Bøger af Gunter Grass

Genudgivelse med forord af Kim Leine. Bliktrommen er en vildt og fantastisk fabulerende skælme- og udviklingsroman. Det er beretningen om dværgen Oskar Matzeraths opvækst i Hitlertidens Tyskland. Om hans forunderlige liv fra han som treårig beslutter sig for at holde op med at vokse og falder ned ad en trappe, til han som 30-årig, anklaget for mord og indlagt på en anstalt for sindslidende, begynder at fortælle om sit liv. En ’misdannelsesroman’ er den blevet kaldt, for Oskar Matzerath er en outsider. En særling der betragter verden og voksenlivet med et vist dæmonisk klarsyn, på én gang forstærket og forvrænget. For at overleve sine traumer og den barske virkelighed udvikler han to særlige talenter: dels har han sin bliktromme, som kan tromme fortiden frem og protestere mod en til tider grotesk voksenverden, og dels sin stemme, der kan få glas til at splintre – en stemme han ofte retter mod den passive, konservative og småborgerlige verden, han hader af hele sit hjerte. Bliktrommen er et hovedværk i det 20. århundredes litteratur. Det er historien om Anden Verdenskrig og Tysklands forkrøblede historie fortalt af en uforglemmelig stemme. Romanen udkom første gang på dansk i 1961 i Mogens Boisens oversættelse. Denne udgave er en nyoversættelse ved Per Øhrgaard.

In this new novel Gunter Grass examines a subject that has long been taboo - the sufferings of the Germans during the Second World War. He explores the sinking of the Wilhelm Gustloff, the deadliest maritime disaster of all time, and the repercussions upon three generations of a German family.

Nadie sabrá leer nuestro presente sin haber leído El tambor de hojalata. Una obra cumbre de la literatura contemporánea, la novela emblemática del Premio Nobel Günter Grass. Oskar Matzerath, uno de los personajes literarios más entrañables de nuestro tiempo, es un niño que se resiste a crecer porque la sociedad pequeñoburguesa del nazismo no le gusta.El día de su tercer cumpleaños es una fecha determinante en su vida. No sólo es el día en que toma la decisión de dejar de crecer, sino que recibe su primer tambor de hojalata, objeto que se convertirá en su compañero inseparable para el resto de sus días.La crítica mordaz, la ironía despiadada, el espectacular sentido del humor y la libertad creadora con que Günter Grass construye esta novela la convierten en una de las grandes obras de la historia de la literatura. Publicada en 1959, cosechó un éxito inmediato e inauguró la nueva literatura alemana. Medio siglo después, la fascinación que despierta no ha terminado. Oskar Matzerath sigue redoblando y su redoble continúa estremeciendo.ENGLISH DESCRIPTIONThe Tin Drum, one of the great novels of the twentieth century, was published in Ralph Manheim's outstanding translation in 1959. It became a runaway bestseller and catapulted its young author to the forefront of world literature.To mark the fiftieth anniversary of the original publication, Houghton Mifflin Harcourt, along with Grass's publishers all over the world, is bringing out a new translation of this classic novel. Breon Mitchell, acclaimed translator and scholar, has drawn from many sources: from a wealth of detailed scholarship; from a wide range of newly-available reference works; and from the author himself. The result is a translation that is more faithful to Grass's style and rhythm, restores omissions, and reflects more fully the complexity of the original work.After fifty years, THE TIN DRUM has, if anything, gained in power and relevance. All of Grass's amazing evocations are still there, and still amazing: Oskar Matzerath, the indomitable drummer; his grandmother, Anna Koljaiczek; his mother, Agnes; Alfred Matzerath and Jan Bronski, his presumptive fathers; Oskar's midget friends—Bebra, the great circus master and Roswitha Raguna, the famous somnambulist; Sister Scholastica and Sister Agatha, the Right Reverend Father Wiehnke; the Greffs, the Schefflers, Herr Fajngold, all Kashubians, Poles, Germans, and Jews—waiting to be discovered and re-discovered.

