Bøger af Ken Bruen

Jack Taylor wakes up and finds himself in a different world... yet it hasn't changed at all. When Jack Taylor awakes from a coma following an attack that left him in hospital, much of the world has changed. The Covid pandemic has devastated the lives of many in his beloved city of Galway and beyond. As Jack tries to absorb the incredible changes, a woman approaches him with a particularly distressing case. Two local nuns have been bludgeoned by a mysterious man wielding a hammer. As the police fail to act while the violence against the Sisters escalates, Jack seems like their only hope. Initially wary of getting involved, Jack finds he cannot stay away from the mystery surrounding these vicious attacks. He also cannot shake a feeling of darkness that has haunted him since he awoke from his coma: a darkness that is far too close for comfort...

When Jack Taylor wakes up, he finds himself in a different world... yet it hasn't changed at all.When Jack Taylor awakes from a coma following an attack that left him in hospital, much of the world has changed. The Covid pandemic has devastated the lives of many in his beloved city of Galway and beyond. As Jack tries to absorb the incredible changes, a woman approaches him with a particularly distressing case. Two local nuns have been bludgeoned by a mysterious man wielding a hammer. As the police fail to act while the violence against the Sisters escalates, Jack seems like their only hope. Initially wary of getting involved, Jack finds he cannot stay away from the mystery surrounding these vicious attacks. He also cannot shake a feeling of darkness that has haunted him since he awoke from his coma: a darkness that is far too close for comfort...

Jack Taylor wakes up from a coma to discover that much of the world has changed since he last walked the streets of Galway. The pandemic had hit while he was under, devastating the lives of many in his beloved city and beyond. Now, as Jack tries to recover from the attack that put him in the hospital and absorb the incredible changes in the world around him, a woman approaches him with a distressing case: two local nuns have been bludgeoned by a mysterious man wielding a hammer, and more are sure to follow. As the police fail to act while the violence against the Sisters escalates, Jack seems like their only hope.Initially wary of becoming involved in the investigation, Jack finds he cannot stay away from the mystery surrounding these vicious attacks. He also cannot shake a feeling of darkness that has haunted him since he awoke from his coma-a darkness that is far too close for comfort. Luckily an old friend is there to help see him through and there is always Jack's dark wit and a drink to help shore up his mood.

"Inheriting a Galway cottage may change a troubled woman's life--but not the way she hopes ... Kate Mitchell's in the process of kicking her heroin addiction--with the help of alcohol--when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn't die peacefully--quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary's killers, however, finds his focus shifting when he spots a photo of the dead woman's American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they're going to find something other than a piece of paradise"--

Stories and essays by Ken Bruen, Jim Cornelius, Garnett Elliott, Bradley Mason Hamlin, Sam Hawken, Mike MacLean, Craig McDonald, Manuel Ramos, Steve Rogers, Tom Russell, James Sallis, Martín Solares, John Stickney, Dave Zeltserman. Edited by Craig McDonald Welcome to La Frontera: You're headed way out west this time, intrepid reader, far past where you've dared go before. Your troubled guides along these dusty, bloody stretches of The Devil's Highway are much-awarded crime novelists, journalists, and border-dwelling troubadours. They serve up stories and essays about lives threatened chasing the elusive, often deadly, dream of more money and better futures beckoning north and south of the border. Emiliano Zapata declared, "It's better to die on your feet than to live on your knees." In that spirit, these bards of the borderland are swinging for the barbed-wire fences: all swagger and dark visions, hell-bent on sweeping you along with them across the Rio Grande to a broken Promised Land. Like treacherous Coyotes, they may gut-shoot you or break your heart in the crossing, but however it goes down, know these hombres are determined to make you feel it.

Acclaimed Irish crime writer Ken Bruen has won numerous awards for his hard-charging, dark thrillers, which have been translated into ten languages. In Headstone, an elderly priest is nearly beaten to death and a special-needs boy is brutally attacked. Evil has many guises and Jack Taylor has encountered most of them. But nothing before has ever truly terrified him until he confronts an evil coterie named Headstone, who have committed a series of random, insane, violent crimes in Galway, Ireland. Most would see a headstone as a marker of the dead, but this organization seems like it will act as a death knell to every aspect of Jack's life. Jack's usual allies, Ridge and Stewart, are also in the line of terror. An act of appalling violence alerts them to the sleeping horror, but this realization may be too late, as Headstone barrels along its deadly path right to the center of Jack's life and the heart of Galway. A terrific read from a writer called "a Celtic Dashiell Hammett," Headstone is an excellent addition to the Jack Taylor series (Philadelphia Inquirer).

