Bøger af Ilan Stavans

Sabor Judio celebrates the delicious fusion of two culinary traditions: Jewish and Mexican. Written with joy and verve, Ilan Stavans and Margaret Boyle's lavishly illustrated cookbook demonstrates how cooking and eating connect the Jewish-Mexicans across places and generations. Featuring one hundred deeply personal recipes enjoyed by Mexican Jews around the world, the book is organized by meal--desayuno (breakfast), comida (lunch), and cena (dinner)--and also includes dishes made for Shabbat, Rosh Hashanah, Yom Kippur, Passover, Hanukkah, Shavuot, and other holidays. Sabor Judio isn't only a cookbook; it is also a vibrant history of Jewish immigration to Mexico from 1492 to the present. It explains how flavors and dishes evolved in Mexican and Jewish kitchens and how they fused into a distinct cuisine, mainly by the labor of Ashkenazi, Sephardic, Mizrahi, and converso women. This cookbook is the product of two award-winning, internationally known Jewish Mexican writers and foodies who spent a decade gathering recipes and personal narratives from Jewish Mexican households. The result is a dynamic and delicious array of recipes and experiences, infusing important cultural heritage into this essential culinary record.

An irreverent and kaleidoscopic cartoon history of Latino life, culture, and politics, now revised and updated for its twenty-fifth anniversary In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more.     To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of “cliché figurines” as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial.    Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration.

This collection presents a series of autobiographical meditations by Ilan Stavans on how language defines every aspect of our life.

A comprehensive, multi-lingual anthology of 20th-century Latin American Poetry in both Spanish and Portuguese.During a century of extraordinary change, poets became the chroniclers of deep polarizations. From Rubén Darío's quest to renew the Spanish language to César Vallejo's linking of religion and politics, from Jorge Luis Borges's cosmopolitanism to Pablo Neruda's placement of poetry as uncompromising speaker for the downtrodden, and from Alejandra Pizarnik's agonies of the self to Humberto Ak'abal's examination of all things indigenous, it is through verse that the hemisphere's cantankerous collective soul in an age of overhaul might best be understood. A brilliant, moving, and thought-provoking summation of these forking paths, The FSG Book of Twentieth-Century Latin American Poetry invites us to look at an illustrious literary tradition with fresh eyes. Ilan Stavans, one of the foremost scholars of Hispanic culture and a distinguished translator, goes beyond easy geographical and linguistic categorizations. This bilingual anthology features eighty-four authors from sixteen different countries writing in Spanish, Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, and Spanglish. The poems are rendered into English in inspired fashion by first-rate translators such as Elizabeth Bishop, Galway Kinnell, W. S. Merwin, Alastair Reid, Mark Strand, and Richard Wilbur. In these pages the reader will experience the power of poetry to account for a hundred years in the life of a restless continent.

"This volume is a people's history of English in the United States, told by those who have transformed it: activists, teachers, immigrants, journalists, poets, dictionary makers, actors, musicians, playwrights, preachers, presidents, rappers, translators, singers, children's authors, scientists, politicians, foreigners, students, homemakers, lexicographers, scholars, newspaper columnists, senators, novelists, and a slew of fanatics. It begins with the English used by the settlers in Plymouth Colony and concludes (for now) with John McWhorter's tribute to punctuation that bends the rules. The quest is to understand how an imperial language like English, with Germanic origins, whose spread resulted from the Norman conquest, came to be an intrinsic component of the most influential democratic experiment in the world. Edited by internationally renowned cultural commentator and consultant for the OED Ilan Stavans, it is organized chronologically and offers a banquet of letters, poems, essays, dictionary entries, stories, songs, legislative documents, and other evidence of verbal mutation. Immigrants have propelled these transformations. Hybrid dialects like Yinglish, Spanglish, and Hawaiian pidgin have flowered. Our linguistic and cultural multiplicity has sparked fierce national debates that play out in these pages--from the compulsory education (and deracination) of Native Americans, to the classification of Black Vernacular English (once celebrated and ridiculed as Ebonics), to the dictionary wars over prescriptive versus descriptive usage, to the push for "English only" mandates that persist to this day. What is clear is that as much as we try to corral it, American English gallops ahead to its own destiny. Driven by American innovators, English has become the global language of both business and entertainment--the medium of the laws that bind us, the art that inspires us, and the connections we forge across cultures. A compendium that is as rich and diverse as the country itself, The People's Tongue helps us grapple with how English has become the world's lingua franca."--

2020 Foreword INDIES Gold Winner for Multicultural Fiction2020 Mass Book Awards Must Read FictionAn inspired and urgent prose retelling of the Maya myth of creation by acclaimed Latin American author and scholar Ilan Stavans, gorgeously illustrated by Salvadoran folk artist Gabriela Larios and introduced by renowned author, diplomat, and environmental activist Homero Aridjis.

In this rich, eye-opening, and uplifting anthology, dozens of esteemed writers, poets, artists, and translators from more than thirty countries send literary dispatches from life during the pandemic. A portion of proceeds benefit booksellers in need.World Literature Today's 75 Notable Translations of 2020

A international collection of poems celebrating the beauty of poetry in different languages.

