Bøger af John DiLeo

From Lillian Gish in Way Down East (1920) to Renée Zellweger in Nurse Betty (2000), DiLeo takes movie fans on an unpredictable ride through 80 years of film history, showcasing a variety of genres and performing styles, and providing fresh spins on the careers of Hollywood's top stars. In this collection of short, informal essays, the author bypasses mainstream cinema and pays tribute to overlooked performances while bringing a necessary dose of renewed attention to those once-heralded and now forgotten.

Most books about screen acting, including one of the authorΓÇÖs (100 GREAT FILM PERFORMANCES YOU SHOULD REMEMBER BUT PROBABLY DONΓÇÖT), concentrate on major stars and major roles. THERE ARE NO SMALL PARTS focuses on the wonders achieved by performers in brief roles, sometimes mere cameos. To watch an actorΓÇÖs complete delineation of a character in a few minutes is to marvel at his/her talent, concentration, and invention. Each of the 100 performances spotlighted in the book aims to evoke not just each actorΓÇÖs individual impact but how he/sheΓÇÖs imaginative gifts invigorated (and sometimes even stole) their films. From 1935 to 2019, the text surveys great artists who mastered playing for the camera, seizing moviegoersΓÇÖ attentions and deserving places of honor for their contributions

From the advent of the talkies to the emergence of the ratings system, Ten Movies at a Time covers four decades of American movies, notably the glory days of the studio system, or, as it is more glamorously tagged, the Golden Age of Hollywood.Through reviews of 350 representative films, author John DiLeo tells an alternative, idiosyncratic history of the movies, focusing on the trends, the sub-genres, the cultural and historical shifts, offering, in the process, the parallel story of America itself.The 1930s include the birth (and near-death) of the movie musical, the wave of anti-war films for peacetime, the pre-Production Code looseness followed by an abrupt transition to “respectability,” and depictions of Depression America both realistic and escapist.The 1940s show Hollywood in full war-effort mode, in battle and on the home front, followed by a post-war cinema consisting of groundbreaking realism as well as a spate of fantasy films, plus the new and exciting “film noir,” not to mention portraits of Cold War panic and the domestic bliss of suburbia.The 1950s saw longtime stars like James Stewart admirably stretching their talents, with comparable maturity and depth brought to musical biopics and westerns, just as original movie musicals peaked and subsided, while television was being challenged by wider screens and colorful remakes of ’30s classics.The 1960s courted audiences with soapy spectacles, macho epics, titillating sex farces, and mammoth Broadway-musical adaptations, but, as black and white was fading away, and as movies were getting more bloated, Hollywood was heading toward a new permissiveness and an uncharted landscape.As Ten Movies at a Time moves with the times, DiLeo presents a vibrant vision of just how the movies traveled from 1930 to 1970, enhanced by his lively and piercing perceptions of the 350 movies highlighted. Whether they are wonderful or terrible, beloved or forgotten, significant or routine, each one contributes something worthy to the conversation about our film legacy.

Screen Savers II is John DiLeo''s three-part grab bag of classic movies, beginning with his extensive essays about ten remarkable and underappreciated movies, as in the first Screen Savers, and representing a variety of genres and stars such as Barbara Stanwyck, James Stewart, Ginger Rogers, and DiLeo favorite Joel McCrea. Part Two collects and categorizes posts from DiLeo''s classic-film blog screensaversmovies.com, containing his musings on classics revisited, sleepers and stinkers, films old and new, plus his memorial tributes to Hollywood notables. Part Three might be called a delayed bonus round to DiLeo''s 1999 quiz book, with all-new matching quizzes. Can you identify the films in which a character writes a book titled Hummingbird Hill; Fred Astaire dances with Betty Hutton; a character named Sean Regan is important but never seen?