America-the land of opportunity, a place where economic prosperity beckons: but not for PI Jack Taylor, who's just been refused entry. Disappointed and bitter, he thinks that an encounter with an overly friendly stranger in an airport bar is the least of his problems. Except that this stranger seems to know much more than he should about Jack. Jack thinks no more of their meeting and resumes his old life in Galway. But when he's called to investigate a student murder-connected to an elusive Mr. K-he remembers the man from the airport. Is the stranger really who he says he is? With the help of the Jameson, Jack struggles to make sense of it all. After several more murders and too many coincidental encounters, Jack believes he may have met his nemesis. But why has he been chosen? And could he really have taken on the devil himself? Suspenseful, haunting, and totally unique, The Devil is Bruen at his very best.

The award-winning crime novelist Ken Bruen is as joyously unapologetic in his writing as he is wickedly poetic. In Green Hell, Bruen's dark angel of a protagonist, Jack Taylor, has hit rock bottom: one of his best friends is dead and the other has stopped speaking to him; he has given up on sobriety; and his firing from the Irish national police is ancient history.But Jack isn't about to embark on a self-improvement plan. Instead, he has taken up a vigilante case against a respected professor of literature at the University of Galway who has developed a savage habit his friends in high places are only too happy to ignore. Jack unexpectedly gains a new sidekick after rescuing a preppy American student from a couple of kid thugs. The student, a Rhodes scholar, decides to devote himself to slinging back shots of Jameson and writing a biography of Galway's most magnetic rogue. Between pub crawls and street fights, Jack's vengeful plot against the professor soon spirals towards chaos, putting both the student and himself in danger. Enter Emerald, an edgy young goth who could either be the answer to Jack's problems, or the last ripped stitch in his undoing. Ireland may be known as a "green Eden," but in Jack Taylor's world, the national color has a lethal sheen.

London Boulevard is a masterful work of double-dealing and suspense from Ken Bruen, one of the great crime writers of our time. Now a major motion picture starring Colin Farrell and Keira Knightley, written and directed by Oscar-winning screenwriter William Monahan of The Departed.When Mitchell is released from prison after serving three years for a vicious attack he doesn't even remember, Billy Norton is there to pick him up. But Norton works for Tommy Logan, a ruthless loan shark lowlife with plans Mitchell wants nothing to do with. Attempting to stay out of Logan's way, he finds work at the Holland Park mansion of faded movie actress Lillian Palmer, where he has to deal with her mysterious butler, Jordan. It isn't long before Mitchell's violent past catches up with him and people start getting hurt. When his disturbed sister Briony is threatened, Mitchell is forced to act.

Jack Taylor brings death and pain to everyone he loves. His only hope of redemption - his surrogate son, Cody - is lying in a hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer. Jack's investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing. Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice. Ken Bruen's Cross is a suspenseful and deeply moving mystery.

Ireland, awash with cash and greed, no longer turns to the church for solace or comfort. But the decapitation of Father Joyce in a Galway confessional horrifies even the most jaded citizen. Jack Taylor, devastated by the recent trauma of personal loss, has always believed himself to be beyond salvation. But a new job offers a fresh start, and an unexpected partnership provides hope that his one desperate vision--of family--might yet be fulfilled.An eerie mix of exorcism, a predatory stalker, and unlikely attraction conspires to lure him into a murderous web of dark conspiracies. The specter of a child haunts every waking moment.Explosive, unsettling, and totally original, Ken Bruen's writing captures the brooding landscape of Irish society at a time of social and economic upheaval. Priest is evidence of an unmistakable literary talent.

