Bøger af Judy Grahn

In 1985, Judy Grahn boldly declared that lesbians have a poetic tradition and mapped it from Sappho to the present day in the groundbreaking book The Highest Apple. With her characteristic ferocious intellect, passion for historical research, careful close readings, and dynamic storytelling, Grahn situated poetry by Sappho, Emily Dickinson, Amy Lowell, H.D., Gertrude Stein, Adrienne Rich Paula Gunn Allen, Audre Lorde, Pat Parker, and Olga Bromas as central to lesbian culture-and more radically as central to society as a whole. In this new and updated edition of The Highest Apple: Sappho and the Lesbian Poetic Tradition, Grahn revisits the original text and amplifies it with a more in depth consideration of Pat Parker and in conversation with two younger lesbian poets, Alicia Mountain and Alyse Knorr, demonstrating the continued relevance and dynamism of The Highest Apple. A new introduction by Grahn and six responses by contemporary poets Donika Kelly, Kim Shuck, Serena Chopra, Zoe Tuck, Saretta Morgan, and Khadijah Queen highlight the ongoing significance of The Highest Apple to readers, writers, and thinkers.

Literary Nonfiction. Memoir. LGBT Studies. Growing up in Las Cruces, New Mexico, the lean child of working-class Chicago transplants, Judy Grahn hungered to connect with the larger world, to create a place for herself beyond the deprivations and repressions of small town, 1950s life. Refusing the imperative to silence that was her inheritance as a woman and as a lesbian, Grahn found her way to poetry, to activism, and to the intoxicating beauty and power of openly loving other women. In the process, she emerged not only as one of the most inspirational and influential figures of the gay women's liberation movement, but as a poet whose vision and craft has helped to give voice to long-unexplored dimensions of women's political and spiritual existence.In telling her life story, Grahn reflects on the profound cultural shifts brought about by the women's and gay rights movements of the 1960s and 1970s. The "simple" revolution she recounts involved not just the formation of new institutions (the Women's Press Collective, Oakland Feminist Women's Health Center, A Woman's Place Bookstore), but the creation of whole new ways of living, including collective feminist households that cut through the political and social isolation of women.Throughout, Grahn describes her involvement with iconic scenes and figures from the history of these years--the Altamont Music Festival, the Black Panthers, the imprisoned Manson women, the Weather Underground, Inez Garcia--sometimes as witness, sometimes as participant, sometimes as instigator. Looking at these events and people within the context of the women's movement, and through the prism of Judy Grahn's luminous poetic sensibility, we see them anew."In A SIMPLE REVOLUTION, Grahn refuses dramatic, psychological narratives that readers have come

Touching Creatures, Touching Spirit illustrates with true stories that we live in an interactive, aware world in which the creatures around us in our neighborhoods know us and sometimes reach across to us, empathically and helpfully. Implications are that all beings live in a possible ';common mind' from which our mass culture has disconnected, but which is only a heartbeat and some concentrated attention away. This mind encompasses microbial life and insects as well as creatures and extends to nonmaterial intelligence as wellthat is to say, spirit.Creatures as varied as a collaborating dragonfly, ants rescuing each other, a sympathetic lizard, an empathic coyote, gift-giving squirrels, crazed birds, and lots of very mysteriously smart cats inhabit the stories.Precognition, dreams, paranormal experiences with birds, psychic communications with cats, visitations from ghosts with messages, rolling earth spiritsnot supernatural, they seem natural enough but not visible to everyone.The intention of this book is to help people catch interactions they themselves experience with nonhuman and even disembodied beings, and who could use some support for recalling since these interactions make clear we live in a sentient world.

love belongs to those who do the feeling-an exciting collection of new and selected poetry by Judy Grahn. The book contains selections from Judy's entire body of poetic work from The Work of a Common Woman, The Queen of Wands and The Queen of Swords, to new poems written between 1997 and 2008. Judy's poetry is rangy and provocative. It has been written at the heart of so many of the important social movements of the last forty years that the proper word is foundational-Judy Grahn's poetry is foundational to the spirit of movement. People consistently report that Judy's poetry is also uplifting-an unexpected side effect of work that is aimed at the mind as well as the heart. Judy continues to insist that love goes beyond romance, to community, and that community goes beyond the everyday world, to the connective worlds of earth and spirit.

Poetry. Literary Nonfiction. Fiction. Drama. LGBTQIA Studies. Women's Studies. Compiled in one book for the first time, featuring both new and out of print pieces, the contents of THE JUDY GRAHN READER span four decades of work by the prominent writer and activist. This volume contains writing from every phase of Judy Grahn's career, including poems from all of her major poetry collections, such as "The Common Woman," "A Woman is Talking to Death," and the previously unpublished "Mental"; a number of her groundbreaking essays ("Writing from a House of Women" and the newly revised "Ground Zero: The Rise of Lesbian Feminism," among others); as well as selected fiction and the full-length play The Queen of Swords. As Judy Grahn's writing continues to be relevant in today's social, political and cultural climate, this comprehensive volume gathers the varying strands of her writing and makes visible the tremendous scope of her ongoing contribution as a feminist thinker, activist, and literary artist. "Judy Grahn is the direct inheritor of that passion for life in the woman poet, that instinct for true power, not domination, which poets like Barrett Browning, Dickinson, H.D., were asserting in their own very different ways and voices."--Adrienne Rich"Judy Grahn has done more to create a women's literature than any other writer in the past half century."--Ron Silliman

Path-breaking lesbian poet & scholar Judy Grahn returns to the stories of Inanna the Mesopotamian goddess of erotic love and justice to reimagine the contemporary world.

In seven nine-part poems gathered from throughout her illustrious career, Lambda award winner Judy Grahn once again demonstrates her mastery of form. Using lamentations as her uniting medium, these transgressive poems seek to sound an alarm or name the unnamable, all in a movement towards the goal of possible social change.