Bøger af Hannah Simpson

This illustrated book is a love letter of positivity to anyone who might need a little encouragement or reassurance, inspired by a rescue pup named Mac.This charming gift is chock-full of playful illustrations and self-care reminders from human's best friend. Hannah Simpson’s lighthearted illustrations perfectly capture the symbiotic relationship between humans and our beloved canine companions. Everything Will Be Okay! reminds us (from the loyal and loving perspectives of our pups) that bad days will pass, we’re all good at different things, and you are brave for trying. Perfect for dog lovers and for anyone needing a little boost to remind them that Everything Will Be Okay! Celebrate birthdays, Gotcha Days, Graduations, and more with this winsome gift. ADORABLE ILLUSTRATIONS: Artist Hannah Simpson’s canine illustrations are colorful and vibrant, and feature a diverse selection of dog sizes and breeds. Muzzled dogs, tri-pods, and one-eyed dogs are represented here in Hannah's trademark style of making everyone feel welcome and loved. UPBEAT HUMOR: Each illustration is accompanied by a self-care quote to brighten your day—if your dog could speak, this is what they'd say. PERFECT GIFT: The ideal gift for anyone going through a big change, a new challenge, or a rough patch, Everything Will Be Okay! is a thoughtful gesture for family and friends … or yourself.

"Epistemic injustice" is a fairly new concept in philosophy, which, loosely speaking, describes a kind of injustice that occurs at the intersection of structures of the social world, and knowledge. While the concept was first put forward in the 1990's, the most significant publication on the topic is Miranda Fricker's book Epistemic Injustice: Power and the Ethics of Knowing, which was published in 2007. Since then, there has been something of an explosion of literature on the topic of epistemic injustice. 3 However, the concept of epistemic injustice is one that is poorly understood. While Epistemic Injustice offers extensive analysis of some aspects of epistemic injustice, it does a poor job of explaining, overall, what epistemic injustice actually is, limiting most of that explanation to a small section in the introduction of the book. The way that epistemic injustice is presented in this section is highly ambiguous, with key terms being loosely, if at all defined, and the necessary and sufficient conditions of something being an epistemic injustice being left unclear. This is left unresolved in the literature beyond Fricker's account: while there has been some progression in how we think about epistemic injustice beyond what I will call the "Frickerian account", there has been a general failure to satisfactorily recognize and address the ambiguities of the Frickerian account

Beckett¿s plays have attracted a striking range of disability performances ¿ that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ¿disabled¿ in the text. Grounded in the history of disability performance of Beckett¿s work and a new theorising of Beckett¿s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett¿s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett¿s work. More broadly, it reveals how Beckett¿s theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body. Winner of the TaPRA David Bradby Monograph Prize, 2023.