Bøger af Judith Keller

This book aims to draw careful distinctions between the various forms of housing insecurity and personal circumstances research participants experience. While the urgency of the housing crisis in the US has produced a lot of scholarly work on housing, it often fails to recount the real life struggles that the housing crisis is causing. This is where the book provides a distinct contribution to housing studies and urban geography. The author use of trust as an analytical lens, her qualitative approach, and her work with people on the ground aim to move away from a quantitative understanding of the crisis by giving it a human face. The author seeks to bring to light the human costs of the destruction of home as well as the political reactions and day-to-day strategies that residents apply to make ends meet in times of the US housing crisis.

A brilliant collection of micro-fiction, reflecting our fragmented times. With quirky humor and wry insight, Swiss author Judith Keller's micro-fictions unravel the fabric of daily life. She delves into the aporia of language by taking idiomatic expressions literally, unpacking the multiple meanings of words, and confounding expectations. Seven Zurich tram stops provide the framework for these familiar yet absurd portraits of passers-by, fellow passengers on the tram, the unemployed and the overemployed, the innocent and the suspicious, young mothers and confused elderly. The reader is taken on a journey through the city and offered glimpses of people going more or less successfully about their lives. These deceptively banal glimpses, however, show us more than we expect--they turn the lens back on us, puncture our complacency and ask, "Who are you to judge?" The characters are hapless and far-fetched, trying to find their footing on shifting ground and grateful for what happiness they can find. In just a sentence or two, Keller unlocks metaphysical trapdoors. The Questionable Ones offers a collection of snapshots that reveal the extraordinary lurking inside the ordinary and the ordinary at the core of the extraordinary. >