Bøger af Hans Ulrich Obrist

Diese 2G Monografie legt erstmals sachliche Informationen zum Werk des japanischen Architekten Junja Ishigami vor, der sein Büro mit nur 31 Jahren gegründete. Sein Werk zählt zu den aktuell meist diskutierten Arbeiten der Architekturwelt. In den begleitenden Interviews mit Hans-Ulrich Obrist und Kayoto Ota erklärt er seine Einflüsse, Vorbilder und sein Verständnis von Architektur. Die Publikation stellt seine bis heute realisierten Projekte vor und dokumentiert sie mit Plänen, Aufschnitten und vielen Fotografien: Architekturbiennale Venedig 2008, Kanagawa Institute of Technology, Botanical Fram Garden Tochigi, Multi Confessional Chapel in China, Yamamoto Building New York, sowie diverse Wohnhäuser. Immer wieder überrascht der Architekt mit neuen Formen und Materialien. Junya Ishigami ist der diesjährige Architekt des Sommerpavillions der Londoner Serpentine Galleries.

Against All Odds – Historiske kvinder og nye algoritmer udforsker 24 nordiske kunstneres liv og værker omkring år 1900 gennem banebrydende kombinationer af historisk genindskrivning og ny teknologi. Kvinderne trodsede tidens kønsnormer, dannede egne fællesskaber på tværs af Europa og fik succes mod alle odds. Senere blev flere skrevet ud af kunsthistorien, men hvorfor? Kan man skrive kvinderne ind i den fortælling, der skrev dem ud, uden at ændre den? Læs, hvordan teknologi, kritisk tænkning og kunst forenes i en hyldest til fortidens pionerer. Med tværæstetiske greb, immersive installationer og AI-genererede dialoger udfordrer udstilling og katalog vores forståelse af fortiden og åbner nye perspektiver på kunsthistorien.

The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist

'If artists betray the social conscience and the basic principles of being human, where does art stand then?' Ai Weiwei - artist, architect, curator, publisher, poet and urbanist - extended the notion of art and is one of the world's most significant creative and cultural figures. In this series of interviews, conducted over several years with the curator Hans Ulrich Obrist, he discusses the many dimensions of his artistic life, ranging over subjects including ceramics, blogging, nature, philosophy and the myriad influences that have fed into his work. He also talks candidly about his father, his childhood spent in exile and his criticism of the Chinese state. Together, these extraordinary discussions give a unique insight into the outstanding complexity of Ai Weiwei's thought and work, and are an essential reminder of the need for personal, political and artistic freedom.

The author has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. In this book, he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes.

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.

Against All Odds – Historical Women and New Algorithms explores the lives and works of 24 Nordic artists around 1900 through pioneering combinations of historical reinscribing and new technology. These women defied the gender norms of their time, formed their own communities across Europe and succeeded against all odds. Later, several were written out of art history. Why? Is it possible to write these women into the narrative that excluded them without changing the story? Discover how technology, critical thinking and art merge in a tribute to pioneers of the past. Through cross-aesthetic approaches, immersive installations and AI-generated dialogues, the exhibition and catalogue challenge our understanding of the past and open new perspectives on art history.

Esther Mahlangu: To Paint is in My Heart is a captivating exploration of the life and work of the iconic South African painter, one of the most influential artists of Pan-African Contemporary Art.

Pars Pro Toto II was, like the first volume in 2008, developed in the course of a close dialogue between the German Egyptian artist Susan Hefuna and the editor, Hans Ulrich Obrist. It presents Hefuna's recent body of work.Susan Hefuna's work has been widely exhibited at such venues as the Louvre, Paris; Townhouse Gallery, Cairo; the House of World Cultures, Berlin; the Third Line Gallery, Dubai; Sharjah Biennial; Albion Gallery, London and New York; the New Museum, New York; and Sevilla Biennial. She has been nominated for the 2009 Jameel Prize by London's Victoria and Albert Museum, and will be included in the Venice Biennial in 2009.

Roberto Matta, Cecilia Vicuña, Alfredo Jaar, Paz Errázuriz and others offer insight into Chilean art and politicsThis volume looks closely at the Chilean experimental art scene, in which practitioners have mastered avant-garde strategies and encouraged cultural dissidence. Over the past five years Hans Ulrich Obrist interviewed three generations of Chilean artists, performers and writers, many of whom worked despite the horrific violence and censorship of the Pinochet dictatorship and now navigate through the hazy context that surrounds the post-dictatorial nation in the 21st century. This unique constellation of practices has become a model for a particular mode of postmodernism based on research and experimentation. The stunning archival images and extensive interviews organized chronologically with Roberto Matta, Juan Pablo Langlois, Catalina Parra, Sylvia Palacios Whitman, Carmen Beuchat, Eugenio Dittborn, Paz Errázuriz, Juan Dávila, Gonzalo Díaz, Cecilia Vicuña, Diamela Eltit, Raúl Zurita, Alfredo Jaar and Seba Calfuqueo offer a deeply personal insight into Chile's evolving culture.

