Bøger af James Thomson

This epic poem tells the story of a magical castle, inhabited by figures who represent different aspects of indolence and sloth. Written in the style of Spenserian allegory, the poem is notable for its lush descriptions, its fanciful imagery, and its satirical wit. It also features numerous allusions to classical mythology and literature, and provides a fascinating glimpse into the cultural and intellectual milieu of the eighteenth century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a collection of poems by James Thomson, including the famous work 'The City of Dreadful Night'. Thomson was a Scottish poet and essayist who was widely admired for his pessimistic tone and evocative imagery. This selection of his work provides a comprehensive overview of his career and represents some of his finest writing.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of poems, including the famous 'City of Dreadful Night', is a classic of Victorian literature. Thomson's dark and brooding verse is both beautiful and haunting. If you appreciate poetry that explores the depths of human emotion, you won't want to miss this book.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A textbook on algebra, covering topics such as polynomial equations, logarithms, and inequalities.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this series of lectures, James Thomson provides a detailed exposition of the Gospel of Luke, exploring the theological and practical implications of its teachings. With meticulous attention to the text and a deep pastoral heart, Thomson guides readers through one of the most beloved books of the Bible.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of the most celebrated works of English poetry, The Seasons is a sublime tribute to the beauty of nature and the changing cycles of life. Thomson's evocative language and vivid imagery have inspired generations of readers and writers, making this book a timeless masterpiece of literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Written in the eighteenth century, 'The Seasons' by James Thomson is a masterpiece of English literature, exploring the themes of nature, love, and the cycle of life. With vivid and evocative imagery, the author takes readers on a journey through the seasons, from the beauty of spring to the harshness of winter. This beautifully illustrated edition is a must-have for any lover of poetry and the natural world.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Werk bietet eine Auswahl an Gedichten über die Jahreszeiten. Barthold Heinrich Brockes und James Thomson beschreiben kreativ und einfühlsam die Naturschönheiten und -erscheinungen in jedem Monat des Jahres. Mit einzigartigen Illustrationen und einem umfassenden Index ist dieses Buch ein faszinierendes Kunstwerk.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Eduard Und Eleonore Oder Die Eheliche Liebe: Ein Trauerspiel; Volume 1; Volume 7 Of Neues Theater Von Wien James Thomson, Johann Heinrich Schlegel Krau, 1770

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works: With His Last Corrections And Improvements: In Three Volumes Complete; To Which Is Prefixed, The Life Of The Author, Volume 2; The Works: With His Last Corrections And Improvements: In Three Volumes Complete; To Which Is Prefixed, The Life Of The Author; James Thomson James Thomson, Patrick Murdoch Baldwin, 1802

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works: In Four Volumes. Edward And Eleonora, Tancred And Sigismunda, And Coriolanus, Volume 4; The Works: In Four Volumes. Edward And Eleonora, Tancred And Sigismunda, And Coriolanus; James Thomson James Thomson Millar, 1750

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Jahreszeiten: Aus Dem Englischen ubersetzt Von Harries; Volume 104 Of Classische Cabinets-Bibliothek James Thomson C.F. Schade, 1827

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ De Lente Dicht- En Zede-kundig Beschouwd James Thomson by E. Boucquet en C°, 1764 Fiction; Classics; Fiction / Classics; Literary Collections / General; Literary Criticism / General

"The Castle of Indolence" from James Thomson. Scottish poet and dramatist (1700-1748).