Over the many years that Inspector Brant has been bringing his own patented brand of policing to the streets of southeast London, the brilliant but tough cop has made a few enemies. So when a crazed gunman, hired by persons unknown, pumps a magazine full of bullets into Brant in a local pub, leaving him in grasping at life (but ornery as ever), his colleagues on the squad are left wondering how to react.Brant's old partner Inspector Roberts, the man who may know him best, finds himself wondering why someone didn't shoot the hateful detective years ago. In Ken Bruen's Ammunition, they're all about to find out that the answer is quite simple: if you come after Brant you'd damn well better kill him the first time--because if you don't, you won't want to stick around to find out what happens next.

Seems impossible, but Jack Taylor is sober---off booze, pills, powder, and nearly off cigarettes, too. The main reason he's been able to keep clean: his dealer's in jail, which leaves Jack without a source. When that dealer calls him to Dublin and asks a favor in the soiled, sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn't, can't, because the dealer's sister is dead, and the guards have called it "death by misadventure." The dealer knows that can't be true and begs Jack to have a look, check around, see what he can find out. It's exactly what Jack does, with varying levels of success, to make a living. But he's reluctant, maybe because of who's asking or maybe because of the bad feeling growing in his gut.Never one to give in to bad feelings or common sense, Jack agrees to the favor, though he can't possibly know the shocking, deadly consequences he has set in motion. But he and everyone he holds dear will find out soon, sooner than anyone knows, in The Dramatist, the lean and lethal fourth entry in Ken Bruen's award-winning Jack Taylor series.

Somewhere in the teeming heart of London is a man on a lethal mission. His cause: a long-overdue lesson on the importance of manners. When a man gives a public tongue-lashing to a misbehaving child, or a parking lot attendant is rude to a series of customers, the "Manners Killer" makes sure that the next thing either sees is the beginning of his own grisly end. When he starts mailing letters to the Southeast London police squad, he'll soon find out just how bad a man's manners can get. The Southeast is dominated by the perpetual sneer of one Inspector Brant, and while he might or might not agree with the killer's cause and can even forgive his tactics to some degree, Brant is just ornery enough to employ his trademark brand of amoral, borderline-criminal policing to the hunt for the Manners Killer. For if there's one thing that drives the incomparable inspector, it's the unshakeable conviction that if anyone is going to be getting away with murder on his patch, it'll be Brant himself, thank you very much.Ken Bruen's Calibre is original and astonishing hard-boiled noir.

Jack Taylor is walking the delicate edge of a sobriety he doesn't trust when his phone rings. He's in debt to a Galway tough named Bill Cassell, what the locals call a "hard man." Bill did Jack a big favor a while back; the trouble is, he never lets a favor go unreturned.Jack is amazed when Cassell simply asks him to track down a woman, now either dead or very old, who long ago helped his mother escape from the notorious Magdalen laundry, where young wayward girls were imprisoned and abused. Jack doesn't like the odds of finding the woman, but counts himself lucky that the task is at least on the right side of the law. Until he spends a few days spinning his wheels and is dragged in front of Cassell for a quick reminder of his priorities. Bill's goons do a little spinning of their own, playing a game of Russian roulette a little too close to the back of Jack's head. It's only blind luck and the mercy of a god he no longer trusts that land Jack back on the street rather than face down in a cellar with a bullet in his skull. He's got one chance to stay alive: find this woman.Unfortunately, he can't escape his own curiosity, and an unnerving hunch quickly turns into a solid fact: just who Jack's looking for, and why, aren't nearly what they seem.The Magdalen Martyrs, the third Galway-set novel by Edgar, Barry, and Macavity finalist and Shamus Award-winner Ken Bruen, is a gripping, dazzling story that takes the Jack Taylor series to explosive new heights of suspense.

For the Southeast London police squad, it's rough, tough, dirty business as usual. The Vixen, the most sensuous, crazed female serial killer ever, is masterminding a series of lethal explosions. She is unpredictable, wild, angry--and the cops don't even know she exists.Meanwhile, Inspector Roberts is helpless to stop the explosions and his subordinates aren't doing much better. Brant is consumed with an even-bigger-than-usual mean streak, and fast-rising Porter Nash finds himself facing serious health problems--everything to do with needles. PC MacDonald is determined to soldier on, whatever the cost, and the career of a new addition to the squad, WPC Andrews, starts spectacularly but with Falls as her mentor she's not expected to last long. At the top, Superintendent Brown is close to a coronary, and arresting the wrong man in a blaze of publicity is only the beginning of his problems.If the squad survives this incendiary installment in Ken Bruen's blazingly intense series, they'll do so with barely a cop left standing.

