Bøger af Inga Clendinnen

In The History Question, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? Should our historians be producing the "objective record of achievement" that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth.For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for storytelling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenville's novel The Secret River, and discusses the Stolen Generations and the role of morality in history-writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nation's past."Who owns the past? In a free society, everyone. It is a magic pudding belonging to anyone who wants to cut themselves a slice, from legend-manufacturers through novelists looking for ready-made plots, to interest groups out to extend their influence." Inga Clendinnen, The History QuestionThis issue also contains correspondence discussing Quarterly Essay 22, Voting for Jesus, from Marion Maddox, Edmund Campion, Peter Jensen, Paul Collins, Tim Costello, Andrew Dunstall, Bill James, Angela Shanahan, Tamas Pataki, and Amanda Lohrey

How can men be brought to look steadily on the face of battle? Tenochtitlan, the great city of the Aztecs, was the creation of war, and war was its dynamic. In the title work of this compelling collection of essays, Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson, appointed 'Protector of Aborigines' in the Port Philip District of Australia.

In January 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who would be their new neighbors. Dancing with Strangers tells the story of what happened between the first British settlers of Australia and the people they found living there. This 2005 book offers a reading of the earliest written sources, the reports, letters, and journals of the first British settlers in Australia. It reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon); and then traces the painful destruction of that hard-won friendship. A distinguished and award-winning historian of the Spanish encounters with Aztec and Maya indians of sixteenth-century America, Clendinnen's analysis of early cultural interactions in Australia touches broader themes of recent historical debates: the perception of the Other, the meanings of culture, and the nature of colonialism and imperialism.

In January of 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who will be their new neighbours;