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

James Thomson was born in Ednam in Roxburghshire around 11th September 1700 and baptised on 15th September. He was the fourth of nine children to father Thomas, the Presbyterian minister of Ednam and mother Beatrix.It is thought Thomson may have attended the parish school of Southdean, his father having been appointed minster there a few months after the birth of his son, before attending the grammar school in Jedburgh in 1712. Accounts of his early abilities are almost always negative. Poetry however was his great love. In this he was encouraged by Robert Riccaltoun, a farmer, poet and Presbyterian minister; and Sir William Bennet, a whig laird who was also the patron of Allan Ramsay. Very few early poems by Thomson survive. It seems that on each New Year's Day he burned almost all of his year's output.In the autumn of 1715 he entered the College of Edinburgh on a career path that would take him to the Presbyterian ministry. In college he studied metaphysics, Logic, Ethics, Greek, Latin and Natural Philosophy. He also became a member of the Grotesque Club, a literary group. Here he met his lifelong friend to be; David Mallet.In 1716 his father, Thomas, died. Again, facts are hard to come by but there is a colourful local legend that he died whilst performing an exorcism.In 1719 Thomson completed his arts course but rather than graduate he instead entered Divinity Hall to become a minister.However Thomson was also keen on literary pursuits. He managed to obtain publication of several of his poems in the 'Edinburgh Miscellany'. With this as his calling card he followed Mallet to London in February 1725 in an attempt at further publishing success. For Thomson a career as a minister was now behind him.In London, Thomson became a tutor to the son of Charles Hamilton, Lord Binning, via connections on his mother's side of the family. Through David Mallet, who by 1724 was now also a published poet, Thomson met the great English poets of the day including Richard Savage, Aaron Hill and Alexander Pope.Beatrix, Thomson's mother died on 12th May 1725, around the time of his writing 'Winter', the first poem of 'The Seasons'. 'Winter' was first published by John Millian in 1726 with a second edition incorporating revisions, additions and a preface later that same year.By 1727, Thomson was working on 'Summer', which he published in February, whilst working at Watt's Academy, a school for young gentlemen and a centre of Newtonian science.That same year Millian published Thomson's 'A Poem to the Memory of Sir Isaac Newton' in memory of the great scientist who had passed in March.Thomson now left Watt's academy hoping to further pursue his career. This was greatly helped by finding several patrons including Thomas Rundle, the countess of Hertford and Charles Talbot, 1st Baron Talbot.Thomson worked hard to complete 'The Seasons' during the late 1720's. 'Spring' was completed in 1728 and finally Autumn in 1730. Now the complete set of four could be published together as 'The Seasons'.During this period he also wrote other poems, as well as a play, his first, 'The Tragedy of Sophonisba' in 1729. The latter is best known today for its mention in Samuel Johnson's Lives of the English Poets, where Johnson records that one 'feeble' line of the poem - "O, Sophonisba, Sophonisba, O!" was parodied by the wags of the theatre as, "O, Jemmy Thomson, Jemmy Thomson, O!"In 1730, he was appointed tutor to the son of Sir Charles Talbot, his patron and also Solicitor-General. Thomson would spend nearly two years with the young man on 'the grand tour' of Europe. On his return Talbot graciously arranged for Thomson to become a secretary in chancery, which gave him financial security during until Talbot's death in 1737. Meanwhile, in 1734 Thomson's major work 'Liberty' was published.

James Thomson was born in Ednam in Roxburghshire around 11th September 1700 and baptised on 15th September. He was the fourth of nine children to father Thomas, the Presbyterian minister of Ednam and mother Beatrix.Apart from the exact date of his birth several other facts of his life cannot be verified.It is thought Thomson may have attended the parish school of Southdean, his father having been appointed minster there a few months after the birth of his son, before attending the grammar school in Jedburgh in 1712. Accounts of his early abilities are almost always negative. Poetry however was his great love. In this he was encouraged by Robert Riccaltoun, a farmer, poet and Presbyterian minister; and Sir William Bennet, a whig laird who was also the patron of Allan Ramsay. Very few early poems by Thomson survive. It seems that on each New Year's Day he burned almost all of his year's output.In the autumn of 1715 he entered the College of Edinburgh on a career path that would take him to the Presbyterian ministry. In college he studied metaphysics, Logic, Ethics, Greek, Latin and Natural Philosophy. He also became a member of the Grotesque Club, a literary group. Here he met his lifelong friend to be; David Mallet.In 1716 his father, Thomas, died. Again, facts are hard to come by but there is a colourful local legend that he died whilst performing an exorcism.In 1719 Thomson completed his arts course but rather than graduate he instead entered Divinity Hall to become a minister.However Thomson was also keen on literary pursuits. He managed to obtain publication of several of his poems in the 'Edinburgh Miscellany'. With this as his calling card he followed Mallet to London in February 1725 in an attempt at further publishing success. For Thomson a career as a minister was now behind him.In London, Thomson became a tutor to the son of Charles Hamilton, Lord Binning, via connections on his mother's side of the family. Through David Mallet, who by 1724 was now also a published poet, Thomson met the great English poets of the day including Richard Savage, Aaron Hill and Alexander Pope.Beatrix, Thomson's mother died on 12th May 1725, around the time of his writing 'Winter', the first poem of 'The Seasons'. 'Winter' was first published by John Millian in 1726 with a second edition incorporating revisions, additions and a preface later that same year.By 1727, Thomson was working on 'Summer', which he published in February, whilst working at Watt's Academy, a school for young gentlemen and a centre of Newtonian science.That same year Millian published Thomson's 'A Poem to the Memory of Sir Isaac Newton' in memory of the great scientist who had passed in March.Thomson now left Watt's academy hoping to further pursue his career. This was greatly helped by finding several patrons including Thomas Rundle, the countess of Hertford and Charles Talbot, 1st Baron Talbot.Thomson worked hard to complete 'The Seasons' during the late 1720's. 'Spring' was completed in 1728 and finally Autumn in 1730. Now the complete set of four could be published together as 'The Seasons'.During this period he also wrote other poems, as well as a play, his first, 'The Tragedy of Sophonisba' in 1729. The latter is best known today for its mention in Samuel Johnson's Lives of the English Poets, where Johnson records that one 'feeble' line of the poem - "O, Sophonisba, Sophonisba, O!" was parodied by the wags of the theatre as, "O, Jemmy Thomson, Jemmy Thomson, O!"In 1730, he was appointed tutor to the son of Sir Charles Talbot, his patron and also Solicitor-General. Thomson would spend nearly two years with the young man on 'the grand tour' of Europe. On his return Talbot graciously arranged for Thomson to become a secretary in chancery, which gave him financial security during until Talbot's death in 1737.

