Bøger af Honore De Balzac

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La ComEdie Humaine Of HonorE De Balzac: The Two Brothers; Volume 11 Of La ComEdie Humaine Of HonorE De Balzac; HonorE De Balzac HonorE de Balzac Katharine Prescott Wormeley Hardy, Pratt, 1904

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Comédie Humaine Of Honoré De Balzac: Pierrette. The Vicar Of Tours; Volume 14 Of La Comédie Humaine Of Honoré De Balzac; Honoré De Balzac Honoré de Balzac Katharine Prescott Wormeley Hardy, Pratt, 1904

On looking down at her kid shoes, made, it was evident, by the veriest cobbler, a stranger would have hesitated to recognize Cousin Betty as a member of the family, for she looked exactly like a journeywoman sempstress. But she did not leave the room without bestowing a little friendly nod on Monsieur Crevel, to which that gentleman responded by a look of mutual understanding.

Mme. Giraud (leading Giraud up to Pamela) Did you hear that? Well! Listen to me. She is in love with this youth. It is quite certain that he also is in love with her. If she should make a sacrifice like that, as a return, he ought to marry her.

Dans Sarrasine, La riche famille Lanty organise une fête afin de faire étalage de ses richesses. Le narrateur oppose le côté tumultueux, clinquant et étincelant de la fête à l'hiver, avec ses arbres nus recouverts de neige... Dans Gambara, Le comte Andrea Marcosini, noble milanais, flâne au Palais-Royal lorsqu'il découvre dans la foule le visage extraordinaire d'une femme aux yeux de feu. Celle-ci s'enfuit pour lui échapper, mais il la poursuit jusque dans la sordide ruelle où elle disparaît, derrière le Palais-Royal... Enfin, dans Massimilla Doni, Emilio Memmi, récemment fait prince de Varèse, et héritier d'un palais, est désespérément amoureux de la délicieuse Massimila Doni, femme du duc de Caetano, vieillard débauché qui soutient une cantatrice: Clara Tinti...

The Histoire des Treize consists-or rather is built up-of three stories: Ferragus or the Rue Soly, La Duchesse de Langeais or Ne touchez-paz a la hache, and La Fille aux Yeux d'Or. To tell the truth, there is more power than taste throughout the Histoire des Treize, and perhaps not very much less unreality than power. Balzac is very much better than Eugene Sue, though Eugene Sue also is better than it is the fashion to think him just now. But he is here, to a certain extent competing with Sue on the latter's own ground. The notion of the "Devorants"-of a secret society of men devoted to each other's interests, entirely free from any moral or legal scruple, possessed of considerable means in wealth, ability, and position, all working together, by fair means or foul, for good ends or bad-is, no doubt, rather seducing to the imagination at all times; and it so happened that it was particularly seducing to the imagination of that time. And its example has been powerful since; it gave us Mr. Stevenson's New Arabian Nights only, as it were, the other day.

La nouvelle, écrite à la première personne, commence par évoquer la capacité d'observation du narrateur. Il décrit cette faculté comme "une seconde vue" qui lui permet de s'identifier aux individus qu'il croise.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Lucien had gone to Paris; and David Sechard, with the courage and intelligence of the ox which painters give the Evangelist for accompanying symbol, set himself to make the large fortune for which he had wished that evening down by the Charente, when he sat with Eve by the weir, and she gave him her hand and her heart. He wanted to make the money quickly, and less for himself than for Eve's sake and Lucien's. He would place his wife amid the elegant and comfortable surroundings that were hers by right, and his strong arm should sustain her brother's ambitions-this was the programme that he saw before his eyes in letters of fire.

"The Muse of the Department" from Honore De Balzac. French novelist and playwright (1799-1850).

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Temple Edition Of The Comédie Humaine, Volume 37; The Temple Edition Of The Comédie Humaine; Honoré De Balzac Honoré de Balzac, Ellen Marriage, Clara Bell, R. S. Scott, James Waring George Saintsbury

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Honore De Balzac, Volume 38; Honore De Balzac; Ellery Sedgwick Honore de Balzac George Burnham Ives, William Walton, Mary Webb Artois, Peter P. Breen, J. Alfred Burgan, Gertrude Christian Fosdick, Francis Thomas Furey, George John Murdoch, E. P. Robbins, Ellery Sedgwick, Jane Minot Sedgwick, May Tomlinson, Thomas H. Walls Printed only for subscribers by G. Barrie & Son, 1899

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La ComEdie Humaine: Scenes Of Private Life; Volume 22 Of La ComEdie Humaine; HonorE De Balzac HonorE de Balzac George Barrie & Son, 1897

