Bøger af Hayden Herrera

Born and brought up near Mexico City during the Mexican Revolution, painter, Frida Kahlo suffered a devastating accident aged eighteen, which left her crippled and unable to bear children. This book provides an account of this woman.

A master of what he called "the sculpturing of space," Isamu Noguchi was a vital figure for modern public art. Born to an American mother and a Japanese father, Noguchi never felt like he belonged anywhere and spent his life assembling identities in his statues, monuments, and gardens. He traveled incessantly from New York to remote Japanese islands, from Paris to Bangladesh, synthesizing aesthetic values. The result--massive sculptures of interlocking wood, Zen-like gardens of granite, and stone slides--is now seen as a powerful artistic link between East and West.Drawing on Noguchi's personal correspondence and interviews with artists, patrons, assistants, and lovers, Hayden Herrera creates another compulsively readable biography of one of the twentieth century's most important artists. Noguchi was elusive, forever uprooting himself to reinvigorate what he called the "keen edge of originality." Yet Herrera locates this man in his friendships with artists like Buckminster Fuller and Arshile Gorky, and in his affairs with women like Frida Kahlo. Herrera reveals his playfulness and his intense immersion in his work, from designing sets for Martha Graham to creating the Noguchi Museum in Queens.A rich meditation on art in a globalized milieu, Listening to Stone is a moving portrait of an artist compulsively driven to reinvent himself as he searched for his own "essence of sculpture."

"A coming-of-age memoir by the daughter of privileged, artistic, hard-drinking, bohemian parents, set against a backdrop of 1950s New York, Cape Cod, and Mexico"--

Ediciâon revisada con prâologo de Valeria Luiselli.

"[Herrera's] expressive and fluid prose is able to keep pace with Kahlo's riveting canvases and adds to the experience of viewing them. . . . A superb tribute." ? BooklistIn small, stunningly rendered self-portraits, Mexican artist Frida Kahlo painted herself cracked open, hemorrhaging during a miscarriage, anesthetized on a hospital gurney, and weeping beside her own extracted heart. Her works are so incendiary in emotion and subject matter that one art critic suggested the walls of an exhibition be covered with asbestos.In this beautiful book, art historian Hayden Herrera brings together numerous paintings and sketches by Kahlo, documenting each with explanatory text that probes the influences in Kahlo's life and their meaning for her work.Included among the illustrations are more than eighty full color paintings, as well as dozens of black and white pictures and line illustrations. Among the famous and little-known works included in Frida Kahlo: The Paintings are The Two Fridas, Self Portrait as a Tehuana, Without Hope, The Dream, The Little Deer, Diego and I, Henry Ford Hospital, My Birth, and My Nurse and I. Here, too, are documentary photographs of Frida Kahlo and her world that help to illuminate the various stages of her life.

A New Yorker Best Book of 2021 A ';touching, heartbreaking, and exceptional' (Town & Country) coming-of-age memoir by the daughter of artistic, bohemian parents—set against a backdrop of 1950s New York, Cape Cod, and Mexico.Hayden Herrera's parents each married five times; following their desires was more important to them than looking after their children. When Herrera was only three years old, her parents separated, and she and her sister moved from Cape Cod to New York City to live with their mother and their new hard-drinking stepfather. They saw their father only during the summers on the Cape, when they and the other neighborhood children would be left to their own devices by parents who were busy painting, writing, or composing music. These adults inhabited a world that Herrera's mother called ';upper bohemia,' a milieu of people born to privilege who chose to focus on the life of the mind. Her parents' friends included such literary and artistic heavyweights as artist Max Ernst, writers Edmund Wilson and Mary McCarthy, architect Marcel Breuer, and collector Peggy Guggenheim. On the surface, Herrera's childhood was idyllic and surreal. But underneath, the pain of being a parent's afterthought was acute. Upper Bohemia captures the tension between a child's excitement at every new thing and her sadness at losing the comfort of a reliable family. For her parents, both painters, the thing that mattered most was beauty—and so her childhood was expanded by art and by a reverence for nature. But her early years were also marred by abuse and by absent, irresponsible adults. As a result, Herrera would move from place to place, parent to parent, relative to family friend, and school to school—eventually following her mother to Mexico. The stepparents and stepsiblings kept changing too. Intimate and honest, Upper Bohemia ';captures an enchanted but erratic childhood in a rarefied milieu with the critical but appreciative eye of a seasoned art historian' (The Wall Street Journal). It is a celebration of a wild and pleasure-filled way of living—and a poignant reminder of the toll such narcissism takes on the children raised in its grip.