Bøger af Graydon Carter

Als Benedikt Taschen die bedeutendste Porträtfotografin der Gegenwart, Annie Leibovitz , bat, ihre Bilder in einem Buch im SUMO-Format zu sammeln, war sie von der Herausforderung fasziniert. Die Entwicklung des Projekts dauerte mehrere Jahre, und als es schließlich 2014 veröffentlicht wurde, wog es 26 Kilogramm. Der begehrte SUMO Annie Leibovitz ist nun in einer unlimitierten XXL-Ausgabe erhältlich. Leibovitz blickt auf ein über 40-jähriges Schaffen zurück , angefangen bei ihrer Arbeit als Fotojournalistin für die Zeitschrift Rolling Stone in den 1970er-Jahren bis hin zu den konzeptionellen Porträts, die sie für Vanity Fair und Vogue gemacht hat. Sie wählte ikonische Bilder aus - zum Beispiel John Lennon und Yoko Ono in ihrer letzten Umarmung verschlungen - aber auch Porträts, die selten oder nie zuvor zu sehen waren. Das Annie Leibovitz SUMO thematisiert politische und kulturelle Geschichte, von Königin Elisabeth II. und Richard Nixon bis hin zu Laurie Anderson und Lady Gaga . "Was ich ursprünglich für ein einfaches Vorgehen hielt, nämlich sich vorzustellen, was groß gut aussehen würde, welche Fotos im Großformat funktionierten, entwickelte sich zu etwas anderem", sagte sie damals. "Das Buch ist sehr persönlich und erzählt seine Geschichte mit den Mitteln der Popkultur. Es ist nicht chronologisch geordnet, und es ist keine Retrospektive. Es ist eher so etwas wie eine Achterbahnfahrt." Fans von Annie Leibovitz und den von ihr fotografierten Berühmtheiten können sich mit der unlimitierten Ausgabe nun an dieser Achterbahnfahrt erfreuen.

A lavishly illustrated celebration of the International Best Dressed List, this book is a who s who of the most glamorous men and women from around the world, a banquet of style, elegance, and taste over the last 75 years.

From the pages of Vanity Fair to the red carpets of Hollywood, editor Graydon Carter’s memoir revives the glamorous heyday of print magazines when they were at the vanguard of American cultureWhen Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated. With curiosity, fearlessness, and a love of recent history and glamour that would come to define his storied career in magazines, Carter succeeded in endearing himself to his editors, contributors, and readers, as well as many of the faces that would come to appear in Vanity Fair’s pages. He went on to run the magazine with overwhelming success for the next two and a half decades.Filled with colorful memories and intimate details, When the Going Was Good is Graydon Carter’s lively recounting of how he made his mark as one of the most talented editors in the business. Moving to New York from Canada, he worked at Time, Life, The New York Observer, and Spy, before catching the eye of Condé Nast chairman Si Newhouse, who pulled him in to run Vanity Fair. In Newhouse he found an unwavering champion, a loyal proprietor who gave Carter the editorial and financial freedom to thrive. Annie Leibovitz’s photographs would come to define the look of the magazine, as would the “New Establishment” and annual Hollywood issues. Carter further planted a flag in Los Angeles with the legendary Vanity Fair Oscar party.With his inimitable voice and signature quip, he brings readers to lunches and dinners with the great and good of America, Britain, and Europe. He assembled one of the most formidable stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure Vanity Fair cemented its place as the epicenter of art, culture, business, and politics, even as digital media took hold. Charming, candid, and brimming with stories, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.

When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images--such as John Lennon and Yoko Ono entwined in a last embrace--as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. "What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else," Leibovitz says. "The book is very personal, but the narrative is told through popular culture. It's not arranged chronologically and it's not a retrospective. It's more like a roller coaster." Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

A personal and complete retrospective by one of the most important twentieth-century photographers.

Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture—both highbrow and low. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. This sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party. With its exhaustive sweep, visual impact, and time-capsule format, Vanity Fair 100 Years is the book everyone will want in 2013. Praise for Vanity Fair 100 Years: “The book is a stunning artifact that begets staring, less for the words and publishing industry than as an exercise in visual storytelling reflected through the prism of society and celebrity. The best photographers, the best designers, the best illustrators all came together over Vanity Fair’s contents, and the book unfolds in page after page of stunningly rendered images, some iconic and some that never even ran.” —New York Times Book Review