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Bøger af Larry Silver

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  • af Larry Silver
    173,95 kr.

  • af Larry Silver
    693,95 kr.

    In praise of folly: on the fool and the jester in Flemish art, an important motif in medieval art, especially in the Low Countries.

  • af Larry Silver
    653,95 kr.

  • af Larry Silver
    568,95 kr.

    A critical rethinking of the way canons are defined, constructed, dismantled and revised.

  • - The Rise of Pictorial Genres in the Antwerp Art Market
    af Larry Silver
    443,95 kr.

    Larry Silver investigates the origins of new pictorial types and their media as a phenomenon of sixteenth-century Antwerp and interprets several pictorial genres as he charts their evolution and their role in the development and marketing of individual artistic styles.

  • af Larry Silver & Aneta Georgievska-Shine
    723,95 - 1.595,95 kr.

    Analyzing the decorative ensemble of the hunting lodge of King Philip IV of Spain, this study illuminates the dialogical nature of a painted program, designed largely by Peter Paul Rubens, but significantly supplemented by Diego Velazquez. Careful examination of surviving images in their broader intellectual context reveals their literary.

  • af Larry Silver
    708,95 kr.

    Long before the photo op, political rulers were manipulating visual imagery to cultivate their authority and spread their ideology. Born just decades after Gutenberg, the Holy Roman Emperor Maximilian I (1459-1519) was, Larry Silver argues, the first ruler to exploit the propaganda power of printed images and text. Marketing Maximilian explores how Maximilian used illustrations and other visual arts to shape his image, achieve what Max Weber calls "e;the routinization of charisma,"e; strengthen the power of the Hapsburg dynasty, and help establish the Austro-Hungarian Empire. A fascinating study of the self-fashioning of an early modern ruler who was as much image-maker as emperor, Marketing Maximilian shows why Maximilian remains one of the most remarkable, innovative, and self-aggrandizing royal art patrons in European history. Silver describes how Maximilian--lacking a real capital or court center, the ability to tax, and an easily manageable territory--undertook a vast and expensive visual-media campaign to forward his extravagant claims to imperial rank, noble blood, perfect virtues, and military success. To press these claims, Maximilian patronized and often personally supervised and collaborated with the best printers, craftsmen, and artists of his time (among them no less than Albrecht Durer) to plan and produce illustrated books, medals, heralds, armor, and an ambitious tomb monument.