Bøger af John William Polidori

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Two of the most famous early examples of vampire literature, J Sheridan LeFanu's Carmilla and John William Polidori's The Vampyre both predate Bram Stoker's legendary Dracula by several decades are are often cited as influences on Stoker's novel. Carmilla is an atmospheric and erotic novella, which strongly influenced the genre and became a source of inspiration for Hammer films. Written at the same time as Frankenstein, when Polidori was also staying with Lord Byron, is often described as the first successful vampire novel.

The Vampire is now a staple of modern culture. Seen in films, comics, posters, books and countless other places and products, his presence has become ubiquitous. Despite this, the origin of this mythical creature remains obscure. When? In what circumstances did this character enter the world of fiction? Included in this collection are several stories that were written in the 19th century. They represent some of the earliest appearances of vampires in written form. The Vampyre is considered by many to be the first ever vampire short story ever written.Carmilla, a gothic novella published 25 years before Dracula, contains themes of lesbian attraction and aristocratic depredation that were hugely controversial at the time.Clarimonde is the story of a priest who is troubled in his faith when he falls in love with a mysterious woman. Collectively these stories represent a remarkable creative outburst that would give birth to the unnerving and endearing Vampire.

The Vampyre is a short story by John William Polidori. It is based on a fragment written by Lord Byron in 1816 during a gathering of author friends who, trapped inside due to bad weather, decided to write ghost stories. At the request of a friend, Polidori wrote a complete story from the premise outlined in Byron's fragment. Without either author's prior knowledge, the story was published in the April 1819 issue of New Monthly Magazine as "The Vampyre: A Tale by Lord Byron"; despite immediate protests from both Byron and Polidori, the attribution stuck, for a well-known author such as Byron attracted a much better audience.

A Rare Treasure of English Literature. Much before Bram Stoker's Dracula, there was "The Vampyre: A Tale," first published in 1819. Created in the summer of 1816 by Dr. John William Polidori, Lord Byron's physician and a close friend of Frankenstein's author Mary Shelly, "The Vampyre" tells a fascinating tale of vampirism in the early 19th century. Part of the project Immortal Literature Series of classic literature, this is a new edition of the classic work published in 1819 - not a facsimile reprint. Obvious typographical errors have been carefully corrected and the entire text has been reset and redesigned to enhance readability.

A Rare Treasure of English Literature. Much before Bram Stoker's Dracula, there was "The Vampyre: A Tale," first published in 1819. Created in the summer of 1816 by Dr. John William Polidori, Lord Byron's physician and a close friend of Frankenstein's author Mary Shelly, "The Vampyre" tells a fascinating tale of vampirism in the early 19th century. Part of the project Immortal Literature Series of classic literature, this is a new edition of the classic work published in 1819 - not a facsimile reprint. Obvious typographical errors have been carefully corrected and the entire text has been reset and redesigned to enhance readability. About the Author: John William Polidori (1795-1821) was an English writer and physician. He is credited as one of the creators of the vampire genre of fantasy fiction and is also known for his associations with the Romantic movement. "The Vampyre: A Tale" was the first vampire novel published in English (the first notable appearance of a vampire in creative literature being the short German poem "Der Vampir," written in 1748, by Heinrich August Ossenfelder). In the summer of 1816, Lord Byron and his guests, Percy Bysshe Shelley, Mary Godwin (Shelley) and her half sister Claire Clermont, and Dr. John William Polidori, then Lord Byron's traveling physician, were staying at the Villa Diodati, by Lake Geneva, Switzerland. The group decided to have a friendly competition to see who could write the best horror story. It was the genesis of Mary Shelley's "Frankenstein" and of Polidori's "The Vampyre: A Tale."

El Vampiro. John William Polidori (1795-1821) Con 16 años empezó sus estudios de Medicina en la Universidad de Edimburgo y a los 19 leyó su tesis de licenciatura. Sin embargo, su verdadero afán fue destacar en el campo de las letras y labrarse una carrera literaria como la de sus autores más admirados. La oportunidad llegó cuando trabó contacto con el ya famoso y escandaloso Lord Byron. En 1821, harto de una existencia poco ilustre, puso fin a su vida tomando ácido prúsico. La familia, para evitar el escándalo, borró todas las pruebas del suicidio.

This Is A New Release Of The Original 1819 Edition.

