Bøger af Karen Elizabeth Gordon

With her signature cache of illustrations and flamboyantly gothic examples, Karen Elizabeth Gordon, "who has achieved cult status with her whimsical references, defines an array of daffy, delicious words" (Library Journal). In The Disheveled Dictionary Gordon conjures a world of words, their definitions and myriad uses, and along the way invokes favorite characters from earlier books. Gordon's eccentric wit and unique insights take readers on a delightful romp through the dictionary that will expand their vocabularies and exhilarate their minds. Along the way she celebrates not only the obscure but also our most beloved and basic words. The Disheveled Dictionary is a treat for anyone who loves language -- its sound, its sensuality, its ability to surprise and delight.

Playful and practical, this is the style book you can't wait to use, a guide that addresses classic questions of English usage with wit and the blackest of humor. Black-and-white illustrations throughout.

At long last, The New Well-Tempered Sentence rescues punctuation from the perils of boredom, with wholly original explanations of the rules of punctuation, whimsical graphics, and utterly unforgettable characters (yes, characters in a grammar book). Gordon teaches you clearly and simply where to place a comma and how to use an apostrophe. Gradually, as you master the elusive slashes, dots, and dashes that give expression to our most perplexing thoughts, you will find yourself in the grip of a bizarre and bemusing comedy of manners. Witty, saucy, and utterly unforgettable, The New Well-Tempered Sentence is a must-have for anyone who has ever despaired of opening a punctuation handbook but whose sentences despair without one.

The Red Shoes consists of tatters of a half-dozen tales (The Glass Shoe, The Gingerbread Variations, The Little Match Girl, Don Juan Is a Woman, and the title story, among others), sewn together into a novel by two seamstresses. "Fabric, fabrication - such is the stuff of these lost chronicles come together here", Gordon writes in her introduction. "Swinging their hatboxes, swaying their hips, chapters with torn slips wander in on high heels and blistered feet". Looking back to the fairy tales of Hans Christian Andersen and the Brothers Grimm, but also casting sidelong glances at metafictional sugardaddies like Queneau, Nabokov, Cortazar, Gass, and Milorad Pavic, The Red Shoes is a Rabelaisian romp through the language of sensuality.