James Thomson was born in Ednam in Roxburghshire around 11th September 1700 and baptised on 15th September. He was the fourth of nine children to father Thomas, the Presbyterian minister of Ednam and mother Beatrix.Apart from the exact date of his birth several other facts of his life cannot be verified.It is thought Thomson may have attended the parish school of Southdean, his father having been appointed minster there a few months after the birth of his son, before attending the grammar school in Jedburgh in 1712. Accounts of his early abilities are almost always negative. Poetry however was his great love. In this he was encouraged by Robert Riccaltoun, a farmer, poet and Presbyterian minister; and Sir William Bennet, a whig laird who was also the patron of Allan Ramsay. Very few early poems by Thomson survive. It seems that on each New Year's Day he burned almost all of his year's output.In the autumn of 1715 he entered the College of Edinburgh on a career path that would take him to the Presbyterian ministry. In college he studied metaphysics, Logic, Ethics, Greek, Latin and Natural Philosophy. He also became a member of the Grotesque Club, a literary group. Here he met his lifelong friend to be; David Mallet.In 1716 his father, Thomas, died. Again, facts are hard to come by but there is a colourful local legend that he died whilst performing an exorcism.In 1719 Thomson completed his arts course but rather than graduate he instead entered Divinity Hall to become a minister.However Thomson was also keen on literary pursuits. He managed to obtain publication of several of his poems in the 'Edinburgh Miscellany'. With this as his calling card he followed Mallet to London in February 1725 in an attempt at further publishing success. For Thomson a career as a minister was now behind him.In London, Thomson became a tutor to the son of Charles Hamilton, Lord Binning, via connections on his mother's side of the family. Through David Mallet, who by 1724 was now also a published poet, Thomson met the great English poets of the day including Richard Savage, Aaron Hill and Alexander Pope.Beatrix, Thomson's mother died on 12th May 1725, around the time of his writing 'Winter', the first poem of 'The Seasons'. 'Winter' was first published by John Millian in 1726 with a second edition incorporating revisions, additions and a preface later that same year.By 1727, Thomson was working on 'Summer', which he published in February, whilst working at Watt's Academy, a school for young gentlemen and a centre of Newtonian science.That same year Millian published Thomson's 'A Poem to the Memory of Sir Isaac Newton' in memory of the great scientist who had passed in March.Thomson now left Watt's academy hoping to further pursue his career. This was greatly helped by finding several patrons including Thomas Rundle, the countess of Hertford and Charles Talbot, 1st Baron Talbot.Thomson worked hard to complete 'The Seasons' during the late 1720's. 'Spring' was completed in 1728 and finally Autumn in 1730. Now the complete set of four could be published together as 'The Seasons'.During this period he also wrote other poems, as well as a play, his first, 'The Tragedy of Sophonisba' in 1729. The latter is best known today for its mention in Samuel Johnson's Lives of the English Poets, where Johnson records that one 'feeble' line of the poem - "O, Sophonisba, Sophonisba, O!" was parodied by the wags of the theatre as, "O, Jemmy Thomson, Jemmy Thomson, O!"In 1730, he was appointed tutor to the son of Sir Charles Talbot, his patron and also Solicitor-General. Thomson would spend nearly two years with the young man on 'the grand tour' of Europe. On his return Talbot graciously arranged for Thomson to become a secretary in chancery, which gave him financial security during until Talbot's death in 1737. Meanwhile, in 1734 Thomson's major work 'Liberty' was published.In 1740, he

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Seasons, Hymns, Ode, and Songs of James Thomson is a collection of works by the Scottish poet James Thomson, first published in 1813. The book includes Thomson's most famous work, The Seasons, a long poem in four parts that describes the beauty and changing moods of nature throughout the year. The collection also includes a number of hymns, odes, and songs, many of which celebrate the natural world and its power to inspire wonder and awe. Thomson's writing is characterized by its vivid descriptions of the natural world, its use of rich and evocative language, and its celebration of the beauty and power of nature. This edition of The Seasons, Hymns, Ode, and Songs is a valuable resource for anyone interested in the history of English poetry or the Romantic movement, and it remains a popular and influential work to this day.With His Life, And A Complete Glossary And Index.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1854 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works: In Four Volumes. The Seasons, Volume 1; The Works: In Four Volumes. The Seasons; James Thomson James Thomson Millar, 1750

The Denial, V2: Or The Happy Retreat, A Novel is a literary work by James Thomson, originally published in 1792. This novel is a sequel to the first volume of The Denial, which was published in 1789. The story follows the life of a young woman named Euphemia, who is forced to flee her home in Scotland after being accused of a crime she did not commit. She finds refuge in a remote country estate, where she must navigate the complex social hierarchy of the wealthy elite. Along the way, she meets a cast of characters, including a wealthy landowner, a scheming governess, and a group of eccentric artists. The novel explores themes of class, gender, and social status, as well as the power of love and forgiveness. With its vivid descriptions of the Scottish countryside and its engaging characters, The Denial, V2: Or The Happy Retreat, A Novel is a captivating read for anyone who enjoys historical fiction.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.