Bøger af Iain Fenlon

Presents a single-volume history of sixteenth-century music that focuses on the different ways people encountered music in their everyday lives.

The Piazza San Marco, one of the most famous, instantly recognizable townscapes in the West, has been described as a stage set, Europe's drawing room, a painter's canvas. This book traces its changing shape and function, from its beginnings in the ninth century to its present day ubiquity in the Venetian, European, as well as global imagination.

This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. The authors have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments.

L'incoronazione di Poppea is the most compelling of all early Italian operas and this has, in part, been responsible for the way in which it has become separated from its social and historical context. In this book, Iain Fenlon and Peter Miller show how an understanding of contemporary Venetian intellectual currents and preoccupations provides a key to the structure of the opera's libretto, the progress of the action and the points of emphasis in both the music and the text.

This book is a companion volume to Music and Patronage in Sixteenth-Century Mantua I.

Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi.