Bøger af Hans Wolfgang Singer

Dieses Buch beschäftigt sich mit dem Präraffaelitismus, einer Kunstbewegung, die im 19. Jahrhundert in England entstand. Der Autor untersucht die Ideologie und die Kunstwerke, die aus dieser Bewegung hervorgegangen sind, und analysiert ihren Beitrag zur Kunstgeschichte.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Das bürgerliche Trauerspiel in England by Hans Wolfgang Singer. This book is a reproduction of the original book published in 1891 and may have some imperfections such as marks or hand-written notes.

Das Buch ""Das B�����rgerliche Trauerspiel in England: Bis zum Jahre 1800"" wurde 1891 von Hans Wolfgang Singer ver������ffentlicht. Es handelt sich um eine Studie �����ber das b�����rgerliche Trauerspiel in England bis zum Jahr 1800. Singer untersucht die Entwicklung und Bedeutung dieses Genres in der englischen Literaturgeschichte und analysiert die Werke von bekannten Autoren wie Thomas Otway, George Lillo und Richard Cumberland. Dabei geht er auch auf die sozialen und politischen Hintergr�����nde ein, die die Entstehung und Verbreitung des b�����rgerlichen Trauerspiels beeinflusst haben. Das Buch ist eine wichtige Quelle f�����r alle, die sich f�����r die englische Literaturgeschichte und das Theater interessieren.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Das Buch ""Geschichte des Kupferstichs"" von Hans Wolfgang Singer wurde erstmals im Jahr 1895 ver������ffentlicht und ist ein umfassendes Werk �����ber die Geschichte und Entwicklung des Kupferstichs. Der Autor beschreibt die verschiedenen Techniken, die bei der Herstellung von Kupferstichen verwendet werden, sowie die Entstehung und Verbreitung dieser Kunstform im Laufe der Jahrhunderte. Dabei geht er auf bedeutende K�����nstler und ihre Werke ein und zeigt auf, wie sich der Kupferstich im Laufe der Zeit ver�����ndert und weiterentwickelt hat. Das Buch ist reich illustriert und enth�����lt zahlreiche Abbildungen von Kupferstichen aus verschiedenen Epochen. Es ist eine unverzichtbare Lekt�����re f�����r alle, die sich f�����r die Geschichte der Kunst interessieren, insbesondere f�����r diejenigen, die sich mit der Kunst des Kupferstichs auseinandersetzen m������chten.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Frontmatter -- Vorwort -- Inhaltsverzeichnis -- I. Einleitung -- II. Die englische Kunst beim Auftreten des Prae-Raphaelitismus -- III. Die Gründer der P.R.B.: Hunt und Millais -- IV. Die Gründer der P.R.B.: Rosetti -- V. Die Gründung der P.R.B. -- VI. Der Erfolg der P.R.B.: Die erste Ausstellung -- VII. Der Erfolg der P.R.B.: Die zweite Ausstellung -- VIII. Das Ende der P. R. B. -- IX. Der neue Prae-Raphaelitismus ersteigt als Phönix der Asche des alten -- X. Eleanor Elisabeth Siddal und Dante Gabriel Rossetti -- XI. Rossettis Gemälde und Dichtungen -- XII. Rossettis Einfluss als Maler -- XIII. Der Einflufs des Prae-Raphaelitismus auf das Kunstgewerbe: William Morris -- XIV. Zusammenfassung -- XV. Einige Schlüsse und Lehren -- Register der Personen- und Ortsnamen (mit Ausschluß Londons) und der Gemäldetitel -- Backmatter