Bøger af Gorg Huff

The Back to the Past senseis were killing them in the ratings. So the sensory channel decided to do their own. They couldn't afford the variances to send the primitive back without their consent, so they had to have a contract with the primitive. To be sure they would get the contract they chose a primitive who was about to die of natural causes. Dan Baker was having a stroke so he didn't have many options.They assigned the project to Orgaet a producer of scripted dramas.An Artist.It was a punishment for going over budget. Orgaet hated the project and wanted it to fail fast so he could get back to the Rigelian Gladiators.Orgaet used an "off the rack" Intelligent Sensory Interface to save money. Oops.Orgaet never looked at the difference between the brain structure of Agathii and Homosapiens.Oops. When Dan Baker decided to take construction gear rather than guns knives and bombs, Orgaet slipped the Agathii control system into Dans gear to save weight.Oops.It didn't matter Dan Baker was such a wimp that the stone age primitives would kill him in days.What could possibly go wrong?

In the year 1372, the space-time continuum has been breached and demons of all kind, evil and benign, spill from the netherworld into the human one. Pucorl, one of the demons who comes across the rift, accidentally brings with him a van from the Paris of the twenty-first century. The van is filled with a drama teacher, her son, and eight high school students-along with all of their electronic devices. Soon, more demons arrive, many of whom are entranced by the electronics of a future world. Laptops, tablets and cell-phones-not to mention the van's equipment-become possessed by imps and spirits of the netherworld. After defeating the demon lord Beslizoswian and the French prince he had seduced to evil, Pucorl and his teenage allies from the future go to Constantinople. Perhaps in that great city full of scholars they can find the means to close the rift between the universes. But when they arrive, they find that Constantinople is a nightmare of its own. Imperial intrigues abound, as do those of the Church's patriarchy. Still worse, the city is plagued by demons and sorcerers of all kinds. And to cap it all, the sultan of the Ottoman Empire has enslaved an afreet and plans to use the great ancient monster to conquer the Byzantine Empire-starting with Constantinople itself.

It's January of 1372 and the space-time continuum has been breached. Demons of all kind, evil and benign, spill from the netherworld into the human one.In Paris, a series of grisly murders that couldn't be performed by a human, no matter how depraved, leads the Grand Chatelet to try and raise a demon of his own to combat whatever monster is terrorizing the city.Unfortunately-or perhaps fortunately-the demon who is summoned brings with him a van from the Paris of the twenty-first century. The van is filled with a drama teacher, her son, and eight high school students-along with all of their electronic devices.Soon, more demons are summoned, all of whom are entranced by the electronics of a future world. Laptops, tablets and cell-phones-not to mention the van's equipment-become possessed by imps and spirits of the netherworld, some of whom are brilliant and all of whom are curious.What could go wrong?And King Charles V had already been in trouble! Piled onto his own poor health, a suspicious and contentious church, France's always-quarrelsome nobility-worst of all, his unscrupulous and ambitious brother, Philip the Bold-the king now has both demons and people from the future to deal with.He does have one asset-and not a small one. He can place his trusted Constable of France, Bertrand du Guesclin, in charge of the rambunctious teenagers from the future and their ever-growing legion of demons. And Bertrand has a great asset of his own-his wife Tiphaine de Raguenel, perhaps the best astrologer in all of France and, for sure and certain, not a woman to take seriously the prattling nonsense of youngsters skeptical of her lore and knowledge.

Missy Blackwell didn't want to be a vampire. Even before she learned that the techniques that most vampires used to avoid the agony of vampirism wouldn't work for her. Sabo hadn't given her any choice though. Want it or not she is a vampire now. That means that Missy is in constant agony, the sort of agony that drives people insane. If it hadn't been for Julie she probably would have killed her self and a lot of other people by now.Missy was a natural wizard one of those rare people whose bodies were connected to the magic. That connection gave color to her world. Color that most people never saw, so would never miss.Now, because of the vampirism, she is forced to take a potion that lets her manage the pain, but that potion also takes away her natural magic. The spice and color of her life fade to nothing and Missy would almost rather have the pain.She would have already given up except she's not the only one involved. There's Julie and Missy's mom and brother. Lady Jane and once Missy learns to travel to the merge world even the King of Angland gets involved. They want to help. Missy knows that but she's been in pain so long now, she's not sure how much more she can take.

"Michael and Melanie Anderle are hauling a tanker full of oil with their Peterbilt eighteen-wheeler when they're struck by a temporal irregularity that sends them, the truck, and their daughter back in time a thousand years. The bubble that transports them also grabs a chemist and her two young children, along with half a convenience store in the middle of the United States. They just want to make a decent life for themselves in this new world of the past, with their Peterbilt and its oil providing a means of transportation, a generator, and shelter. But not all the locals are willing to live and let live, and when the area shamans decide that this community of temporally displaced persons is a threat to their power, the Anderles find out what it's like to take a Peterbilt to war"--

After carving a free state for itself in war-torn 17th century Europe, citizens of the modern town of Grantville, West Virginia contend with aristocratic forces determined to keep their grip on power whatever it takes.