Bøger af John Hollander

A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pages-a literary parade of phantoms and shades to add to the revelry of All Hallow's Eve.From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneas's wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches' brew of poems from the spirit world.

From lyrics and sonnets to folk ballads and moving spirituals, one of our greatest cultural legacies is the distinctly American poetry that arose in the first 125 years of the United States. This second volume of The Library of America's two-volume collection of nineteenth-century American poetry follows the evolution of American poetry from the monumental mid-century achievements of Herman Melville and Emily Dickinson to the modernist stirrings of Stephen Crane and Edwin Arlington Robinson. The cataclysm of the Civil War-reflected in fervent antislavery protests, in marching songs and poetic calls to arms, and in muted post-bellum expressions of grief and reconciliation-ushered in a period of accelerating change and widening regional perspectives.Among the unfamiliar pleasures to be savored in this volume are the penetrating meditations of the reclusive Frederick Goddard Tuckerman, the eloquent lyricism of Emma Lazarus, the mournful, superbly crafted fin de siècle verse of Trumbull Stickney.Here too are the pioneering African-American poets (Frances Harper, Albery Allson Whitman, Paul Laurence Dunbar); popular humorists (James Whitcomb Riley, Eugene Field); writers embodying America's newfound cosmopolitanism (Edith Wharton, George Santayana); and extravagant self-mythologizing figures who could have existed nowhere else, like the actress Adah Isaacs Menken and the frontier poet Joaquin Miller.Parodies, dialect poems, song lyrics, and children's verse evoke the liveliness of an era when poetry was accessible to all. Here are poems that played a crucial role in American public life, whether to arouse the national conscience (Edwin Markham's "The Man with the Hoe") or to memorialize the golden age of the national pastime (Ernest Lawrence Thayer's "Casey at the Bat").An entire section of this volume is devoted to American Indian poetry in nineteenth-century versions, making available-some for the first time since their initial publication-an astonishing range of translations and adaptations: Ojibwa healing rituals, the songs of the Ghost Dance religion, Zuni mythological narratives, chants from the Kwakiutl Winter Ceremonial. Also included is a generous selection from America's rich heritage of anonymous folk songs, ballads, and hymns.Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The splendid poems in this collection both represent and glorify the cultivating instinct, and each of them succeeds in "annihilating all that's made," as Andrew Marvell puts it in one of the most famous of all English poems, "to a green thought in a green shade." Contents include poems on Paradises, Gardens of Love, Gardens in the Mind, Gardens and Seasons, Flowers, Gardeners, The Work of the Garden, Gardens of the Wild, City Gardens, Public Gardens, Ruined Gardens, and A Garden of Gardens. Contributors include John Milton, Ovid, E.E. Cummings, Thom Gunn, John Donne, James Merrill, Wallace Stevens, Robert Browning, Shakespeare, and many others.

A critique that guides the readers through the moments when both modes work in tandem-and leads us to ask why they only sometimes do so successfully.

Some of the poets included in this anthology:Theocritus, Edmund Spenser, Edward Lear, Robert Browning, Thomas Hardy, John Donne, Philip Larkin, Anne Bradstreet, Emily Dickinson, Rossetti, Shelley and Kipling...

His purgatorial mock-journal--dwelling on loss and gain, on difference and effacement, on places and the place of writing--leads into a sequence of captivating prose poems, where imagination centers on the word and language celebrates its own creation.

This poem is an attempt to make sense out of what was apparently in them."

First Published in 2004. From Philip Freneau to Walt Whitman, Herman Melville to Trumbull Stickney, this collection of two volumes, selected by John Hollander, gives an insight into the artform during the nineteenth century. This collection is sorted by author with focus on American Indian Poetry, Folk Songs and Spirituals. An extensive list of works with attention to their chronology and editor notes on the texts within.

Surveys the schemes, patterns and forms of English verse, and illustrates each variation with an original and witty self-descriptive example. In this fourth edition, the authors offer a personal take on why the book has played such an important role in the education of young poets and student scholars.

New and classic essays by one of America's most distinguished contemporary poet-critics, The Work of Poetry surveys an extraordinary range of poets, from Dante to May Swenson, and George Meredith to Marianne Moore, as well as works from the Psalms to A Child's Garden of Verses.

This book-length poem is structured as a series of messages transmitted by a master spy to the director of spy operations and a number of his fellow spies. The spy speaks of his own alienation and sense of purposelessness as a secret agent.

This is a collection of classic animal poems. The poems include: Robert Burns's "To a Mouse"; Ted Hughes's "Hawk Roosting"; Christopher Smart's "My Cat Jeoffry"; and e.e. cummings's grasshopper-shaped poem.