Bøger af Howard Norman

Novelist Howard Norman meditates on the final evening and morning he spent with his dear friend, American artist Jake Berthot.

It's 1918. The war in Europe grinds on, and the Spanish flu seems to be on an insatiable killing spree. But in the small fishing village of Parrsboro, Nova Scotia, a more confined drama-harrowing and provocative-slowly unfolds. It begins when Elizabeth Frame murders her husband hours after their wedding and thrusts the revolver into the blowhole of a beached whale.Crime reporter Toby Havenshaw is dispatched by the Halifax Evening Mail to cover the hearing, and his diary subsequently follows the surprising twists and turns of Elizabeth Frame's flight from the law, accompanied as she is by a love-besotted court stenographer. But Toby's diary also paints a vivid and deeply affecting portrait of his marriage to Amelia, a surgeon just returned from the front lines in France and Belgium. When a child is born to Elizabeth Frame on the lam, Amelia is drawn into events in ways she could never have imagined. And then everything changes.Come to the Window explores a question both universal and timeless: How does one recover hope in a time of great bewilderment and grief?

National Book Award finalist Howard Norman delivers another "provocative . . . haunting"* novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost. *Janet Maslin, New York Times Simon Inescort is no longer bodily present in his marriage. It's been several months since he keeled over the rail of a Nova Scotia-bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel--after revealing that the deed contains a "ghost clause," an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: "Every waking moment, I'm astonished I have any consciousness . . . What am I to call myself now, a revenant?" He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local eleven-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages--one in its afterlife, one new and erotically charged--and of the Vermont village life that sustains and remakes them.

"[An] ingeniously plotted novel . . . Norman knows how to weave an enticing and satisfying mystery, one tantalizing thread at a time." -- New York Times Book Review A witty, engrossing homage to noir, from National Book Award finalist Howard Norman Jacob Rigolet, soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction--his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of ink at master photographer Robert Capa's Death on a Leipzig Balcony. Jacob's police detective fiancée is assigned to the ensuing interrogation. My Darling Detective delivers a fond nod to classic noir, as Jacob's understanding of the man he has always assumed to be his father unravels against the darker truth of Robert Emil, a police officer suspected of murdering two Jewish residents during an upswing of anti-Semitism in 1945. The denouement, involving a dire shootout and an emergency delivery--it's the second Rigolet to be born in the Halifax library in a three decades--is Howard Norman at his uncannily moving best. "Norman works with an offhand ease and grace . . . Whimsy is balanced by moments of powerfully evoked realism." -- Washington Post "An unconventional, lively literary mystery." -- Kirkus Reviews

"Norman elegantly crafts a murder story that isn't a mystery; a ghost story without shivers. At its heart, this is a bittersweet love story, about the hole left in a life." - Seattle Times Sam Lattimore meets Elizabeth Church in 1970s Halifax, in an art gallery. Their brief, erotically charged marriage is extinguished with Elizabeth's murder. Sam's life afterward is complicated. In a moment of desperate confusion, he sells his life story to a Norwegian filmmaker named Istvakson, known for the stylized violence of his films, whose artistic drive sets in motion an increasingly intense cat-and-mouse game between the two men. Furthermore, Sam has begun "seeing" Elizabeth-not only seeing but holding conversations with her, almost every evening, and what at first seems simply hallucination born of terrible grief reveals itself, evening by evening, as something else entirely. "Beautifully and carefully written and unique, its meaning both elegant and elusive." - Ann Beattie "Compelling and satisfying. Howard Norman has written a complex literary novel and a page-turner that's impossible to put down." - Minneapolis Star Tribune "Quirky and probing . . . riveting . . . sexy." - Washington Post

?The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book.? ? Michael OndaatjeHoward Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales?including the story of a soapstone carver turned into a goose whose migration-time lament is ?I hate to leave this beautiful place??and in his beloved Point Reyes, California, as a student of birds. Years later, in Washington, D.C., an act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. In Norman's hands, life's arresting strangeness is made into a profound, creative, and redemptive story. ?Uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice . . . The originality of his telling here is as surprising as ever.? ? Washington Post?These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he's lived and their quirky inhabitants, human and avian.? ? The New Yorker

Howard Norman, widely regarded as one of this country's finest novelists, returns to the mesmerizing fictional terrain of his major books--The Bird Artist, The Museum Guard, and The Haunting of L--in this erotically charged and morally complex story.Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges--the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda.Setting in motion the novel's chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents--including a German U-boat's sinking of the Nova Scotia-Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling--lend intense narrative power to Norman's uncannily layered story.Wyatt's account of the astonishing--not least to him-- events leading up to his fathering of a beloved daughter spills out twenty-one years later. It's a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one.An utterly stirring novel. This is Howard Norman at his celebrated best.

Fans of Howard Norman, the internationally acclaimed author of The Hunting of L and The Bird Artist and a two-time National Book Award finalist, will find in this novel-an intense and intriguingly unconventional love story-all the hallmarks of this masterly writer: sparkling yet spare language, a totally compelling air of mystery spread over our workaday world, and ability to capture the metaphorical heartbeat at the center of our lives. Like many of Howard Norman's celebrated novels, Devotion begins with an announcement of a crime: on August 19, 1985, David Kozol and his father-in-law engaged in "assault by mutual affray." Norman sets out to explore a great mystery: why seemingly quiet, contained people lose control. David and Maggie's story seemed straightforward enough; they met in a hotel lobby in London. For David, the simple fact was love at first sight. For Maggie, the attraction was similarly sudden and unprecedented in intensity. Their love affair, "A fugue state of amorous devotion," turned into a whirlwind romance and marriage. So what could possibly enrage David enough that he would strike at the father of his new bride? Why would William, a gentle man who looks after an estate-and its flock of swans-in Nova Scotia, be so angry at the man who has just married his beloved only child, Maggie? And what would lead Maggie to believe that David has been unfaithful to her? In his signature style-haunting and evocative-Norman lays bare the inventive stupidities people are capable of when wounded and confused. At its core, Devotion is an elegantly constructed, never sentimental examination of love: romantic love (and its flip side, hate), filial love at its most tender, and, of course, love for the vast open spaces of Nova Scotia.

In the fall of 1977, Howard Norman went to Churchill, Manitoba, to translate Inuit folktales, and there he met Helen Tanizaki, an extraordinary linguist translating the same tales into Japanese. In Fond Remembrance of Me recaptures their intimacy, and the remarkable influence that she, and the tales themselves, would have on the future novelist. Through a series of overlapping panels of reality and memory, Norman evokes with vivid immediacy their brief but life-shifting encounter, and the earthy, robust Inuit folklore that occasioned it.