Bøger af John McGahern

Moran is an old Republican whose life was forever transformed by his days of glory as a guerilla leader in the War of Independence. Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past.'A masterpiece.' John Banville'John McGahern is the Irish novelist everyone should read.' Colm Toibin'It is compact but not dense, spare yet rich, and brimming with tension.' Observer'An overwhelming experience.' The Times'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike'One of the greatest writers of our era.' Hilary Mantel, New Statesman

Michael, a writer of pornographic fiction, creates an ideal world of sex through his two stock athletes, Colonel Grimshaw and Mavis Carmichael, while he bungles every phase of his entanglement with an older woman who has the misfortune to fall in love with him. But his insensitivity to this love is in direct contrast to the tenderness with which he attempts to make his aunt's slow death in hospital tolerable, while his employer, Maloney, failed poet and comic king of pornographers, comes gradually to preside over this broken world. Everywhere in this rich novel is the drama of opposites, but, above all, sex and death are never far from each other.'A marvellous novel, deep, moving, rich and resonant, about love, lust, life and death.' Sunday Express'A novel that succeeds beautifully in doing what it sets out to do; to record and illuminate varieties of disenchantment.' Times Literary Supplement'An admirable book, one of the finest I have read for a long time ... I cannot recommend Mr McGahern too strongly.' Sunday Telegraph

By "arguably the most important Irish writer since Samuel Beckett" (The Guardian), a character study of a young resident of Dublin who pens erotica for a living, making his money through fantasy while denying the realities of love and sex in his life. The Pornographer is the story of Michael, not a Dubliner but a resident of Dublin penning far from erotic tales to make ends meet. These tales--revolving around the "delicious, unending revel" of Colonel Grimshaw and the typist Mavis Carmichael--form a mordant counterpoint to Michael's own, much more complicated existence. Thirty years old, befogged by alcohol, sensitive yet indifferent to all emotional weather, Michael meets the slightly older Josephine, a clever, cautiously optimistic magazine editor who soon confesses her love, and though the feeling isn't mutual (as Michael makes painfully clear) the affair goes on; Josephine becomes pregnant; and, this being Ireland in the seventies, the piper must be paid. Not cruel but callous, Michael reels through his days, paying regular visits to a beloved aunt from the country who now lies dying in Dublin, and to his publisher, a citified and cynical Polonius who advises him to "be careful not to let life in." As the days turn into months, Michael begins to wonder what letting life in might look like. What would it mean, and where would it lead, to do right by others? First published in 1979, John McGahern's fourth novel is a character study of rare and unsparing insight. In rhythmic, lyrical prose, McGahern gives voice to the longing and self-loathing of a soul caught between a traditional world he believes he has rejected and a brave new world of advertised freedoms, sexual and otherwise, which offers no guarantee of love.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.

This remarkable volume brings together all of John McGahern's short fiction, fully revised, in a definitive text. McGahern has long been recognized as a contemporary master of the short story; The Collected Stories confirms his reputation as Ireland's leading prose writer.

John McGahern did not spread himself thinly as a writer. Nearly all of his creative energy went into what was central for him: the great novels and stories that are now part of the canon of Irish and world literature. Yet he spoke out when he felt he had something worth saying and his non-fiction writings are of great interest to anyone who loves his work, and to all those interested in the recent history of Ireland. This book brings together all of McGahern's surviving essays, reviews and speeches. In them his canon of great writers - Tolstoy, Chekhov, James, Proust and Joyce - is cited many times, with deep and subtle appreciation. His discussions of Irish writers who influenced him are generous and brilliant - among them Michael McLaverty, Ernie O'Malley and Forrest Reid. His interventions on issues he felt strongly about - sectarianism, women's rights, the power of the church in Ireland - are lucid and far-sighted.

That They May Face the Rising Sun was the last novel from John McGahern, one of Ireland's greatest novelists. Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. We are introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere.

