Bøger af Jerome Rothenberg

"A wide-ranging anthology of ethnopoetry including origin texts, visionary texts, texts about death, texts about events--collected from Africa, the Americas, Asia, Europe and the Ancient Near East, and Oceania."--Provided by publiher.

"Rothenberg's poetics of sacred names and numbers is a 'poetics of the sacred.' It intends to re-empower poetry by taking it back to its (presumed) origins. The 'charming' character of his poetry and his 'poetics of the sacred' questions the validity of deconstructionist assumptions in regard to poetry. Alternatively, Rothenberg presents us with a kind of poetry that does not discount the possibility of finding healing and meaning through language."

Jerome Rothenberg, multiple award winning poet/translator/editor/essayist, is the author of over 80 volumes of published poetry, a dozen important books of translations, and ten groundbreaking anthologies of contemporary and traditional poetry, including Technicians of the Sacred and, with Pierre Joris and Jeffrey C. Robinson, the Poems for the Millenium series of books. President of Desolation & Other Poems comprise Rothenberg's writings over the last two years.

As part of the Glossarium: Unsilenced Texts series, The OS presents FLOWER WORLD VARIATIONS, a revised and expanded version of Jerome Rothenberg''s variations on a set of traditional Yaqui Indian Deer Dance songs, with computer-generated drawings by Harold Cohen, one of our truly great pioneer computer artists. Originally published in a modest 1984 offset edition the book has been redesigned and expanded, featuring an updated introduction by Rothenberg and an excerpt from Cohen''s writings on the nature of mark-making and meaning/metaphor over a wide range of times and cultures. As such it serves also as a memorial and tribute to Harold Cohen, whose recent passing it helps to commemorate. "The process of translation is here re-imagined as a new wilderness by Jerome Rothenberg and Harold Cohen, in a multilayered composition of poems and computer generated drawings for the ''human / other-than-human worlds'' originally composed by the Yaqui poets of Arizona. An oral masterpiece, rendered masterfully. A moment to rejoice!"-Cecilia Vicu├▒a

Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled ';primitive' and ';savage,' many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the ';human universe.' The book's three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and presentin the editors' words, ';a changed paradigm of what poetry was or now could come to be.'

Protean, erotic, scatological and experimental, Picasso's poetry is finally compiled in this essential anthologyPablo Picasso is arguably the most famous and influential artist of the 20th century. What few in the English-speaking world know is that in 1935, at age 54, an emotional crisis caused Picasso to halt all painting and devote himself entirely to poetry. Even after resuming his visual work, Picasso continued to write, in a characteristic torrent, until 1959, leaving a body of prose poems that André Breton praised as "an intimate journal, both of the feelings and the senses, such as has never been kept before." Similarly struck by the poems' originality, Michel Leiris wrote, "If we must compare him, despite his fierce singularity, in order to try and situate him on the literary map, I see only James Joyce." Near the end of his life, Picasso himself was quoted as having "told a friend that long after his death his writing would gain recognition and encyclopedias would say: 'Picasso, Pablo Ruiz--Spanish poet who dabbled in painting, drawing and sculpture.'" For the past five years, poets Jerome Rothenberg and Pierre Joris have overseen a project to translate the majority of this writing into English for the first time. Working from Picasso's original Spanish and French (he wrote in both languages), they enlisted the help of over a dozen contemporary poets in order to mark, as they note in their introduction, "Picasso's entry into our own time." This is indeed a new Picasso for most of us, or rather, a renewed Picasso: the poems are as protean, erotic, scatological and experimental in form as his visual art has always been described. But amid the ubiquitous posters, t-shirts and tchotchkes, how many of us have truly felt the impact of Picasso's visual work as powerfully as it was perceived in the first half of the 20th century? The poems give us a 21st-century Picasso, free of cliché. Perhaps they will even spark a revival of interest in his "dabblings."

This anthology of Native America poetry - and song, dance and ritual - is edited by Jerome Rothenberg, the founder of the ethnopoetics movement in contemporary poetry. Considered a classic in Rothenberg's ongoing This third edition of this 40th year

Barbaric Vast & Wild is a continuation and a possible culmination of the project that began with Jerome Rothenberg's Technicians of the Sacred in 1968 and led to the first four volumes of Poems for the Millennium in the 1990s and 2000s. In this new and equally groundbreaking volume, Rothenberg and John Bloomberg-Rissman have assembled a wide-ranging gathering of poems and related language works, whose outside/outsider and subterranean/subversive positions challenge some of the boundaries to where poetry has been or may be practiced, as well as the form and substance of the poetry itself. It also extends the time frame of the preceding volumes in Poems for the Millennium, hoping to show that, in all places and times, what the dominant culture has taken as poetry has only been part of the story.

A wide ranging survey of internationally celebrated and acclaimed poet, translator, and editor Jerome Rothenberg. Surveying the entirety of his 50 plus years of writing and covering his 80 plus published books, this volume provides a further insight into the mind and breadth of writing of Rothenberg to date. Further critical commentaries are provid