Bøger af Gustav Theodor Fechner

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Gustav Theodor Fechner: Das Büchlein vom Leben nach dem TodeLesefreundlicher Großdruck in 16-pt-SchriftGroßformat, 210 x 297 mmBerliner Ausgabe, 2023Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor BorkenErstdruck: Dresden, Verlag der Ch. F. Grimmerschen Buchhandlung, 1836.Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage.Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Altersportrait von Gustav Theodor Fechner, ca. 1883.Gesetzt aus der Minion Pro, 16 pt.Henricus - Edition Deutsche Klassik GmbH

Gustav Theodor Fechner: Nanna. Über das Seelenleben der PflanzenLesefreundlicher Großdruck in 16-pt-SchriftGroßformat, 210 x 297 mmBerliner Ausgabe, 2023Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor BorkenErstdruck: Leipzig, Leopold Voß, 1848.Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Vincent van Gogh, Rosen, 1890.Gesetzt aus der Minion Pro, 16 pt.Henricus - Edition Deutsche Klassik GmbH

Die Zeit, da Fechners philosophische Schriften zuerst in die Öffentlichkeit traten, war für ihre Wirkung die denkbar ungünstigste. Als die drei Bände des ¿Zendavestä, dieser umfassendsten Darstellung seiner Anschauungen, im Jahre 1851 erschienen, beherrschten ganz andere Interessen die wissenschaftliche Welt. Die Naturphilosophie hatte gründlich Fiasko gemacht, auch der Stern der Hegelschen Philosophie war verblichen; der Pessimist Schopenhauer harrte in Frankfurt noch immer vergebens der Wiederauferstehung seines vergessenen Werkes, an die damals außer ihm niemand glaubte. Ludwig Feuerbach und in den folgenden Jahren der in seinen Spuren wandelnde physiologische Materialismus kamen dem populären philosophischen Bedürfnisse entgegen, während sich die strengere Wissenschaft auf ihre Spezialgebiete zurückzog und die Philosophie überhaupt meist für einen überwundenen Standpunkt ansah. Wie konnte da ein Werk, das sich schon auf dem Titel als eine Lehre von den Dingen des Himmels und des Jenseits ankündigte, als etwas anderes denn als ein phantastischer Traum erscheinen, der mit Wissenschaft überhaupt nichts zu tun habe! Fechner hat schwer unter dieser Ungunst der Zeiten gelitten. Er ist nicht müde geworden, die Überzeugungen, die er gewonnen und durch die er sich beglückt fühlte, immer wieder in neuer Gestalt der Welt zu verkünden. Dem ¿Zendavestä ließ er kleinere Schriften folgen, in der Hoffnung, daß die kürzere Form der Verbreitung seiner Gedanken förderlicher sei. In dem Vorwort zu der Schrift ¿Über die Seelenfrage¿ sagt er: Einem Publikum, das sich durchaus nicht aus dem Bette alter Ansichten zurechtfinden könne, habe er zum erstenmal in seinem ¿Büchlein vom Leben nach dem Tode¿ zugerufen: ¿Steh auf!¿ Als man ihn nicht gehört, da habe er wieder und wieder gesprochen: ¿Steh auf!¿ ¿Jetzt rufe ich ein fünftes Mal, und, wenn ich lebe, werde ich noch ein sechstes und siebentes Mal ¿Steh auf!¿ rufen, und immer wird es nur dasselbe ¿Steh auf!¿ sein. Aber zum Rufe, der eine schlafende Welt aufwecken soll, gehört ein starker Atem; ich bin nur ein Atemzug in diesem Atem.¿

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.