The stories in High Ground are set in ordinary places, in the streets and suburbs and dancehalls of Dublin, the small towns and fields of the midlands, the big houses of the beleaguered Anglo-Irish in the aftermath of their ascendancy, the whole changing country propelled in a generation from the nineteenth into the late twentieth century.

John McGahern is considered by many to be the most important Irish prose writer of the last fifty years. McGahern's short stories equal his finest novels, reflecting both the richness of the ordinary, and the extraordinary, in the lives of a variety of individuals: the jilted lover waiting with would-be writers in a Dublin pub on a summer evening; the bitter climax between a father and son as a marriage begins; the fortunes and misfortunes of the Kirkwood family; and many more.For this revised edition, completed shortly before his death, John McGahern edited and deleted a number of stories from the Collected Stories that first appeared in 1992. This is the authorised edition of a modern classic.'He writes with authority and gravity, and with an instinct for the most appropriate detail . . . His terse narrative seems free and full. He has the gift of being able to move fluently and unselfconsciously between a simple and a heightened style.' Times Literary Supplement'One of the greatest writers of our era.' Hilary Mantel, New Statesman

'Marvellous.' Susan Hill, The TimesElizabeth Reegan, after years of freedom - and loneliness - marries into the enclosed Irish village of her upbringing. The children are not her own; her husband is straining to break free from the servile security of the police force; and her own life, threatened by illness, seems to be losing the last vestiges of its purpose. Moving between tragedy and savage comedy, desperation and joy, John McGahern's first novel is one of haunting power.'The details are evoked with a scrupulous yet enhancing accuracy that reminds one of the young Joyce. He is astonishingly successful in penetrating the mind of a mature woman confronted with pain and death. Mr McGahern is the real thing.' Spectator

'As wise and compelling a book as any of his elegiac and graceful novels.' David MitchellThis is the story of John McGahern's childhood; of his mother's death, his father's anger and bafflement, and his own discovery of literature.'Long before Frank McCourt made an entire industry out of twinkly eyed accounts of the poverty and institutionalised brutality of mid-twentieth-century rural Ireland, John McGahern, Ireland's greatest living novelist, had already shone wise and unsparing light on this same world ... Memoir is the full, unadorned story of his childhood and adolescence in Leitrim ... His finest book yet.' Stephanie Merritt, Observer'In a tremendously distinguished career, he has never written more movingly, or with a sharper eye.' Andrew Motion, Guardian'I have admired, even loved, John McGahern's work since his first novel ... Memoir strips the skin off his fiction as he faces a desperate early life with great force and tenderness.' Melvyn Bragg

The Dark, John McGahern's second novel, is set in rural Ireland. The themes - that McGahern has made his own - are adolescence and a guilty, yet uncontrollable sexuality that is contorted and twisted by both a puritanical state religion and a strange, powerful and ambiguous relationship between son and widower father.Against a background evoked with quiet, undemonstrative mastery, McGahern explores with precision and tenderness a human situation, superficially very ordinary, but inwardly an agony of longing and despair.'It creates a small world indelibly and without recourse to deliberate heightening effects of prose. There are few writers whose work can be anticipated with such confidence and excitement.' Sunday Times'One of the greatest writers of our era.' Hilary Mantel, New Statesman

Paul King, an Irish landowner, is dying; When he dies, his handsome young workman Paul is urged by a cunning mother to move in on the vulnerable young widow. The Power of Darkness reflects a fallen world. sexual ignorance and the old fear of famine lead to irrational greed, coupled with the need for redemption.

A day, crucial and cathartic, in the life of a young Catholic schoolteacher who has returned to Ireland after a year's sabbatical in London where he married an American divorcee. As a result he now faces certain dismissal by the school authorities. Moving from the earliest memories of both the man and the woman, the novel recreates their breaking of the shackles of guilt and duty into the acceptance of a fulfilling adult love.