Bøger af Jane Ransom

Without Asking marks Jane Ransom's debut as a book author, initially placing her within the poetic tradition of narrative Confessionalism. But one can already sense here the ambivalence that would lead both to a break from narrative-in her second poetry book, Scene of theCrime-and her subsequent return to narrative in Bye-Bye, her first novel. This is a writer whose epistemological inquiry continuously turns both inward and outward, from linear to non-linear and back again, in an unrelenting quest for Truth.

Scene of the Crime exposes the poet's inner criminality, where matricide and mother tongue engage in diabolic discourse. Confessing her outlaw sexuality, Ransom grapples with feminist theory and disembowels postmodern philosophy. Delighting in the multiplicity of self, language and desire, Ransom fires puns dead-aimed to riddle any interpretive reduction.

Without Asking marks Jane Ransom's debut as a book author, initially placing her within the poetic tradition of narrative Confessionalism. But one can already sense here the ambivalence that would lead both to a break from narrative-in her second poetry book, Scene of theCrime-and her subsequent return to narrative in Bye-Bye, her first novel. This is a writer whose epistemological inquiry continuously turns both inward and outward, from linear to non-linear and back again, in an unrelenting quest for Truth.

Scene of the Crime exposes the poet’s inner criminality, where matricide and mother tongue engage in diabolic discourse. Confessing her outlaw sexuality, Ransom grapples with feminist theory and disembowels postmodern philosophy. Delighting in the multiplicity of self, language and desire, Ransom fires puns dead-aimed to riddle any interpretive reduction.

Jane Ransom's Bye-Bye is a darkly comic first novel, both sexy and profoundly philosophical. The protagonist/narrator is a bisexual divorcee in Manhattan who assumes a false identity in an effort to escape the past and to spy on her own life. While exploring issues of gender and self, Bye-Bye deals provocatively with performance art, S&M, personal ads and art in the 90s.

In Self-Intelligence, Jane Ransom introduces you to her model of self-discovery and transformation which shows how the miraculous plasticity of the brain can unlock incredible personal transformation.

She is having three affairs at once: with an S&M pornographer, a beautiful woman found through a personal ad, and a randy heterosexual bartender. Two of her lovers don't know her real name...and that's exactly how she wants it. To escape her past, and perhaps find herself, this smart, troubled, and hilariously cynical young New Yorker is fabricating another identity. As Rose Anne Waldin, or Rosie, she doesn't have a mother who still haunts her, nor an ex-husband who kicked her out after her numerous infidelities. But she does have a new apartment, dyed hair, different clothes -- and an obsession with murder. It is Rosie's intention to break society's taboos, test its limits, push the envelope...and get away with a shocking, perhaps violent, act. With an intoxicating velocity, Bye-Bye pulls us into the netherworld of the New York performance art scene, the steamy arena of sexual pick-ups and put-ons, and the back alleys of a broken heart. Award-winning first novelist and poet Jane Ransom has created a daring black comedy, a psychological thriller edged with an utterly original class of conundrum. Fearless, erotically charged, and ultimately affirming about the catharsis of fantasy, creativity, and desire, Bye-Bye is a fast, literary, brave new read.