Bøger af Jody Chan

A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism. Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan's impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual, capitalism and ?money models of madness," and ?wellness? checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto?and how the ?wrong? kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite the impacts?care teams, collective grief rituals, dinners around a table with too many friends to fit. impact statement imagines, and re-imagines, and re-imagines again, a queer, disabled, abolitionist revolution towards our communal flourishing.

"Jody Chan writes, 'have you ever found your specific wounds curled up in a song / written by someone else?' SICK is medicine and music. This book unearths a tenderness unknown to me before reading these poems and witnessing their 'humble magic.' Chan's lyric is a landscape I return to find myself. How lucky are we to be living and reading while Jody Chan is writing and teaching us how to be 'warm & unafraid'-what a tremendous, marvelous gift."-Yujane Chen"This striking debut-poems of history, of beauty, of violence, of grief-will surprise you at every turn of phrase and page. Chan's work is innovative, their treatment of the universal human condition meticulously unique. Do not miss this collection."-Erica Dawson"In SICK, Jody Chan examines loss through brilliant and stunning lyric, each poem urgent with gentle ferocity. So much exists here in the absence of what is said, so much feels vestigial-a phantom limb that keeps aching through deftly crafted nuance, simply mesmerizing. The many exigencies of grief appear and reappear in this collection like a 'hungry ghost,' but Chan proclaims/reclaims, 'this is a love story this is a love story this is a love story.'"-Jay Ward