Gunter Grass extends his political commitment beyond his literary work. Using his fame in what he considers the best interests of his nation, he speaks out on all current issues, and fights, in a country without deeply rooted democratic traditions, for the processes of parliamentary democracy. He sees German democracy threatened by postwar developments in a divided Germany and by the rise of extremists on the right and the left.Grass entered the political arena in 1965, when he delivered fifty-two election speeches throughout Germany in praise of democracy, the Social Democratic Party, and Willy Brandt. In this stirring collection, which includes two election speeches, speeches on student violence and on the Czechoslovakian crisis, open letters to political figures, and political commentaries, Grass the writer appears as Grass the citizen, motivated both by deep concern and by outrage.

Gunter Grass's latest play confronts two generations: the young activists, pressing for change through violent protest, and the middle-aged believers in gradual reform through the democratic process. On the one side there is Philipp Scherbaum, a young student, spurred on by his Maoist girl friend Vero; and on the other, Eberhard Starusch, bachelor and teacher of German and history at a Berlin Gymnasium, advised by his dentist. The action of the play centers around Scherbaum's grisly scheme to burn his dachshund Max at a Berlin cafe in view of cake-stuffing patrons, to stir their consciences against the American use of napalm in Vietnam. People, so he reasons, are more responsive to cruelty against animals than against humans. Starusch is bent on rescuing his favorite pupil from the prospect of certain death at the hands of irate Berliners. Through this outrageous predicament, Grass succeeds once again in illuminating our social and political confusions.

Gunter Grass began his writing career as a poet and dramatist. His early plays, four of which are collected in this volume, show the brilliant inventiveness and the verbal pyrotechnics that made his later novels electrifying. As with the novels, the plays' surface farce and absurdity enwrap complex motives. Flood stands for mankind's survival of yet another catastrophe. In Mister, Mister, Grass plays the sinisterly innocent games of childhood. Only Ten Minutes to Buffalo spoofs the grandiloquence of stationary drivers who delude themselves that they are advancing at top speed. And in The Wicked Cooks no less is at stake than the secret of life.Grass's key images and motives ring their changes in these plays, which are but another facet of his many-sided creativity.

Gunter Grass, Germany's most famous literary figure, is also known in his country as a political speaker. In 1969 Grass gave close to one hundred election speeches for Willy Brandt's party, the Social Democrats. His family saw him only intermittently. In his snail's diary, he purports to explain, imaginatively as well as factually, why he felt impelled to devote himself to politics.Along with his report on the election campaign, Grass tells the story of the persecution and exile of the Jews of Danzig, his childhood city. He also invents a fictional Jew -- a school teacher nicknamed "Doubt, " a collector of snails -- who becomes a brilliantly bizarre metaphor for his own political philosophy. "What's progress?" Grass asks, "Being a little quicker than the snail ... and never getting there, children."

As the Berlin Wall crumbled and the two Germanys became one, Grass was one of a few who spoke out against reunification. In this collection of speeches and debates on the factors destined to reshape Europe, he is caustic, indignant, reflective, and compelling. Translated by Krishna Winston with A. S. Wensinger. A Helen and Kurt Wolff Book

A group of leading intellectuals from all parts of Germany gather in 1647 for the purpose of strengthening the last remaining bond within a divided nation-its language and literature-as the Thirty Years' War comes to an end. Afterword by Leonard Forster. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

Starusch, a 40-year-old teacher of German and history, undergoes protracted dental treatment in an office where TV is used to distract the patients. Under local anesthesia, the patient projects onto the screen his past and present with the fluidity and visual quality of the movies. A satirical portrait of social confusions. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

A novel set in three parts, beginning in the 1920s and ending in the 1950s, that follows the lives of two friends from the prewar years in Germany through an apocalyptic period and its startling aftermath. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

The setting is Danzig during World War II. The narrator recalls a boyhood scene in which a black cat pounces on his friend Mahlke's ?mouse?-his prominent Adam's apple. This incident sets off a wild series of events that ultimately leads to Mahlke's becoming a national hero. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

A German art historian and a Polish art restorer find adventure and love in the cemetery business. Their vision is to offer plots in Gdansk to those Germans who had been exiled after World War II. A New York Times Notable Book of the Year. Line drawings by the Author. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

"It is impossible not to be impressed by [Grass's] inexhaustible desire to experiment with the novel and by the many good stories and passages of exquisite writing in The Box.”—Charles Simic, New York Review of Books In this inspired and daring work of fiction, Günter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, and especially of their father, who was always at work on a new book, always at the margins of their lives. Memories contradictory, happy, loving, accusatory—they piece together an intimate picture of this most public of men. To say nothing of Marie, a photographer and family friend of many years, perhaps even a lover, whose snapshots taken with an old-fashioned Agfa box camera provide the author with ideas for his work. But her images offer much more than simple replication. They reveal a truth beyond ordinary life, depict the future, tell what might have been, grant the wishes of those photographed. The children speculate on the nature of this magic: Was the enchanted camera a source of inspiration for their father? Did it represent the power of art itself? Was it the eye of God? An audacious literary experiment, The Box is Grass at his best.

