Bøger af Jenny Uglow

This study offers a fresh introduction to the achievement of Henry Fielding (1707-1754) as dramatist, journalist and novelist. In his day Fielding was always a centre of controversy, attacked as 'immoral', yet praised for his 'realistic' portrayal of contemporary society and his attack on hypocrisy and exploitation. Jenny Uglow sets Fielding in the light of recent critical debates and places him in the context of his age; identifying central ideas on judgement, mercy and benevolence, tracing thedevelopment of his craft and clarifying his ideas on comedy and the role of the novel, particularly his rivalry with Samuel Richardson. Readings of key works - Tom Jones, Shamela, Joseph Andrews, Jonathan Wild and Amelia - are enriched by studies of his drama and of lesser known works such as A Journey from this World to the Next, and by reference to Fielding's essays, journalism, politics and work as a pioneering magistrate in London. Fielding emerges as a writer of startling originality, constantly adapting traditional forms to new ends, whose fiercely ironic analysis of gender, power and language is combined with a comedy at once critical and humane.

'Whatever Uglow writes about she makes absolutely fascinating.' DIANA ATHILLThe story of Sybil Andews and Cyril Power, two artists who changed each other in an age of experiment and turmoil.'In all her books, she makes us feel the life behind the facts.' GUARDIAN'Wonderfully sharp and sympathetic . . . Uglow is a perfect biographer.' CRAIG BROWN, MAIL ON SUNDAYIn 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts, streamlined, full of movement and brilliant colour, summing up the hectic interwar years. Yet at the same time they looked back, to medieval myths and early music, to country ways disappearing from sight.Cyril & Sybil traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of Futurists, Surrealists and pioneering abstraction, but also of the buzz of the new, of machines and speed, shops and sport and dance, shining against the threat of depression and looming shadows of war.

Words & Pictures explores three fascinating examples of relationships between artists and writers: the illustrations of Paradise Lost and Pilgrim's Progress; Hogarth and Fielding, a writer and artist dealing with common material; Wordsworth and Thomas Bewick, a poet and engraver working separately, but imbued with the spirit of their age. A brief coda turns to a fourth kind of relationship, the writers and artists who collaborate from the start, beginning with Dickens and Phiz. Illustrated throughout with a wide variety of examples, this is a book to pore over and enjoy. At turns moving and comic, this book illuminates a brilliant poet, an engraver, a writer and an artist, it touches on a peculiarly British tradition of community and defiance of authority, unmasking pretension and celebrating energy and warmth. The visions it considers link daily life to the universal, the passionate and the sublime. Jenny Uglow is the award-winning author of Elizabeth Gaskell (winner of the Portico Prize), Nature's Engraver, which won the National Arts Writers Award, and A Gambling Man, which was shortlisted for the 2010 Samuel Johnson Prize and most recently In These Times. 'Perhaps future biographies (of requisite quality) celebrating a certain kind of unshowy Georgian figure could be called "e;Uglow's Lives"e; after the woman who has made the genre her own.' Sunday Telegraph

An exploration of the life and work of Walter Crane, the pioneering British socialist artist who transformed the illustration of children's books.

Where do these human-like animals and birds and these odd adventures - some gentle, some violent, some musical, some wild - come from? In this book the author's many drawings that accompany his verse are almost hyper-real, as if he wants to free the creatures from the page. It depended on patrons and moved in establishment circles.

how the suburbs dug for victory in World War II. With a brief guide to particular historic or evocative gardens open to the public, this is a book to put in your pocket when planning a summer day out - but also to read in your deckchair with a glass of cold wine, when dead-heading is simply too much.

Tells the story of Thomas Bewick - the farmer's son from Tyneside who became one of Britain's greatest and most popular engravers.

In the village of Wreay, near Carlisle, stands the strangest and most magical church in Victorian England. This vivid, original book tells the story of its builder, Sarah Losh, strong-willed and passionate and unusual in every way. Born into an old Cumbrian family, heiress to an industrial fortune, Sarah combined a zest for progress with a love of the past. In the church, her masterpiece, she let her imagination flower - there are carvings of ammonites, scarabs and poppies; an arrow pierces the wall as if shot from a bow; a tortoise-gargoyle launches itself into the air. And everywhere there are pinecones, her signature in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life and death and rebirth.Sarah's story is also that of her radical family - friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggle of the weavers, the coming of the railways, the findings of geology and the fate of a young northern soldier in the Afghan war. Above all, though, it is about the joy of making and the skill of local, unsung craftsmen.

We know the thrilling, terrible stories of the battles of the Napoleonic wars - but what of those left behind? The people on a Norfolk farm, in a Yorkshire mill, a Welsh iron foundry, an Irish village, a London bank or a Scottish mountain? The aristocrats and paupers, old and young, butchers and bakers and candlestick makers - how did the war touch their lives? Every part of Britain felt the long twenty years of war against the French: one in five families had people in the services and over 300,000 men died. As the years passed, so the bullish, flamboyant figure of Napoleon - Boney, the bogeyman - came to dominate so much that the whole long conflict was given his name. Jenny Uglow, the prize-winning author of The Lunar Men and Nature's Engraver, follows the gripping back-and-forth of the first global war, but turns the news upside down, seeing how it reached the people. Illustrated by the satires of Gillray, Rowlandson and the paintings of Turner and Constable, and combining the familiar voices of Jane Austen, Wordsworth, Scott and Byron with others lost in the crowd, In These Times delves into the archives to tell the moving story of how people lived and loved and sang and wrote, struggling through hard times and opening new horizons that would change their country for a century ahead.

