Bøger af Helen Reddington

She's at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop.

In Britain during the late 1970s and early 1980s, a new phenomenon emerged, with female guitarists, bass-players, keyboard players and drummers playing in bands. This book investigates the social and commercial reasons for how these women became lost from the rock music record, and rewrites this period in history in the context of other periods.

In an updated paperback edition, Helen Reddington investigates the social and commercial reasons for how women musicians of the Punk era became lost from the rock music record, and rewrites this period in history in the context of other periods when female musicians have been visible in previously male environments.