Bøger af Gordon Burn

Spring 2001, and the countryside of the North East of England resembles Fitzgerald's 'valley of ashes': the air is choked with the stench and smoke of the pyres which are burning in an attempt to contain the epidemic of foot and mouth disease.After forty years away, Ray Cruddas, a comedian with a national, considerably faded reputation, has returned to the North East to live. He has a new wife, a new club and a house close to a stand of trees which has haunted him from childhood.But he still believes he is living life at one remove, through the more vibrant, seemingly less complex and conflicted person of Jackie Mabe, the former boxer who, in his capacity as driver, drinking partner and gofer, has always stood between Ray Cruddas and the world. Jackie Mabe performed this role once before: for Jack Solomons, known as 'Jolly Jack' and 'the potentate', who ruled British boxing in the decades before and after the War.Along with the Victorian painter Ralph Hedley, the Geordie comic Bobby Thompson, and Margaret Thatcher's director of communications Gordon Reece, Solomons is among the many real life figures who populate this extraordinary blend of fact and fiction. The North of England Home Service, like Gordon Burn's earlier novels, reanimates and reinvents popular culture, making unexpected connections and salvaging something palpable from the evanescent spectacle of contemporary life.

'The hero is the creature other people would like to be. Edwards was such a man, and he enabled people to respect themselves more.' By the mid-fifties Manchester United had caught the imagination of the country. Duncan Edwards played his first game for the club at the age of fifteen years and eight months in 1953. Two years later he won his first England cap and Walter Winterbottom, then England manager, referred to him as 'the spirit of British football'. On GBP15-a-week and living at Mrs Watson's boarding house at 5 Birch Avenue in Manchester, Edwards was the most prized of the Busby Babes. Then in February 1958 came Munich.Half a decade later George Best represented United reborn. 'Georgie' of the boutiques and dolly birds; 'El Beatle' of the European Cup in '68 and European Player of the Year; in the opinion of Pele, the most naturally talented footballer that ever lived. Retired at 27 and reduced to the role of Chelsea barfly and tabloid perennial; George, where did it all go wrong? An investigation into a club, two personalities and an England that has all but disappeared, Best & Edwards plots the course and trajectory of two careers unmoored in wildly different ways.

Following the 1985 final between Dennis Taylor and Steve Davis, Britain found itself in the grip of a new sporting obsession. In one corner was Barry Hearn and his Romford Mafia - Davis, Taylor and Griffiths - and in the other were the bad boys - Higgins, White and Knowles - threatening the game's good name, and its earning potential.

Norman Miller used to be one of Fleet Street's finest. Now he's a middle-aged, burned-out hack with a gift for the sensational story, the shouting tabloid lead. But as he reports on a series of brutal murders and sex crimes, he's forced to wonder whether he is just a witness - or part of some deeper pattern of cause and effect . . .'Remarkable . . . Devastating . . . Required reading for anyone interested in what British fiction should be doing today.' Stephen Amidon, Esquire

Summer 2007 was an extraordinarily rich time for news. Floods. Foot and mouth. The disappearances of Tony Blair and Madeleine McCann. The arrival of Gordon Brown. Terror attacks in Glasgow. And Gordon Burn, artist, journalist and true-crime author, has taken the events from this bleak summer and turned them into an utterly unique novel about the way news is made, and how the media creates and manipulates the stories we see before us. A daring and thrilling novel from one of the most astute observers of celebrity and tragedy, that is sure to make the headlines itself.

An account of two people - Fred and Rose West - who lived together, raised (and killed) children, provided sexual services for anyone interested, and pretended to provide social services for single women. Investigated and told by one of the greatest journalists and writers of the last twenty years, this is the most powerful and upsetting true crime book you will ever read.

How does it feel to be never allowed to die? In his classic debut novel, Gordon Burn takes Britain's biggest selling vocalist of the 1950s and turns her story into an equation of celebrity and murder. Fictional characters jostle for space with real life stars - from John Lennon to Doris Day and Sammy Davis Jnr - as Burn, in a breathtaking act of appropriation, reinvents the popular culture of the post-war years. As beautifully written as it is disturbing, Alma Cogan remains a stingingly relevant exploration of the sad, dark underside of fame.'An extraordinary, unprecedented novel. Audacious, innovative and totally compelling.' William Boyd

It seemed the case of the notorious Yorkshire Ripper was finally closed when Peter Sutcliffe was sentenced to life imprisonment in 1981. But in the early 1980s Gordon Burn spent three years living in Sutcliffe's home town of Bingley, researching his life. A modern classic, Somebody's Husband, Somebody's Son offers one of the most penetrating and provocative insights into the mind of a murderer ever written.'A book which will, with some justice, be compared to In Cold Blood and The Executioner's Song. It's as if Thomas Hardy were also present at the writing of this account of the Yorkshire Ripper.' Norman Mailer

Published on the occasion of the inaugural exhibition at Newport Street Gallery, built to house work from Damien Hirst's art collection, John Hoyland: Power Stations provides a fascinating insight into the life and work of one of Britain's leading abstract painters. Renowned for his intuitive manipulation of color, form and texture, John Hoyland (1934-2011) saw nonfigurative imagery as offering "the potential for the most advanced depth of feeling and meaning." Including work drawn from a pivotal period in Hoyland's career--1964 to 1982--Power Stations shows an artist equally comfortable with geometric and gestural abstraction, combining elements of both in vividly hued, large-scale paintings. The first extensive survey of Hoyland's work since the artist's death, this volume reaffirms Hoyland's status as a major innovative force within the pantheon of international abstraction.

Focusing on two principle generations - the Royal College pop art of Hockney and his contemporaries, and the YBA sensations of the 1990s - it explores how these artists rose to prominence with their friends and contemporaries, and what happened next. Burn's work is fast becoming a kind of chronicle.