Romanen handler om den tyske journalisten Paul Pokriefke som tar på seg oppdraget om å skrive om det tidligere cruiseskipet og nazistenes paradeskip Wilhelm Gustloff, som ble senket i Østersjøen 30. januar 1945. Dette gjør han til tross for at han er lei av denne historien som er altfor nært knyttet til hans eget liv. Moren hans var en av de overlevende, og han ble født samme natt.

A collection of one hundred inter-linked stories celebrating the twentieth century, by Germany's most eminent contemporary writer. As the sequence of stories unfolds, a lively and rich picture emerges, an historical portrait of our century in all its grandeur and in all its horror.

Temaet i denne romanen er den tyske gjenforeningen. Forfatteren knytter sammen de forløp og begivenheter som nettopp har skjedd, og deres forhistorier. Ved denne sammenstillingen av merkelige skjebner og politiske prosesser har forfatteren skapt et panorama over tysk historie fra revolusjonen i 1848 og frem til våre dager (1990-tallet).

I Grass' store erindringsværk, NÅR LØGET SKRÆLLES, spillede han på to billeder på erindring: Insektet i en ravklump som billede på det knivskarpe minde og løget som billede på blikket, der sløres og ser uklart. MØRKEKAMMERHISTORIER spiller videre på erindring som en vekselvirkning mellem klarhed og tvivl. Fra midten af 1950'erne til sin død i 1997 var fotografen Marie Rama Grass' trofaste assistent og veninde. Med sit gamle Agfa-Box-kamera, som havde overlevet krigen, dokumenterede hun den voksende Grass-families liv og levned. MØRKEKAMMERHISTORIER former sig som et eventyr i ni dele. Grass' egne og sammenbragte børn fra to ægteskaber - i alt otte - fortæller med hver deres fiktionaliserede stemme i levende dialoger om livet med deres berømte far, om barndommens glæder og sorger og Maries fantastiske billeder, der på samme tid kunne indfange fortid og fremtid, ønsker og angst. MØRKEKAMMERHISTORIER fortsætter erindringssporet fra forrige bog med blik på familieliv og børn, samtidig med at bogen er en hyldest til den kvinde, der hjalp Grass på vej som kunstner og dokumenterede hans voksende berømmelse som forfatter og kunstner. Bogen indeholder forfatterens egne humoristiske tegninger af Marie Rama.

The final work of Nobel Prize-winning writer Gunter Grass - a witty and elegiac series of meditations on writing, growing old, and the world. In a striking interplay of poetry, lyric prose and drawings, Grass creates his final, major work of art.

One of the greatest modern novels, THE TIN DRUM is the story of thirty-year-old Oskar Matzerath, who has lived through the long Nazi nightmare and who, as the novel begins, is being held in a mental institution. Matzerath provides a profound yet hilarious perspective on both German history and the human condition in the modern world.

Six Decades grants us a privileged look behind the normally closed door of Nobel Laureate Günter Grass' studio. For well over half a century Grass worked unceasingly as a writer, sculptor and graphic artist. While capturing the pulse of each decade of his long life in his novels, Grass also produced theatre pieces, poems, short stories, essays, etchings, lithographs, drawings and sculptures. He was furthermore politically active in his native Germany, set up several foundations, and was passionately dedicated to issues he saw of artistic, social and humanitarian importance.Combining Grass' writings with over 800 reproductions of his visual art, documents and photographs, Six Decades allows us to follow his working processes from book to book, from year to year. He shares with us moments of private happiness and crises through texts and images, many of which were not originally intended for publication, including preparatory sketches, draft manuscripts, book cover designs and work plans.

This work, part of the "German Library" series, contains translations of two major works by Gunter Grass: "Cat and Mouse" and "The Meeting at Telgte". The book also includes a political essay by Grass.