Ilan Stavans is one of the best known and most prolific Latino academics working today. In preparation for writing Seventh Heaven, Stavans spent five years traveling through Latin America in search of what defines the Jewish communities in the region.

With the release of the census figures in 2000, Latino America wasanointed the future driving force of American culture. The emergence of Spanglish as a form of communication is one of the more influential markers of an America gone Latino. Spanish, present on this continent since the fifteenth century, when Iberian explorers sought to colonize territories in what are now Florida, New Mexico, Texas, and California, has become ubiquitous in the last few decades. The nation's unofficial second language, it is highly visible on several 24-hour TV networks and on more than 200 radio stations across the country.But Spanish north of the Rio Grande has not spread in its pure Iberian form. On the contrary, a signature of the brewing "Latin Fever" that has swept the United States since the mid-1980s is the astonishing creative linguistic amalgam of tongues used by people of Hispanic descent, not only in major cities but in rural areas as well -- neither Spanish nor English, but a hybrid, known only as Spanglish.

In The Hispanic Condition, Ilan Stavans offers a subtle and insightful meditation on Hispanic society in the United States. A native of Mexico, Stavans has emerged as one of the most distinguished Latin American writers of our time, an award-winning novelist and critic praised by scholars and beloved by readers. In this pioneering psycho-historical profile, he delves into the cultural differences and similarities among the five major Hispanic groups: Cubans, Puerto Ricans, Mexicans, Central and South Americans, and Spaniards.Masterfully interweaving historical, literary, and political references with his personal experience, Stavans discusses the divisions within a common heritage; customs of music, love, sex, marriage, and religious belief; the role of the intellectual in society; ideological struggle; and the hopeful visions of the future at the core of a civilization rooted in the trauma of the past.

Offers a poetic exploration - across time, space, and language, real as well as metaphorical - of the US-Mexican wall dividing the two civilizations, of similar walls (Jerusalem, China, Berlin, Warsaw) in history, and of the act of separating people by ideology, class, race, and other subterfuges.

A sixteenth-century Mexican nun, Sor Juana Inés de la Cruz, has become one of the most rebellious and lasting icons in modern times. This book encapsulates the life, times, and legacy of Sor Juana. In this immersive work, Ilan Stavans provides a biographical and meditative picture of the ways in which popular perceptions of her life and body of work both shape and reflect modern Latinx culture.

This long-awaited biography provides a fascinating and comprehensive picture of Garcia Marquez's life up to the publication of his classic 100 Years of Solitude.

After a chance meeting with a shaman in Colombia, Ilan Stavans, the highly regarded literary scholar, found himself in the Amazon rainforest. He had reluctantly agreed to participate in a religious ceremony that involved taking the hallucinogen ayahuasca. This one-act play is delivered in the form of a lecture that mimics the author's startling spiritual journey.

Ilan Stavans and Joshua Ellison's Reclaiming Travel is a provocative meditation on the meaning of travel in the twenty-first century. Eschewing tourism, Stavans and Ellison urge for a rethinking of contemporary travel in order to return it to its roots as a tool for self-discovery and transformation.

Includes an English translation of Vasconcelos' "Mestizaje" from his The cosmic race and his lecture "The race problem in Latin America," one of three Harris Foundation lectures originally delivered at the University of Chicago in 1926.

The Pioneer Valley of western Massachusetts is home to immigrants and refugees from around the globe, and their presence revitalizes the region and redefines its culture. Their journeys have involved fear, uprootedness, and isolation as well as perseverance, creativity, and hope. Words in Transit collects the personal stories of nearly thirty people who have made this area their new home.

Noted cultural critic Ilan Stavans and artist ADAL analyze the selfie and its role in contemporary life by exploring it in the context of the history of Western self-portraiture, mythology, literature, art, and philosophy.

A book-length conversation between two leading scholars on the themes and questions of Hispanic popular culture

Shares interests in the intersection of art and ideas. This book takes thirteen pieces of Latino art, each reproduced in color, as occasions for thematic discussions.

For almost twenty years, llan Stavans-described by the Washington Post as "Latin American's liveliest and boldest critic and most innovative cultural enthusiast"--has interviewed path-breaking intellectuals and artists in a wide range of media. As host of the critically acclaimed PBS series La Plaza, he interviews guests on pressing issues that affect the Western Hemisphere today, asking hard-hitting questions on immigration, religion, bilingualism, race, and democracy. This book collects for the first time in one volume Stavans's most provocative and enlightening interviews with Hispanics from both sides of the Rio Grande. Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with llan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.

Ilan Stavans's collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans's trademark wit and provocative analysis.

Offers a vista of Jewish-Hispanic relations. This work features the novella ""Morirse esta en hebreo,"" which is a meditation on continuity and tradition among Mexican Jews that takes place just as a decades-long, one-party dictatorship is crumbling down. It also features ""Xerox Man,"" a story about a book thief with a bizarre theological obsession.

Stavans interweaves his own experience with that of other Jewish writers and thinkers to explore modern Jewish culture across the boundaries of language and nation

Our understanding of love is not the same as the one espoused by Plato in the fourth century BCE. Nor is it the same as the courtly love of the Renaissance, or love as defined by Stendhal or Proust or Freud. Here, cultural critic Ilan Stavans engages in a dialogue with Veronica Albin about love and its various manifestations.