Bøger af John Carlos Rowe

In The Cultural Politics of the New American Studies, leading American Studies scholar John Carlos Rowe responds to two urgent questions for intellectuals. First, how did neoliberal ideology use the issues of feminism, gay rights, multiculturalism, transnationalism and globalization, class mobility, religious freedom, and freedom of speech and cultural expression to justify a new "American Exceptionalism," designed to support U.S. economic, political, military, and cultural expansion around the world in the past two decades? Second, if neoliberalism has successfully employed various cultural media, then what are the best means of criticizing its main claims and fundamental purposes? Is it possible under these circumstances to imagine a "counter-culture" which might effectively challenge neoliberalism or is such an alternative already controlled and contained by such labels as "political correctness," "the far left," "radicalism," "extremism," even "terrorism," which in the popular imagination refer to political and social minorities, doomed thereby to marginalization? Rowe argues that the tradition of "cultural criticism" advocated by influential public intellectuals like Edward Said can be adapted to the new circumstances demanded by the hegemony of neoliberalism and its successful command of new media. Yet rather than simply honoring important predecessors such as Said, we need to reconceive the role of the public intellectual as more than just an "interdisciplinary scholar" but also as a social critic able to negotiate the different media.

Challenges the conventional critical reading of the American poetic project as an engagement with or reaction against Emersonian thought. Rowe demonstrates how ideals of individualism, intellectualism, and otherworldiness inevitably undermine any political effectiveness that a writer may seek to achieve.

Offers a vision of Henry James as a social critic whose later works can be read as rich with homo-erotic suggestiveness. Drawing from work in queer and feminist theory, this book argues that the most fruitful approach to James is one that ignores the elitist portrait of the formalist master.