Bøger af Jonathan Petropoulos

Princes Philipp and Christoph von Hessen-Kassel, great-grandsons of Queen Victoria of England, had been humiliated by defeat in World War I and, like much of the German aristocracy, feared the social unrest wrought by the ineffectual Weimar Republic. Jonathan Petropoulos shows how the princes, lured by prominent positions in the Nazi regime and highly susceptible to nationalist appeals, became enthusiastic supporters of Hitler. Prince Philipp, son-in-law to the King of Italy, became the highest-ranking prince in the Nazi state and developed a close personal relationship with Hitler and Hermann Goering. Prince Christoph was a prominent SS officer and head of the most important intelligence agency in the Third Reich. In return, the princes made the Nazis socially acceptable to wealthy, high-society patrons. Prince Philipp even introduced Goering to Mussolini at a critical stage in the Nazi Party's development and later served as a liaison between Hitler and the Italian dictator. Permitted access to Hessen family private papers and the Royal Archives at Windsor Castle, Petropoulos follows the story of the House of Hesse through to its tragic denouement--the princes' betrayal and persecution by an increasingly paranoid Hitler and prosecution and denazification by the Allies.

"e;What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?"e; Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany's darkest period, Petropoulos shows how individuals variously dealt with the regime's public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Grundgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.

Few essays about the Holocaust are better known or more important than Primo Levi's reflections on what he called "e;the gray zone,"e; a reality in which moral ambiguity and compromise were pronounced. In this volume accomplished Holocaust scholars, among them Raul Hilberg, Gerhard L. Weinberg, Christopher Browning, Peter Hayes, and Lynn Rapaport, explore the terrain that Levi identified. Together they bring a necessary interdisciplinary focus to bear on timely and often controversial topics in cutting-edge Holocaust studies that range from historical analysis to popular culture. While each essay utilizes a particular methodology and argues for its own thesis, the volume as a whole advances the claim that the more we learn about the Holocaust, the more complex that event turns out to be. Only if ambiguities and compromises in the Holocaust and its aftermath are identified, explored, and at times allowed to remain--lest resolution deceive us--will our awareness of the Holocaust and its implications be as full as possible.

The political elite of Nazi Germany perceived itself as a cultural elite. This work explores their cultural aspirations by examining the content of art collections held by Nazis. The author demonstrates how they manipulated public policy and their collecting patterns to articulate Nazi ideology.