Excerpt from The Diary of Dr. John William Polidori, 1816: Relating to Byron, Shelley, Etc One of these writings is the text to a volume, published in 1821, entitled Sketches Illustrative of tile Manners and Costumes of France, Switzerland, ana7 Italy, by R. Bridgens. The name of Polidori is not indeed recorded in this book, but I know as a certainty that he was the writer. One of the designs in the volume shows the costume of women at Lerici just about the time when Shelley was staying there, in the closing months of his life, and a noticeable costume it was. Polidori himself - though I am not aware that he ever received any instruction in drawing worth speaking of - had some considerable native gift in sketching faces and figures with lifelike expression; I possess a few examples to prove as much. The Diary shows that he took some serious and intelligent interest in works of art, as well as in literature; and he was clearly a rapid and somewhat caustic judge of character perhaps a correct one. He was a fine, rather romantic looking young man, as evidenced by his portrait in the National Portrait Gallery, accepted from me by that Institution in 1895. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"I breathe freely in the neighbourhood of this lake; the ground upon which I tread has been subdued from the earliest ages; the principal objects which immediately strike my eye, bring to my recollection scenes, in which man acted the hero and was the chief object of interest. Not to look back to earlier times of battles and sieges, here is the bust of Rousseau-here is a house with an inscription denoting that the Genevan philosopher first drew breath under its roof. A little out of the town is Ferney, the residence of Voltaire; where that wonderful, though certainly in many respects contemptible, character, received, like the hermits of old, the visits of pilgrims, not only from his own nation, but from the farthest boundaries of Europe. Here too is Bonnet's abode, and, a few steps beyond, the house of that astonishing woman Madame de Stael: perhaps the first of her sex, who has really proved its often claimed equality with, the nobler man.

"I breathe freely in the neighbourhood of this lake; the ground upon which I tread has been subdued from the earliest ages; the principal objects which immediately strike my eye, bring to my recollection scenes, in which man acted the hero and was the chief object of interest. Not to look back to earlier times of battles and sieges, here is the bust of Rousseau-here is a house with an inscription denoting that the Genevan philosopher first drew breath under its roof. A little out of the town is Ferney, the residence of Voltaire; where that wonderful, though certainly in many respects contemptible, character, received, like the hermits of old, the visits of pilgrims, not only from his own nation, but from the farthest boundaries of Europe. Here too is Bonnet's abode, and, a few steps beyond, the house of that astonishing woman Madame de Stael: perhaps the first of her sex, who has really proved its often claimed equality with, the nobler man. We have before had women who have written interesting novels and poems, in which their tact at observing drawing-room characters has availed them; but never since the days of Heloise have those faculties which are peculiar to man, been developed as the possible inheritance of woman. Though even here, as in the case of Heloise, our sex have not been backward in alledging the existence of an Abeilard in the person of M. Schlegel as the inspirer of her works. But to proceed: upon the same side of the lake, Gibbon, Bonnivard, Bradshaw, and others mark, as it were, the stages for our progress; whilst upon the other side there is one house, built by Diodati, the friend of Milton, which has contained within its walls, for several months, that poet whom we have so often read together, and who-if human passions remain the same, and human feelings, like chords, on being swept by nature's impulses shall vibrate as before-will be placed by posterity in the first rank of our English Poets. You must have heard, or the Third Canto of Childe Harold will have informed you, that Lord Byron resided many months in this neighbourhood. I went with some friends a few days ago, after having seen Ferney, to view this mansion. I trod the floors with the same feelings of awe and respect as we did, together, those of Shakespeare's dwelling at Stratford. I sat down in a chair of the saloon, and satisfied myself that I was resting on what he had made his constant seat. I found a servant there who had lived with him; she, however, gave me but little information. She pointed out his bed-chamber upon the same level as the saloon and dining-room, and informed me that he retired to rest at three, got up at two, and employed himself a long time over his toilette; that he never went to sleep without a pair of pistols and a dagger by his side, and that he never ate animal food. He apparently spent some part of every day upon the lake in an English boat. There is a balcony from the saloon which looks upon the lake and the mountain Jura; and I imagine, that it must have been hence, he contemplated the storm so magnificently described in the Third Canto; for you have from here a most extensive view of all the points he has therein depicted. I can fancy him like the scathed pine, whilst all around was sunk to repose, still waking to observe, what gave but a weak image of the storms which had desolated his own breast.

Le Vampire de John William Polidori est la première histoire écrite en prose sur le thème des vampires.Polidori était le medecin particulier et assistant de Lord Byron. Un après midi de juillet 1816, Byron mit ses amis au défi: écrire une histoire Fantastique le plus rapidemment possible. Une seule personne réussit dans les temps, sa femme, Mary. Byron lui, commença vaguement une histoire de vampires, mais ne la finit jamais et la donna à son médecin. C¿est ce début de script qui permit à Polidori de publier en 1819 son livre, The Vampire. De son côté, Mary venait de créer ce qui devint un succès mondial : Frankestein.l¿histoire pose les bases qui seront après réutilisées dans bien des histoires, notamment Dracula. Le vampire ici se nourrit de sang de jeunes vierges (qüil a accessoirement corrompues pour l¿occasion), par contre, il n¿est pas encore mention de son incapacité à voyager le jour ni d¿une quelconque peur de l¿aïl. Il faudra que le mythe se développe avant que ces points n¿entrent dans l¿attirail de base des vampires.

