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  • af Joanne McNeil
    188,95 kr.

    For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a "good" job. It's a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver's claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.Joanne McNeil, who often reports on how the human experience intersects with labor and technology brings blazing compassion and criticism to Wrong Way, examining the treacherous gaps between the working and middle classes wrought by the age of AI. Within these divides, McNeil turns the unsaid into the unignorable, and captures the existential perils imposed by a nonstop, full-service gig economy.

  • - How a Person Became a User
    af Joanne McNeil
    188,95 kr.

    One of EsquireΓÇÖs Best Books to Elevate Your Reading List in 2020, , and a OneZero Best Tech Book of 2020. Named one of the 100 Notable books of 2020 by the End of the World Review.A concise but wide-ranging personal history of the internet fromΓÇöfor the first timeΓÇöthe point of view of the userIn a shockingly short amount of time, the internet has bound people around the world together and torn us apart and changed not just the way we communicate but who we are and who we can be. It has created a new, unprecedented cultural space that we are all a part ofΓÇöeven if we donΓÇÖt participate, that is how we participateΓÇöbut by which weΓÇÖre continually surprised, betrayed, enriched, befuddled. We have churned through platforms and technologies and in turn been churned by them. And yet, the internet is us and always has been.In Lurking, Joanne McNeil digs deep and identifies the primary (if sometimes contradictory) concerns of people online: searching, safety, privacy, identity, community, anonymity, and visibility. She charts what it is that brought people online and what keeps us here even as the social equations of digital lifeΓÇöwhat weΓÇÖre made to trade, knowingly or otherwise, for the benefits of the internetΓÇöhave shifted radically beneath us. It is a story we are accustomed to hearing as tales of entrepreneurs and visionaries and dynamic and powerful corporations, but there is a more profound, intimate story that hasnΓÇÖt yet been told.Long one of the most incisive, ferociously intelligent, and widely respected cultural critics online, McNeil here establishes a singular vision of who we are now, tells the stories of how we became us, and helps us start to figure out what we do now.

  • af Domenico Quaranta, Joanne McNeil & Nick Lambert
    308,95 kr.

    Art and the Internet is a much-needed visual survey of art influenced by, situated on and taking the subject of the internet over the last two and a half decades. The book examines the legacy of the internet on art, and, importantly, illuminates how artists and institutions are using it and why.

  • af Domenico Quaranta, Joanne McNeil, Gene Mchugh & mfl.
    148,95 kr.

  • af Joanne McNeil
    156,95 kr.

    Best of Rhizome 2012 is a selection of texts published on the editorial platform of Rhizome along 2012. Edited by Joanne McNeil, the book is, in the words of Rhizome's Executive Director Heather Corcoran, "not just a best of Rhizome's work, but a portrait of the year that we hope will gain significance over time [...] From texts on production in the digital age, to the influence of the Occupy Movement, from drones and surveillance, to online vernacular - these collected essays give a sense of what was informing culture in 2012." Founded in 1996, Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. Best of Rhizome 2012 includes texts by Orit Gat, The Piracy Project, Rahel Aima, Angela Genusa, Adam Rothstein, Joanne Mcneil, John Powers, Sarah Jaffe, Harry Burke, Giampaolo Bianconi, Jason Huff, Clement Valla, Rachel Wetzler, Yin Ho, Ben Fino-Radin, Paul Graham Raven, Honor Harger, Jordan Crandall, Maura Lucking, and Cole Stryker.