Bøger af Jim Fergus

In this poignant essay, bestselling author Jim Fergus delves into the heart of a novelist's journey, exploring the hopes, fears, and frustrations that accompany the creative process. Sparked by a conversation about the distinctions between journalism and fiction, Fergus embarks on a profound reflection, examining the challenges and triumphs of crafting a compelling narrative. With his signature wit and insightful observations, Fergus paints a vivid portrait of the writer's life, capturing the anxieties of facing the blank page, the thrill of inspiration, and the unwavering dedication to storytelling. Whether you're an aspiring novelist or a seasoned reader, Fergus's words offer a captivating glimpse into the creative mind, leaving you with a deeper appreciation for the power of literature.

In this poignant essay, bestselling author Jim Fergus delves into the heart of a novelist's journey, exploring the hopes, fears, and frustrations that accompany the creative process. Sparked by a conversation about the distinctions between journalism and fiction, Fergus embarks on a profound reflection, examining the challenges and triumphs of crafting a compelling narrative. With his signature wit and insightful observations, Fergus paints a vivid portrait of the writer's life, capturing the anxieties of facing the blank page, the thrill of inspiration, and the unwavering dedication to storytelling. Whether you're an aspiring novelist or a seasoned reader, Fergus's words offer a captivating glimpse into the creative mind, leaving you with a deeper appreciation for the power of literature.

The new novel by the author of the international bestseller, ONE THOUSAND WHITE WOMEN. After recovering from grave wounds suffered in The Great War, Bogey Lambert, a young cowboy from Colorado, makes his way to 1920s Paris, where he encounters the beautiful painter, Chrysis Jungbluth. Precocious, passionate, talented, the free-spirited Chrysis rebels against a society and an art world in which men have all the privilege and women none. By day, a serious student at the prestigious l'École des Beaux-Arts, at night Chrysis loses herself to the sensual pleasures of the Montparnasse nightlife, where all seems permissible. There, she and the American cowboy will live the love of a lifetime.

More than just a "man and his dog" hunting adventure, The Sporting Road is a book about the land and man's place in it. It is also, in many ways, a book about relationships; with nature, animals, and the people with who live around us. As Rick Bass says in his introduction, Jim Fergus is a man for whom "The common denominator is not geographical, but internal; here is a man who belongs intensely to the living. And slowly, gradually --essay by essay--you become aware of the unsaid: the fact that he fits a diminishing time, a diminishing space, and a diminishing code of manners. That he always puts others before him; that he considers and respects his friends, his prey, his dogs, and the landscapes that engage these things."

In an epic season of sport, Jim Fergus and his trusty Lab, Sweetzer, trek the mountains, plains, prairies, forests, marshes, deltas, and deserts of America.

Strongheart is the final installment to the One Thousand White Women trilogy, a novel about fierce women who are full of heart and the power to survive.In 1873, a Cheyenne chief offers President Grant the opportunity to exchange one thousand horses for one thousand white women, in order to marry them with his warriors and create a lasting peace. These women, "recruited" by force in the penitentiaries and asylums of the country, gradually integrate the way of life of the Cheyenne, at the time when the great massacres of the tribes begin. After the battle of Little Big Horn, some female survivors decide to take up arms against the United States, which has stolen from the Native Americans their lands, their way of life, their culture and their history. This ghost tribe of rebellious women will soon go underground to wage an implacable battle, which will continue from generation to generation. In this final volume of the One Thousand White Women trilogy, Jim Fergus mixes with rare mastery the struggle of women and Native Americans in the face of oppression, from the end of the 19th century until today. With a vivid sense of the 19th century American West, Fergus paints portraits of women as strong as they are unforgettable.

The stunning sequel to the award-winning novel One Thousand White Women: A Novel."e;Clever and satisfying...Fergus is a superb writer [and] the characters are as real as any pioneer women who braved the rigors of westering."e; -The Denver Post"e;A gripping tale, a history lesson infused with both sadness at the violence perpetuated against the Cheyenne and awe at the endurance of this remarkable group of women."e; -Booklist, starred review9 March 1876My name is Meggie Kelly and I take up this pencil with my twin sister, Susie. We have nothing left, less than nothing. The village of our People has been destroyed, all our possessions burned, our friends butchered by the soldiers, our baby daughters gone, frozen to death on an ungodly trek across these rocky mountains. Empty of human feeling, half-dead ourselves, all that remains of us intact are hearts turned to stone. We curse the U.S. government, we curse the Army, we curse the savagery of mankind, white and Indian alike. We curse God in his heaven. Do not underestimate the power of a mother's vengeance...So begins the Journal of Margaret Kelly, a woman who participated in the U.S. government's "e;Brides for Indians"e; program in 1873, a program whose conceit was that the way to peace between the United States and the Cheyenne Nation was for One Thousand White Woman to be given as brides in exchange for three hundred horses. These "e;brides"e; were mostly fallen women; women in prison, prostitutes, the occasional adventurer, or those incarcerated in asylums. No one expected this program to work. And the brides themselves thought of it simply as a chance at freedom. But many of them fell in love with their Cheyenne spouses and had children with them...and became Cheyenne themselves. The Vengeance of Mothers explores what happens to the bonds between wives and husbands, children and mothers, when society sees them as "e;unspeakable."e; What does it mean to be white, to be Cheyenne, and how far will these women go to avenge the ones they love? With vivid detail and keen emotional depth, Jim Fergus brings to light a time and place in American history and fills it with unforgettable characters who live and breathe with a passion we can relate to even today.

One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "e;Brides for Indians"e; program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.