Bøger af Jonathan Yukich

In 1959, a Southern minor league baseball team is shaken to its core when a woman shows up as an umpire. But is she really a woman? Or is something much more bizarre, much more ominous lurking behind her umpire's mask? The macabre mixes with pro sports in this hysterically oddball mystery involving love, loss, balls and strikes.

Theatre Now: Reading It, Seeing It, Doing It is a fresh, accessible, twenty-first century guide to theatre with a balance of practical, experiential, historical, and scholarly approaches. The book provides strategies to get beyond simply lecturing about theatre, and instead offers ways to make it active, immersive, and stimulating for students, ensuring they leave the classroom with not only an understanding of the major tenets of theatre as an art form, but also an appreciation for the nuts and bolts of how theatre functions, as well as a sense of the durability and reach of its impact and presence. The opening chapter begins to define and categorize theatre, exploring how it can cover a range of happenings, events, and experiences that extend beyond plays and musicals. Additional chapters explore major figures, innovations, and movements within the theatre over time, and the function of the artists, disciplines, and vocations that go into creating theatre. Students learn how to read a play, analyze a script, and assess live performance as an informed audience member. Dedicated chapters examine the formation and evolution of musical theatre, provide students with an extensive list of seminal contemporary plays, and help them apply playwriting practices and strategies to create an original play. Engaging and enlightening, Theatre Now is an exemplary resource for theatre majors at all levels, as well as students enrolled in theatre appreciation courses.

What happens when football and aliens mix in the American South? Set in 1974, an Alabama family is forced to confront long-submerged truths when sports legend Bear Bryant visits their hometown of Balls. As the big arrival nears, and other unexpected guests materialize, the family struggles to maintain their identity, civility, and what's left of their sanity. A comedy with bite, KILLING THE BEAR turns a spotlight on the insularity of small-town life, the frenzied clout of college football in the Bible Belt, and the distorted constructs of hero-worship. "There is something frighteningly real and revealing rippling just beneath the surface of Jonathan Yukich's new work. It is both playful and dangerous, like a fun house mirror in which we can't help but recognize ourselves even as the image before us writhes uncontrollably; ridiculous in one moment, monstrous in the next. The real genius of this play resides in Yukich's ability to create characters that so fully embody our desperate yearning for our own American dream: the one we were meant for, the one we are owed. KILLING THE BEAR is about as American as a play gets." Jeni Mahoney, Producing Artistic Director, Seven Devils Playwrights Conference "Jonathan Yukich isn't afraid to play with absurdity, to lean into the freakishness of, say, a two-headed cow, but his love for the South, for these strange characters, allows him to find something resonant and true within this landscape. The ghost of Bear Bryant wouldn't know what to do with this play, but Flannery O'Connor would heartily approve. An electric, wild, utterly wonderful play."Kevin Wilson, author of Nothing to See Here and The Family Fang