Fifteen chilling tales recount some of the earliest examples of vampire lore ever published. Gothic tales, traditional folklore, satire, psychological horror, and even romance set the stage for a diverse cast of undead characters, including the first ever black vampire story, gay vampires, lesbian vampires, psychic vampires, some old, some young, but all bloodthirsty! This anthology also features the first vampire story ever set in the Carpathian region (The Mysterious Stranger, a possible influence on Bram Stoker), as well as Stoker's own story Dracula's Guest, excised by his publisher from his classic Dracula novel before publication.CONTENTS:A Fragment (1816) - Lord ByronThe Vampyre (1819) - John William PolidoriThe Black Vampyre (1819) - Uriah Derick D'ArcyClarimonde (1836) - Théophile GautierThe Mysterious Stranger (1854) - Anonymous (Karl von Wachsmann)Carmilla (1872) - J. Sheridan LeFanuKen's Mystery (1883) - Julian HawthorneManor (1885) - Karl Heinrich UlrichsGood Lady Ducayne (1896) - Mary E. BraddonDracula's Guest (1897) - Bram StokerThe Tomb of Sarah (1900) - F. G. LoringThe Vampire Maid (1900) - Hume NisbetFor The Blood is The Life (1911) - Francis Marion CrawfordThe Room in The Tower (1912) - E. F. BensonThe Transfer (1912) - Algernon Blackwood

When Aubrey, a young Englishman, meets a mysterious man from London high society, Lord Ruthven, they become unlikely friends. Shortly after, Aubrey decides to accompany the noble on a trip to Rome. However, when a moral disagreement arises between the two, Aubrey decides to leave Ruthven in Rome, and goes off on his own. Arriving in Greece, Aubrey meets Ianthe, and the two share an immediate connection. After sharing stories and an evening together, Aubrey and Ianthe part ways for the night. However, after a devastating turn of events, Aubrey and Ruthven reunite, and Aubrey, ready to leave Greece behind, is happy to travel with the older man once again. But as they continue their travels, Aubrey slowly begins to notice Ruthven''s odd behavior. After even more consideration, Aubrey realizes a shocking pattern--nearly everyone that Ruthven comes in close contact to meets an untimely end. Afraid of his newly acquired knowledge, Aubrey attempts to distance himself from the suspicious man, though he is forced to reconsider his efforts when Ruthven expresses intent to marry Aubrey''s sister. First published under Lord Byron''s name, The Vampyre rose to immediate commercial success. However, though he was inspired by a discarded piece of Lord Bryon''s work, both authors have since admitted that John William Polidori was the true writer of The Vampyre. Considered to be the first work of vampire fiction, The Vampyre had an immense role in shaping vampires as literary figures, influencing the canonical rules of vampires that many still follow today. First published in 1819, Polidori''s The Vampyre remains to be a thrilling and spooky read centuries later, and has since inspired both film and theater adaptations. With mystery and eerie suspense, Polidori''s work is an extraordinary example of 19th century gothic horror. This edition of The Vampyre by John William Polidori features a striking new cover design and is printed in a font that is both modern and readable. With these accommodations, The Vampyre caters to a contemporary audience while preserving the original innovation of John William Polidori''s work.

The Vampyre: A Tale.This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Closely associated with the Romantic movement, John William Polidori is considered by many to be the creator of vampire fiction. His 1819 short story, 'The Vampyre', is widely accepted as the first vampire story ever written. Many of the earliest and most interesting vampire stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This beautiful collection of Hans Christian Andersen's 1932 fairy tale anthology is illustrated by the masterful Arthur Rackham.Danish poet and author, Hans Christian Andersen always wrote fairy tales in his unique, colloquial style. His charming moral stories are full of love, friendship, and even tragic heartbreak as he paints beautiful scenes and characters in his reader's mind. This 1932 collection of his stories features gorgeous full-colour plates and black-and-white illustrations from the Golden Age's Arthur Rackham. Some of the stories collated in this volume include: The Ugly Duckling The Snow Queen The Steadfast Tin Soldier The Emperor's New Clothes Thumbelina The Princess and the Pea The Little Match Girl The Little Mermaid