Bøger af Giordano Bruno

Cabala del cavallo pegaseo con l?aggiunta dell?Asino cillenico

Gli Eroici Furori ����� un'opera scritta da Giordano Bruno nel 1865. Il libro ����� diviso in due parti, la prima delle quali ����� dedicata alla filosofia, alla metafisica e alla teologia, mentre la seconda ����� incentrata sulle poesie e sulla letteratura. Nella prima parte, Bruno discute dell'idea di Dio e della natura dell'universo, affermando che la realt������ ����� composta da un'unica sostanza divina. Egli sostiene inoltre che l'uomo pu������ raggiungere la conoscenza divina attraverso la contemplazione e la meditazione.Nella seconda parte del libro, Bruno presenta una serie di poesie che esplorano temi come l'amore, la morte e la natura umana. Le poesie sono scritte in un linguaggio poetico e simbolico, e riflettono la visione del mondo di Bruno.In generale, Gli Eroici Furori ����� considerato un'opera importante nella storia della filosofia e della letteratura italiane. Bruno ����� stato un pensatore innovativo e controverso del suo tempo, e il suo lavoro ha influenzato molti filosofi e scrittori successivi.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This Is A New Release Of The Original 1887 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Degli Froici Furori, 1 Giordano Bruno Società Editrice Sonzogno, 1905

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. I believe that no translation of Giordano Bruno's works has ever been brought out in English, or, at any rate, no translation of the "Eroici Furori," and therefore I have had no help from previous renderings. I have, for the most part, followed the text as closely as possible, especially in the sonnets, which are frequently rendered line for line. Form is lacking in the original, and would, owing to the unusual and often fantastic clothing of the ideas, be difficult to apply in the translation. He seems to have written down his grand ideas hurriedly, and, as Levi says, probably intended to retouch the work before printing.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Expulsion De La Bestia Triunfante: Propuesta Por Júpiter, Efectuada Por El Consejo, Revelada Por Mercurio, Contada Por Sofía, Oida Por Saulin, Registrada Por El Nolano Giordano Bruno Impr. de Ramon Angulo, 1888

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Il Candelaio; Volume 18 Of Biblioteca Rara Giordano Bruno Carlo Teoli G. Daelli, 1863

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Giordano Bruno compose nel 1582 una commedia filosofica molto particolare: Il Candelaio. Non fatevi ingannare dal titolo, poiché non stiamo parlando... di candele! Questo termine, infatti, se ripreso nella sua accezione dialettale napoletana, è una delle forme spregiative con cui venivano etichettati gli omosessuali. Quest'opera, che è stata trattata molto male nel corso del tempo, né tanto meno fu compresa dalla società che ne vide i natali, rappresenta, invece, la rottura con gli schemi tradizionali della commedia rinascimentale e anticipa la rivoluzione che Goldoni opererà in campo teatrale due secoli dopo.

La Cena delle ceneri è il primo di sei dialoghi filosofici scritti da Giordano Bruno in Inghilterra a partire dal 1584. Aveva da poco terminato la sua unica commedia, Il candelaio, un verminaio di tipi umani osservati senza pietà in una trama che ridicolizza chi crede di avere sapienza o potere. Il filosofo che finirà sul rogo a Campo dei Fiori era già stato sospettato di eresia e processato. Fuggiva per riuscire ad affermare il suo pensiero. Nella Cena delle ceneri mette in scena un banchetto nel primo giorno di quaresima. Teofilo, alter ego dell'autore, non solo afferma che è la terra a girare intorno al sole, ma anche che ogni cosa ha un'anima e che l'universo è infinito e può contenere innumerevoli mondi. Di fronte a tre emblematici interlocutori che rappresentano un gentiluomo inglese, un pedante classicista e un servo tutto istinto, in una lingua volgare densa, mette in crisi il pensiero tradizionale interrogandosi sul doloroso contrasto tra tensione all'infinito e limitatezza dell'uomo.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Jordani Bruni Nolani Opera Latine Conscripta Publicis Sumptibus Edita, Volume 1, Part 2; Jordani Bruni Nolani Opera Latine Conscripta Publicis Sumptibus Edita; Carlo Maria Tallarigo Giordano Bruno Francesco Fiorentino, Felice Tocco, H. Vitelli, Vittorio Imbriani, Carlo Maria Tallarigo D. Morano, 1884 Philosophy

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Series: Collana scolastica di testi filosofici

La Cena de le ceneri è il primo dialogo filosofico che Giordano Bruno pubblica a Londra. Siamo nell'anno 1584 e Bruno scrive in italiano, dedicando l'opera all'ambasciatore francese Michel de Castelnau, presso il quale era ospite dopo aver lasciato la Francia nell'aprile del 1583. Inquadrabile nell'ambito della filosofia della natura, in essa Bruno, collegandosi alla teoria copernicana, descrive un universo infinito nel quale il divino è onnipresente, la materia eterna e in perenne mutazione.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Giordano Bruno: Von der Ursache, dem Princip und dem Einen Edition Holzinger. Taschenbuch Berliner Ausgabe, 2016, 4. Auflage Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger Erstdruck unter dem Titel De la causa, principio, et uno, Venedig (d. i. London) 1584; erste deutsche Übersetzung in: T. A. Rixner und T. Siber, Leben und Lehrmeinungen berühmter Physiker, Sulzbach 1824, Heft 5. Der Text folgt der Übersetzung durch Adolf Lasson (1872 u. ö.), die aus dem Widmungsschreiben nur die abschließenden Gedichte enthält. Textgrundlage ist die Ausgabe: Giordano Bruno: Von der Ursache, dem Prinzip und dem Einen. Aus dem Italienischen übersetzt und mit erläuternden Anmerkungen versehen von Adolf Lasson. Dritte verbesserte Auflage, Leipzig: Dürr, 1902 (Philosophische Bibliothek, Bd. 21). Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus der Minion Pro, 10 pt.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Jordani Bruni Nolani Opera Latine Conscriptapta Publicis Sumptibus Edita...; Volume 1, Issue 2 Of Jordani Bruni Nolani Opera Latine Conscripta Publicis Sumptibus Edita; Carlo Maria Tallarigo Giordano Bruno, Francesco Fiorentino, Felice Tocco, H. Vitelli, Vittorio Imbriani, Carlo Maria Tallarigo D. Morano, 1884