* A fascinating insight into the contradictions between Eliot's private life and her writings

Charles II was thirty when he crossed the Channel in fine May weather in 1660. His Restoration was greeted with maypoles and bonfires, like spring after long years of Cromwell's rule. But there was no going back, no way he could 'restore' the old. Certainty had vanished. The divinity of kingship fled with his father's beheading. 'Honour' was now a word tossed around in duels. 'Providence' could no longer be trusted. As the country was rocked by plague, fire and war, people searched for new ideas by which to live. Exactly ten years later Charles II would stand again on the shore at Dover, laying the greatest bet of his life in a secret deal with his cousin, Louis XIV.The Restoration decade was one of experiment: from the science of the Royal Society to the startling role of credit and risk, from the shocking licence of the court to the failed attempts at toleration of different beliefs. Negotiating all these, Charles II, the 'slippery sovereign', played odds and took chances, dissembling and manipulating his followers. The theatres were restored, but the king was the supreme actor. Yet while his grandeur, his court and his colourful sex life were on display, his true intentions lay hidden.A Gambling Man is a portrait of Charles II, exploring his elusive nature through the lens of these ten vital years - and a portrait of a vibrant, violent, pulsing world, racked with plague, fire and war, in which the risks the king took forged the fate of the nation, on the brink of the modern world.

Winner of the Portico Prize Shortlisted for the Whitbread Biography of the Year High-spirited, witty and passionate, Elizabeth Gaskell wrote some of the most enduring novels of the Victorian age, including Mary Barton, North and South and Wives and Daughters. This biography traces Elizabeth's youth in rural Knutsford, her married years in the tension-ridden city of Manchester and her wide network of friends in London, Europe and America. Standing as a figure caught up in the religious and political radicalism of nineteenth century Britain, the book looks at how Elizabeth observed, from her Manchester home, the brutal but transforming impact of industry, enjoying a social and family life, but distracted by her need to write down the truth of what she saw. In this widely acclaimed biography, Elizabeth Gaskell emerges as an artist of unrecognized complexity, shrewdly observing the political, religious and feminist arguments of nineteenth century Britain, with enjoyment, passion and wit. Jenny Uglow is the bestselling author of Nature's Engraver, which won the National Arts Writers Award, and A Gambling Man: Charles II and the Restoration, which was shortlisted for the 2010 Samuel Johnson Prize. Her most recent books include Nature's Engraver, the story of Thomas Bewick, and In These Times, a history of the home front during the Napoleonic Wars.

William Hogarth is a house-hold name across the country, his prints hang in our pubs and leap out from our history-books. He painted the great and good but also the common people. His art is comically exuberant, 'carried away by a passion for the ridiculous', as Hazlitt said.Jenny Uglow, acclaimed author of Elizabeth Gaskell, Nature's Engraver and In These Times, uncovers the man, but also the world he sprang from and the lives he pictured. He moved in the worlds of theatre, literature, journalism and politics, and found subjects for his work over the whole gamut of eighteenth century London, from street scenes to drawing rooms, and from churches to gambling halls and prisons. After striving years as an engraver and painter, Hogarth leapt into lasting fame with A Harlot's Progress and A Rake's Progress, but remained highly critical of the growing gulf between the luxurious lives of the ruling elite and the wretched poverty of the massess. William Hogarth was an artist of flamboyant, overflowing imagination, he was a satirist with an unerring eye; a painter of vibrant colour and tenderness; an ambitious professional who broke all the art-world taboos. Never content, he wanted to excel at everything - from engraving to history painting - and a note of risk runs through his life.Shortlisted for the Whitbread Prize, Hogarth: A Life and a World brings art history to life in the voices of Hogarth's own age. The result is an unforgettable portrait of a great artist and a proud, stubborn, comic, vulnerable man.

Led by Erasmus Darwin, the Lunar Society of Birmingham was formed from a group of amateur experimenters, tradesmen and artisans who met and made friends in the Midlands in the 1760s. Most came from humble families, all lived far from the centre of things, but they were young and their optimism was boundless: together they would change the world. Among them were the ambitious toy-maker Matthew Boulton and his partner James Watt, of steam-engine fame; the potter Josiah Wedgwood; the larger-than-life Erasmus Darwin, physician, poet, inventor and theorist of evolution (a forerunner of his grandson Charles Darwin). Later came Joseph Priestley, discoverer of oxygen and fighting radical.Led by Erasmus Darwin they joined a small band of allies, formed the Lunar Society of Birmingham (so called because it met at each full moon) and kick-started the Industrial Revolution. Blending science, art, and commerce, the Lunar Men built canals, launched balloons, named plants, gases and minerals, changed the face of England and the china in its drawing rooms, and plotted to revolutionise its soul.Jenny Uglow's The Lunar Men is a vivid and swarming group portrait that brings to life the friendships, political passions, love affairs, and love of knowledge (and power) that drove these extraordinary men. It echoes the thud of pistons and the wheeze and snort of engines, and brings to life the tradesmen, artisans, and tycoons who shaped and fired the modern age.Winner of the PEN Hessel-Tiltman prize for history, and the James Tait Black Memorial Prize for biography, The Lunar Men captures the creation of the modern world with lucid intelligence, sympathy and wisdom. Jenny Uglow is also the prize-winning author of Nature's Engraver, Elizabeth Gaskell: A Habit of Stories and most recently, In These Times.