook Contest, and Women at the Onsen won Blue Light Press's Chapbook Contest. She's been nominated for three Pushcart Prizes and two Best of the Net Prizes. Her work has been published in Gyroscope Review, Roanoke Review, Third Wednesday, One Art, Sheila Na Gig, and other journals. More at: https: //lauriekuntz.myportfolio.com/home-1

  • af Laurie Kuntz
    208,95 kr.

  • af Laurie Kuntz
    218,95 kr.

    A collection of prize winning poetry, The Moon Over My Mother's House, explores family, aging, enduring and bittersweet love, loss, and connections. The poet ponders how the natural world reflects human nature. The poet muses on her original axiom that every poem is a journey, every journey, a poem. Poems such as Waving Not Drowning (featured on LKMNDS Podcast), Infinite Tenderness (Featured in Roanoke Review's 50th Year Anthology), Self Portrait (Nominated for Best of the Net), and Darnella's Duty (Selected for Black Lives Matter Anthology) depict various types of self awareness journeys.The titular poem, The Moon Over My Mother's House has been selected by Moment Poetry to be produced as a broadside. The story behind this poem is a reflection on every woman's journey:"The Moon Over My Mother's House is based on an early childhood memory. I must have been five or six, and I was in the kitchen watching my mother take clothes out of the washing machine and hanging them on the clothesline. The clothesline seemed to touch the sky, and I thought I saw God watching us. When I told my mother that I saw God, she replied that one can never see God. I thought her answer was so sad. This poem attempts to recognize the many women, who because of societal restrictions, live with no hope of seeing their inner god."