Bøger af J. Hillis Miller

An exploration of the intricacies of narrative theory. Considering a range of texts from Western literature over the past two centuries, Miller explores the way rhetorical devices and figurative language interrupt, break into, delay and expand storytelling.

Communities in Fiction reads in detail six novels or stories (one each by Trollope, Hardy, Conrad, Woolf, Pynchon, and Cervantes) in the light of theories of community worked out (contradictorily) by Raymond Williams, Martin Heidegger, and Jean-Luc Nancy for communities or non-communities in the real world.

This book demonstrates the presence of literature within speech act theory and the utility of speech act theory in reading literary work.

Focuses on Derrida's late work, including passages from the last, as yet unpublished, seminars. This book aims to render Derrida's writings justice. It should be remembered, however, that, according to Derrida himself, every rendering of justice is also a transformative interpretation.

The work of a master critic writing at the peak of his powers, this magisterial book draws on speech act theory, as it originated with J. L. Austin and was further developed by Paul de Man and Jacques Derrida, to investigate the many dimensions of doing things with words in James's fiction.

This innovative work sets two texts by two different authors on facing pages, designed so that they read in tandem-Miller's text on the right, Asensi's on the left. Miller analyzes the changes in the contemporary research university in the West; Asensi provides the first comprehensive interpretation of Miller's work.

This work investigates a cluster of concepts that gather around the question of topography and its uses in criticism. They include the initiating efficacy of speech acts, ethical responsibility, political or legislative power and the relation of personification to landscape.

A masterclass in attentive reading offering brilliant insights into two of George Eliot's novels

Confronts the consciousness of an absent (though perhaps still existent) God in the writings of Thomas De Quincey, Robert Browning, Emily Bront, Matthew Arnold, and Gerard Manley Hopkins. This title surveys the intellectual and material developments that conspired to cut man off from God.

Beginning with the nature of literature, this also asks the questions of why we should read literature and why literature has such authority over us.This will be essential reading for any interested in the future of literature.