The Brazilian painter Maxwell Alexandre, 32, has soared rapidly in the art world, with solo exhibitions at the Palais de Tokyo in Paris, the MAC Lyon, the David Zwirner Gallery in London, and recently the Shed, New York, and La Casa Encencida in Madrid. Formerly a professional roller-skater from Rochina, a favela of Rio de Janeiro, Alexandre includes references to the local culture, from scenes of confrontation with the police to symbols of football or church. Popular culture, in the form of logos, brands, and iconic personalities, also populates his work. ¿It was not a political choice. It was a self-portrait. I¿m Black, I¿m painting Black people. The first four paintings I did on pardo [Pardo é Papel series] were self-portraits before I realized the meaning of pardo. I never wanted to be a banner of the identity of Black people in the favela, but it was my own identity,¿ he explains.In this book, Maxwell Alexandre presents his new series, ¿Delivery¿. In this new body of work, he moves away from the brown kraft paper that has been the signature support for his ¿Pardo é Papel¿ series, to painting directly onto doors. As the name suggests, at the center of this series are the (mostly) men and women who assure the food delivery services that have become ubiquitous worldwide. Maxwell Alexandre¿s work is in the Pinacoteca de São Paulo, the Museu de arte de São Paulo (MASP) and the Museu de Arte do Rio (MAR) collections. The artist was in residency at the Delfina Foundation (London, 2018), then later at the MAC Lyon (2019). He is represented by the gallery A Gentil Carioca (Rio).

The first collected interviews between Gerhard Richter and Hans Ulrich Obrist, conducted over a period of more than 20 years To be published in a new hardback edition, completely redesigned with a revised preface by Obrist and a special drawing by Richter created for the cover Offers an insight into the minds of two of the art world's most esteemed figures: Richter, widely considered one of the greatest artists of our time and Obrist, the pre-eminent commentator on and curator of contemporary art A smaller format, elegantly designed book, illustrated throughout with artworks by Richter

A definitive and timely monograph celebrating the work of ground-breaking conceptual artist Cerith Wyn Evans Cerith Wyn Evans is one of today's most respected and acclaimed sculptors. Born in Wales and educated through his first language of Welsgh, his work reflects his fascination with literature, film, music, and philosophy. Evans is an artist interested in language and how this can be perceived in spatial terms. Originally an experimental filmmaker, in the 1990s Evans started creating sculptures and installations defined by poetic conceptualism and elegant aesthetic forms. Often made of neon light, his pieces subtly disrupt existing systems of communication, either through the subversion and alteration of given spatial forms or by adopting a communal rather than a singular, authoritarian voice. In 2003 Evans represented Wales at the country's inaugural pavilion at the 50th Venice Biennale. This book, the first comprehensive study dedicated to his work, includes contributions by luminaries such as the former Guggenheim Chief, Nancy Spector and the 2011 Venice Biennale director, Daniel Birnbaum, together with a previously unpublished text by Evans himself.

The Air Is Blue was an exhibition orchestrated in Luis Barragán's house and studio by Hans Ulrich Obrist and Pedro Reyes, featuring Francis Alÿs, Dominique Gonzales-Foerster, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija and Niele Toroni, among others; this volume is a reprint of the 2006 catalog for that exhibition.

«Ein denkender Blumentopf, eine Casio-Echse oder eine Augapfel-Hängematte: heisst das lustvolle Spiel mit gefaltetem Papier, das einst die Surrealist*innen spielten. Mehrere Personen konstruieren zusammen eine Zeichnung, ohne dass die Mitspieler*innen den jeweils vorhergehenden Teil der Arbeit sehen. Wir falten das Papier auf und amüsieren uns über den kollektiven Nonsens. Kurator Hans Ulrich Obrist hat dieses Spiel in den letzten Jahren immer wieder gespielt - mit Dan Graham, Katharina Grosse, Pippilotti Rist, Gerhard Richter und vielen mehr. So sind an die 200 solcher Scribbles entstanden. Das Buch zelebriert die Handzeichnung in Zeiten von Voice Messages. Und vor allem ist es ein Aufruf, nicht nur die Zeichnungen anzuschauen, sondern es selbst zu tun. Zeichnen, falten, zeichnen, falten, zeichnen, falten!»- David Glanzmann, Museum im Bellpark, Kriens

The Richter Interviews collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration.

On September 29, 2018, before a live audience at Navy Pier in Chicago, international curator Hans Ulrich Obrist conducted his first US Marathon interview session as part of Art Design Chicago, a yearlong celebration of Chicagos art and design legacy initiated by the Terra Foundation for American Art.

Hans Ulrich Obrist has been Co-Director of International Exhibitions and Programs and Direction of International Projects at the Serpentine Gallery since 2006. His Interview project so far comprises nearly 2,000 hours of conversations.

This new title celebrates 50 years of the creative force of nature that is the artistic partnership of Gilbert & George. Published in cooperation with the LUMA Foundation in Arles, France, on the occasion of their retrospective exhibition on show from 2 July to 23 September 2018.

A landmark publication systematically incorporating records from the studio, dealers, auction houses, museums, collectors and any other possible sources to compile by far the most comprehensive record of the artist¿s oeuvre.

The publication shows for the first time an overview of conversation portraits by Christine Ljubanovic which have been created over the past forty years.

Seventy-two charcoal, pastel and oil crayon drawings and oil paintings of helicopters created by Sabine Moritz between 2003 and 2013.

Architect Rem Koolhaas and curator Hans Ulrich Obrist compile a history of Metabolism: the first non-Western avant-garde architecture, born out of postwar Tokyo. Extensive interviews and rare photographs introduce the movement and shed light on the group's futuristic vision for the future; a dream of cities that would grow, reproduce, and...