Bøger af John Berger

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "e;Seeing comes before words. The child looks and recognizes before it can speak."e;"e;But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."e; John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "e;This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures."e; By now he has.

John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

A collection of linked stories, encounters, journeys and perceptions that bear testament to the extraordinary creativity of this Booker-winning writer

Booker wining novelist, playwright, essayist, poet and critic - even admirers rarely know John Berger in all his literary incarnations. This collection of essays takes a look at his career. Berger's wide-ranging essays emphasise the continuities that have underpinned more than 40 years of tireless intellectual inquiry and political engagement.

A major new work from the world's leading writer on artLandscapes, the companion volume to John Berger's highly acclaimed Portraits, explores what art tells us about ourselves. ';Berger's work is an invitation to reimagine; to see in different ways,' writes Tom Overton in the introduction to this volume. As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives. In this brilliant collection of diverse piecesessays, short stories, poems, translationswhich spans a lifetime's engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artistsfrom the Renaissance to the presentwhile never neglecting the social and political context of their creation. Berger pushes at the limits of art writing, demonstrating beautifully how his artist's eye makes him a storyteller in these essays, rather than a critic. With ';landscape' as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger's understanding of the world. Landscapesalongside Portraitscompletes a tour through the history of art that will be an intellectual benchmark for many years to come.

A reissued edition of this classic Booker Prize-winning novel

Explores how the ancient relationship between man and nature has been broken in the modern consumer age, with the animals that used to be at the centre of our existence now marginalized and reduced to spectacle.

This is a collection of fragments about time and space by a writer and critic.

Booker Prize-winning author John Berger brings us this tender and bittersweet novel is a book of dreams: dreams of freedom and romance, dreams that intoxicate and redeem, dreams that have the power to exalt their dreamers or dash them against hard truth. It is the unforgettable, often comical portrait of a dreamer, one William Corker, the genteel proprietor of a London employment agency, who, in his sixty-third year, has just moved out of the house he shared with his overbearing sister. As Corker takes his first steps into a life of passions, Berger creates a character of astonishing depth and liveliness-a man whose fantasies and ambitions are at once splendid and tragic.

Booker Prize-winning author John Berger presents a collection of moments, each supremely vivid, that together make up a frieze of human history at the end of the millennium as well as a subtle and affecting self-portrait of their author. Using careful, intensely visual prose snapping frozen vignettes of life, these twenty-nine "photocopies" teach us about lying and self-invention, dignity and tenderness, charity and courage. Overflowing with the sights, sounds, and smells of life, Photocopies is a masterpiece from one of the most important chroniclers of our time.

When the Japanese Empire went to war with the Allies in December 1941, it had already been fighting in China for 10 years. During that time it had conquered huge areas of China, and subjugated millions of people. The Japanese needed to control the Chinese population in these occupied territories, and for this reason they set up governments from amongst the leaders of the Chinese who were willing to co-operate with them. These so-called 'puppet' governments were designed to rule on behalf of the Japanese while firmly under their overall control. In turn, the 'puppet' governments needed their own 'independent' armed forces. These 'puppet' armies were large in number, reaching a total of well over 1 million before 1945. Although poorly-armed and equipped, these forces had an influence on the Japanese war effort through sheer numbers.The Chinese 'puppet' soldiers ranged from the well-drilled and trained regular Army of the Last Emperor of China, Pu Yi, who ruled the newly-formed state of Manchukuo, 1932-45, to the irregular Mongol cavalry who served alongside Japanese troops in the 'secret war' waged in the Mongolian hinterlands.The troops were dismissed as traitors by the Chinese fighting the Japanese, and they were equally despised by the Japanese themselves. The troops were motivated by a range of reasons, from simple survival to a loyalty to their commander. The fact that so many Chinese were willing to fight for the Japanese was embarrassing to all sides, and for this reason has been largely ignored in previous histories of the war in the East. In the first of a three volume series, Philip Jowett tells the story of the Chinese who fought for the Japanese over a 14 year period.

A succinct, urgent and never-before seen collection of Berger's writing on mineworkers and miners' strikes celebrating both his acclaimed writing and deep-rooted politics

John Berger¿s essay is an extended reflection on shit as an emblem of what it means to be human.

From the 1972 Booker Prize-winning author comes an examination of masculinity, social covenants and murder that develops into a masterclass in humanity

In this quietly revolutionary work of social observation and medical philosophy, Booker Prize-winning writer John Berger and the photographer Jean Mohr train their gaze on an English country doctor and find a universal man--one who has taken it upon himself to recognize his patient's humanity when illness and the fear of death have made them unrecognizable to themselves. In the impoverished rural community in which he works, John Sassall tend the maimed, the dying, and the lonely. He is not only the dispenser of cures but the repository of memories. And as Berger and Mohr follow Sassall about his rounds, they produce a book whose careful detail broadens into a meditation on the value we assign a human life. First published thirty years ago, A Fortunate Man remains moving and deeply relevant--no other book has offered such a close and passionate investigation of the roles doctors play in their society."In contemporary letters John Berger seems to me peerless; not since Lawrence has there been a writer who offers such attentiveness to the sensual world with responsiveness to the imperatives of conscience." --Susan Sontag

From John Berger, the Booker Prize-winning author of G., A Painter of Our Time is at once a gripping intellectual and moral detective story and a book whose aesthetic insights make it a companion piece to Berger's great works of art criticism. The year is 1956. Soviet tanks are rolling into Budapest. In London, an expatriate Hungarian painter named Janos Lavin has disappeared following a triumphant one-man show at a fashionable gallery. Where has he gone? Why has he gone? The only clues may lie in the diary, written in Hungarian, that Lavin has left behind in his studio. With uncanny understanding, John Berger has written oneo f hte most convincing portraits of a painter in modern literature, a revelation of art and exile.

A major history of art from one of the world's leading writers and art critics

Following the success of Cataract, John Berger, one of the great soothsayers of seeing, joins forces again with Turkish illustrator Selcuk Demirel. This charming pictorial essay reflects on the cultural implications of smoking. A subtle and beautifully illustrated prose poem, Smoke lingers in the mind.

'Language is a body, a living creature ... and this creature's home is the inarticulate as well as the articulate'. John Berger's work has revolutionized the way we understand visual language. In this new book he writes about language itself, and how it relates to thought, art, song, storytelling and political discourse today. Also containing Berger's own drawings, notes, memories and reflections on everything from Albert Camus to global capitalism, Confabulations takes us to what is 'true, essential and urgent'.

What Time Is It? is a playful meditation on the illusory nature of time. In this beautiful essay in pictures, Berger posits the idea that by experiencing the extraordinary, we can defy time itself.

'It's an improbable city, Bologna - like one you might walk through after you have died.'A dreamlike meditation on memory, food, paintings, a fond uncle and the improbable beauty of Bologna, from the visionary thinker and art critic.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

This is a collection of portraits of a shepherd, a farmer, a painter and blind man, a sylph of Byzantine arrogance and a vagabond cyclist with primroses growing in her basket. The backgrounds range from Prague, Paris, Athens and Lahore, to countrysides and mountainscapes.