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ L'Heritiere De Birague: Histoire Tiree Des Manuscrits De Dom Rago... A. De Viellergle...et Lord R'Hoone, Volumes 3-4; L'Heritiere De Birague: Histoire Tiree Des Manuscrits De Dom Rago... A. De Viellergle...et Lord R'Hoone; Honoré De Balzac reprint Honoré de Balzac Hubert, 1822 Literary Criticism; European; French; Literary Criticism / European / French

In one of the finest houses of the rue Neuve-des-Mathurins, at half-past eleven at night, two young women were sitting before the fireplace of a boudoir hung with blue velvet of that tender shade, with shimmering reflections, which French industry has lately learned to fabricate. Over the doors and windows were draped soft folds of blue cashmere, the tint of the hangings, the work of one of those upholsterers who have just missed being artists. A silver lamp studded with turquoise, and suspended by chains of beautiful workmanship, hung from the centre of the ceiling.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Entering Nemours by the road to Paris, we cross the canal du Loing, the steep banks of which serve the double purpose of ramparts to the fields and of picturesque promenades for the inhabitants of that pretty little town. Since 1830 several houses had unfortunately been built on the farther side of the bridge. If this sort of suburb increases, the place will lose its present aspect of graceful originality.

Le Cousin Pons est un roman d'Honoré de Balzac, paru en feuilleton en 1847 dans Le Constitutionnel, et publié en volume la même année. Ce roman fait partie des Scènes de la vie parisienne dans la section Les Parents pauvres, où Le Cousin Pons voisine avec La Cousine Bette, dont il est en quelque sorte le symétrique. Le cousin est aussi bon et naïf que la cousine est aigrie et

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As it is extremely doubtful that the fame of the "Bal de Sceaux" should ever have extended beyond the borders of the Department of the Seine, it will be necessary to give some account of this weekly festivity, which at that time was important enough to threaten to become an institution. The environs of the little town of Sceaux enjoy a reputation due to the scenery, which is considered enchanting.

Monsieur de Manerville, the father, was a worthy Norman gentleman, well known to the Marechael de Richelieu, who married him to one of the richest heiresses of Bordeaux in the days when the old duke reigned in Guienne as governor. The Norman then sold the estate he owned in Bessin, and became a Gascon, allured by the beauty of the chateau de Lanstrac, a delightful residence owned by his wife. During the last days of the reign of Louis XV., he bought the post of major of the Gate Guards, and lived till 1813, having by great good luck escaped the dangers of the Revolution in the following manner.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Scenes Of Parisian Life: The Petty Bourgeois, Try. By G. B. Ives; Volume 11 Of Scenes Of Parisian Life: Now For The First Time Completely Translated In English; Honoré De Balzac Honoré de Balzac printed by G. Barrie and son for subscribers only, 1896

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Comédie Humaine: Now For The First Time Completely Translated Into English, Volume 26; La Comédie Humaine: Now For The First Time Completely Translated Into English; Honoré De Balzac Honoré de Balzac, Anatole Cerfberr Printed for subscribers only by G. Barrie & Son, 1897

"Marriage is not an institution of nature. The family in the east is entirely different from the family in the west. Man is the servant of nature, and the institutions of society are grafts, not spontaneous growths of nature. Laws are made to suit manners, and manners vary. "Marriage must therefore undergo the gradual development towards perfection to which all human affairs submit." These words, pronounced in the presence of the Conseil d'Etat by Napoleon during the discussion of the civil code, produced a profound impression upon the author of this book; and perhaps unconsciously he received the suggestion of this work, which he now presents to the public. And indeed at the period during which, while still in his youth, he studied French law, the word ADULTERY made a singular impression upon him.

The present work also contains the stories entitled: Commission in Lunacy; Unknown Masterpiece; Christ in Flanders; Melmoth Reconciled; The Red House; and The Atheist's Mass. Illustrated. Honore de Balzac was considered the greatest novelist of France and was the founder of the realistic novel. His novels sought to demonstrate the molding effect of social environment on the raw material of human personality. His novels have more than 2,000 characters from all phases of contemporary life.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La ComEdie Humaine Of HonorE De Balzac, Volume 29; La ComEdie Humaine Of HonorE De Balzac; HonorE De Balzac HonorE de Balzac Katharine Prescott Wormeley Hardy, Pratt, 1904

Madame Firmiani est un personnage de La Comédie humaine d'Honoré de Balzac. Elle est le personnage principal du roman Madame Firmiani.