Bøger af Joe Sacco

In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years.

In late l991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour.

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. This title captures the essence of the tragedy.

Sacco gradually realized that Neven's own story - a microcosm of the Balkan conflict itself - might be the most compelling of all. Through Neven, Sacco tells the story of the warlords and gangsters who ran the country during the war, but all the time he - and the reader - never know whether Neven is telling the truth.

Joe Sacco's breakthrough work of graphic journalism -- a now-established genre almost single handedly invented by Sacco -- won the American Book Award upon its initial release in 1996, and has remained a perennial, essential work for understanding the Palestinian Israeli conflict in the Middle East. This new hardcover edition includes a new afterword by Israeli journalist Amira Hass and also features Palestinian academic and critic Edward W. Said's timeless 2001 introduction to the work. Based on several years of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, where he conducted over 100 interviews with Palestinians and Jews, Palestine was the first major comics work of political and historical nonfiction by Sacco, whose name has since become synonymous with this graphic form of New Journalism. Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter through the immersive lens of the comic book medium. Sacco has often been called the first comic book journalist, and he is certainly the best.

A brilliantly illustrated survey of the international comic book landscape over the past sixty years. Published to accompany a major exhibition at Centre Pompidou, Paris in May 2024, this is a timely reframing of the international comics landscape over the past six decades. For the first time, this survey establishes a dialogue between the three leading regions of comic book culture - Europe, Asia and America - and offers an immersive odyssey of the medium through its development over the decades, ranging from the explosion of the twentieth century underground scene to the most abstract contemporary styles. Beginning in the 1960s, when comics were still viewed as entertainment for children, an emerging sophisticated graphic style aimed at an adult audience came into focus: in France, the magazine Hara-Kiri provided new terrains for graphical humour, while the adventures of Jean-Claude Forest's Barbarella were published in albums by ÿric Losfeld; the launch in Japan of Garo in 1964, an avant-garde monthly, presented the concept of auteur comics; and the release of Robert Crumb's Zap Comix in 1968 established his reputation as the leader of the underground comics movement in the United States. Built around twelve themes which encompass the multiple worlds of the international comic book scene, the catalogue features work by artists such as AndrÃ(c) Franquin, Gotlib, Claire BretÃ(c)cher, Osamu Tezuka, MÅ"bius, Edmond Baudoin, Alison Bechdel, Ulli Lust, Art Spiegelman, Marjane Satrapi and Chris Ware. Each theme is introduced by an authority of the medium, and also includes an interview with renowned cartoonist and journalist Joe Sacco.

NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES, THE GUARDIAN, THE BROOKLYN RAIL, THE GLOBE AND MAIL, POP MATTERS, COMICS BEAT, AND PUBLISHERS WEEKLYFrom the "heir to R. Crumb and Art Spiegelman" (Economist), a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural worldThe Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life.In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to "remove the Indian from the child"; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture.Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture-recounted in stunning visual detail by one of the greatest cartoonists alive.

"Sacco brings the conflict down to the most human level, allowing us to imagine our way inside it, to make the desperation he discovers, in some small way, our own."-Los Angeles Times Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah-cold-blooded massacre or dreadful mistake-reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine and Safe Area Gorazde, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Footnotes in Gaza-Sacco's most ambitious work to date-transforms a critical conflict of our age into intimate and immediate experience.

In my view, that is part of its message' - from the preface by Joe SaccoOver the past decade, Joe Sacco has increasingly turned to short-form com-ics journalism to report from conflict zones around the world.

Joe Sacco is renowned for his non-fiction books of comics journalism like Palestine, Safe Area Gorazde and Footnotes in Gaza. In the vein of the old underground comix like ZAP or Weirdo, Bumf will be puerile, disgusting, and beyond redemption. It will go where it wants to go, and do what it wants to do.

Collects stories such as 'When Good Bombs Happen to Bad People', 'More Women, More Children, More Quickly', and 'How I Loved the War'.