Bøger af Ibrahim Bangura

This is a collection of eleven heart-wrenching stories about children forced to participate in scenes of carnage in the Sierra Leonean civil war of 1991-2002. Ibrahim Bangura combines his experience in disarmament, and demobilization with the insights of a creative genius to recount these stories from realistic yet fictional perspectives. The stories give a complete vision of the war with themes ranging from conscription to reintegration of child soldiers. This is a great read for both creative minds and scholars of war related questions Oscar C. Labang, PhD Kansas City, MO

This book critically examines the approaches to Disarmament, Demobilisation and Reintegration (DDR) of ex-combatants programming in Africa.

Born three years before the brutal civil war broke out in Sierra Leone, my twenty-three siblings and I grew up amongst the daily heavy choices of what - and who - must be sacrificed to survive. Everyone has scars. Everyone has fears. But not everyone comes from a family of 24 children. This is my story. This is my voice. The voice of both a child and a man. A child forced to end his childhood in order to survive. A man whose dreams are still haunted by memories of the war. From a country's war to a war within myself: this is the story of the 24th son. I have achieved my three goals-degree, wife and house-and was even lucky enough to have my beloved mother there to witness it. But will it all come undone because of the legacy of the war?

Explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.This edited collection focuses on the links between youth and African popular culture. Contributions by a distinguished group of scholars explore popular culture produced and consumed by young people in contemporary Africa. Essays cover a variety of cultural representations--visual, oral, written, performative, fictional, social, and virtual--created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public and shared locally and globally. The volume examines the range of music, art, and media African youth produce, under what conditions or contexts they produce such work, and the aesthetic dimensions of these texts as cultural artifacts. Essays further explore why these textual practices matter as social facts, as interpretive acts, and as symbols of the cultural activism of young people in a rapidly changing world-a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems.