Bøger af John Mackay

For Kirsty MacLeod, the love of Murdo promises a new life away from the scrape of the land and the repression of the church. But the Great War looms and the villages hold a grand Road Dance to send their young men off to battle. As the dancers swirl and sup, Kirsty is overpowered and raped by an unknown assailant. She hides her dark secret, fearful of what it will mean for her and the baby she is carrying. Only the embittered doctor, a man with a cold wife and a colder bed, suspects. On a fateful day of surging seas and swelling pain Kirsty learns that her love will never be back. Now she must make her choice and it is no choice at all. And the hunt for the baby's mother and his killer become one and the same.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Celtic Monthly - A Magazine for Highlanders is an unchanged, high-quality reprint of the original edition of 1892.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The most extensive study of the life and corpus of any Russian or Soviet filmmaker, this book reinserts Dziga Vertov's films into the complex epoch in which he worked, the theoretical debates in which he participated, and the reception his writings and films have generated.

As a young reporter John MacKay took the first calls on the Lockerbie Bombing. As a news anchor he conducted the final TV interviews of the Yes and No campaigns in Scotland's Referendum. His journey in journalism has taken him to the key events through the most dramatic decades of Scotland's peacetime history. Using contemporary scripts, transcripts of significant interviews, diaries and recollections, he charts Scotland's transformation as a society and as a nation.

When Cal MacCarl gets a phone call to his bachelor flat in Glasgow asking him to come to the bedside of his Aunt Mary, dying miles away on the Isle of Lewis, he embarks on a journey of discovery. With both his parents dead, his Aunt Mary is his only remaining blood link. When she goes he will be the last of the family line and he couldn't care less. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep and begins to understand that Aunt Mary was not the woman he knew and he might not be the person he thought he was. REVIEWS: 'Where MacKay differs from most other Hebridean-based novels is in his obvious research into the geography, and meticulous background into island traditions and cultures.' THE STORNOWAY GAZETTE. 'The Hebridean scenes are powerful.' THE SUNDAY HERALD. 'There is a tightly plotted story here, together with some lovely details of remote island life.' THE INDEPENDENT' A Strong modern story of personal conflict' NORTHWORDS NOWBACK COVER: The call came from a place far away where the dark was deep and the only sound was the fading breath of a woman on the edge of eternity. The summons to the bedside of his dying aunt drags Cal MacCarl away from the blur of city life to the islands where time turns slowly and tradition endures. He is striving for the urban dream of the luxury apartment and the prestige car and has shed all of his past to get there. Aunt Mary is his only remaining blood link. She comes from the past. She still knows him as Calum. When she passes he will be the last of the family line. But for Cal, family and history are just bonds to tie him down. Reluctantly embarking on a journey of duty, Cal finds himself drawn into the role of genealogy detective and discovers secrets which are buried deep. He begins to understand that Mary was not the woman he thought he knew and the secret she kept hidden for so long means he might not be who he thought he was.