When Jack Taylor blew town at the end of The Guards his alcoholism was a distant memory and sober dreams of a new life in London were shining in his eyes. In the opening pages of The Killing of the Tinkers, Jack's back in Galway a year later with a new leather jacket on his back, a pack of smokes in his pocket, a few grams of coke in his waistband, and a pint of Guinness on his mind. So much for new beginnings.Before long he's sunk into his old patterns, lifting his head from the bar only every few days, appraising his surroundings for mere minutes and then descending deep into the alcoholic, drug-induced fugue he prefers to the real world. But a big gypsy walks into the bar one day during a moment of Jack's clarity and changes all that with a simple request. Jack knows the look in this man's eyes, a look of hopelessness mixed with resolve topped off with a quietly simmering rage; he's seen it in the mirror. Recognizing a kindred soul, Jack agrees to help him, knowing but not admitting that getting involved is going to lead to more bad than good. But in Jack Taylor's world bad and good are part and parcel of the same lost cause, and besides, no one ever accused Jack of having good sense. Ken Bruen wowed critics and readers alike when he introduced Jack Taylor in The Guards; he'll blow them away with The Killing of the Tinkers, a novel of gritty brilliance that cements Bruen's place among the greats of modern crime fiction.

Blitz represents Ken Bruen at his edgy, lethal, and sharp-tongued best, and will reward fans of his Jack Taylor novels with another astonishing, smart, and brutal vision from a writer rapidly becoming one of the best of his generation. The basis for the 2011 major motion picture starring Jason Statham, Paddy Considine, and Aidan Gillen. The South East London police squad are down and out: Detective Sergeant Brant is in hot water for assaulting a police shrink, Chief Inspector Roberts' wife has died in a horrific car accident, and WPC Falls is still figuring out how to navigate her job as a black female investigator in the notorious unit. When a serial killer takes his show on the road, things get worse for all three. Nicknamed "The Blitz" by the rabid London media, the killer is aiming for tabloid immortality by killing cops in different beats around the city.

An apparent miracle unleashes a lethal chain of events in the life of Jack Taylor, ex-cop turned private eye.

Ex-cop turned private eye Jack Taylor is on the hunt for a psychotic assassin who has been killing Galway police officers, one by one.

“Hip, violent and funny vignettes of the mean streets of southeast London tie together this rowdy set of short novels” from the Irish crime writer (Publishers Weekly). At sixty-two, Chief Inspector Roberts is nearly too old to be a cop, but he makes up for his age with a ferocity that the younger detectives cannot match. After four decades on the force, he has a daughter who hates him, a wife who cheats, and a bank account that grows emptier every year. But on London’s darker streets, Roberts is a force to be reckoned with. With his partner, the gleefully brutal Detective Sergeant Brant, Roberts looks for every policeman’s dream: the White Arrest, a high-profile success that makes up for all their past failures. In A White Arrest, their target is a bat-wielding lunatic who knocks off drug dealers. In Taming the Alien, they hunt a mysterious hit man who earned his nickname by carrying out a hit while watching Ridley Scott’s sci-fi classic. And in The McDead, Roberts and Brant set their sights on a cunning kingpin ruling London’s southeast side. Gripping and gritty, Ken Bruen’s White Trilogy is an unforgettable noir portrait of London’s seedy underworld.

When last we saw Max Fisher and Angela Petrakos, Max was being arrested by the NYPD for drug trafficking and Angela was fleeing the country in the wake of a brutal murder. Now both are headed for eye-opening encounters with the law - Max in the cell blocks of Attica, Angela in a quaint little prison on the Greek island of Lesbos...

Someone is scraping the scum off the streets of Galway, and they want Jack Taylor to get involved. A drug pusher, a rapist, a loan shark, all targeted in what look like vigilante attacks. And the killer is writing to Jack, signing their name: C-33. Jack has had enough. He doesn't need the money, and doesn't want to get involved.