Bøger af George Bernard Shaw

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Meticulously selected by Simon Mundy, the Wit and Acid series collects the sharpest lines from Shaw's oeuvre in small neat volumes, allowing the reader to sample some of the very best barbs and one-liners the twentieth century has to offer, and this, the first volume, covers lines from the great writer's works published before 1911.

George Bernard Shaw (1856-1950) was an Irish playwright, political activist, critic and a co-founder of London School of Economics. He received the Nobel Prize for literature in 1925 and thirteen years later he even won the Oscar for best adapted screenplay ("Pygmalion," based upon his stage play), sharing the award with Ian Dalrymple, Cecil Lewis and W.P. Lipscomb. An ardent socialist, Shaw was distressed by what he perceived to be the exploitation of the working class. He wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included demanding equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was also active in local politics, serving in the London County Council.

A collection of critical writings on music from the Nobel Prize-winning playwright behind Saint Joan and Man and Superman.The Critical Shaw: On Music is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw's extensive writings on a wide range of musical topics. Still recognized as one of Great Britain's most important music critics, Shaw enriched London's musical scene for some twenty years with his provocative, original, and penetrating reviews, before giving up music criticism to concentrate his talents on playwriting. His vast critical output encompassed opera, operetta, vocal and orchestral performance, musical theater, and oratorios, and took in major composers and performers as well as many long since forgotten names. Frequently embellished by his controversial political and social opinions, and delving as well into the nature of music criticism itself, Shaw's reviews continue to stimulate and surprise, their depth and range setting standards that are rarely, if ever, matched today. Included in this edition is a previously unpublished draft on voice training prepared by Shaw for Vandeleur Lee, his mother's singing teacher.The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

A collection of literary criticism from the Nobel Prize-winning playwright behind such classics as Saint Joan and Pygmalion.The Critical Shaw: On Literature is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw's ideas and opinions on a wide range of literary forms of expression, from Shakespearean drama to ghost stories, from naturalist novels to philosophical essays. Shaw meticulously applied his comprehensive knowledge of the intricacies of writing and publishing (composition, typesetting, style, themes, censorship) and in the process produced an extensive array of critical works spanning more than fifty years. Always with an axe to grind-whether aesthetic, ethical, or otherwise-Shaw tested the boundaries of satire in his critical essays, occasionally locking horns as a result with some of the most prominent authors of his lifetime. Displaying wit and wisdom in equal proportions, some of his reviews remain fresh even though the authors and books they appraised have long since fallen into oblivion. Shaw's views about literature challenged established conventions of the canon and helped to shape a renewed collective concept of literature.The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

A collection of critical writings on theater from the Nobel Prize-winning playwright behind Man and Superman and Pygmalion.The Critical Shaw: On Theater is a comprehensive selection of essays and addresses about drama and theater by renowned Irish playwright and Nobel Laureate Bernard Shaw. An outspoken critic of the melodramas and formulaic farces that comprised most of the popular theater in the late nineteenth century, Shaw relentlessly campaigned for audiences, actors, theater managers, and even government officials to take theater more seriously, to use the stage as a forum for representing complex real issues such as poverty, marriage and divorce laws, sexual attraction, gender equality, and political power, so that through seeing them acted out, audiences could better understand and address them when they left the theater. Shaw's commitment to social reform through theater was matched by his expertise in the artistic and practical aspects of drama: whether he was reviewing productions, lecturing about acting, or schooling agents on royalties and copyright law, Shaw set a standard for intelligent professionalism that our own theaters might still aspire to and be measured against.The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

A collection of critical writings on politics from the Nobel Prize - winning playwright behind Saint Joan and Man and Superman. The Critical Shaw: On Politics is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw's opinions on a wide range of political movements, ideologies, and events that helped shape the international landscape of the late nineteenth and early twentieth centuries. With unwavering conviction, and in many cases openly courting controversy and calumny, Shaw spoke his mind on the big "-isms" of his time: Socialism, Capitalism, Communism, and Fascism. He championed Socialism in its formative years, he condemned all combatants in the First World War, he berated America's embrace of Capitalism, he praised Russia's choice of Communism, he lauded Stalin, he rejected the notion that Hitler was responsible for the Second World War, and he scorned Democracy. Persistently provocative, sometimes outrageous, always the political iconoclast, Shaw's political convictions-as soapbox orator or world-famous pundit-challenge us to face the political issues and dilemmas of our own time with similar rigor and integrity.The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw's voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw's life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

When Julius Caesar arrives in Egypt and finds Cleopatra in hiding, he encourages her to return to the palace and embrace her role as queen. Shaw depicts an unlikely pair that bond over a common goal. As Roman forces invade Egypt, Julius Caesar stumbles across a young Cleopatra hiding amongst the statues. He initially conceals his identity, as the queen expresses concern over Caesar and his impending army. When he convinces her to return to the palace, she soon discovers his true name. Following a brief exchange, the young woman is relieved as Caesar has quelled her worst fears. Yet, in the midst of a Roman occupation, Cleopatra and her brother Ptolemy engage in a bitter battle for the Egyptian throne. In Caesar and Cleopatra, George Bernard Shaw explores the unique dynamic between two of history's most notable figures. It's a cynical but entertaining view of the political warfare that ravaged Ancient Egypt. With his sharp prose, Shaw revitalizes the classic story and its infamous characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Caesar and Cleopatra is both modern and readable.

Raina Petkoff has grand ideas about heroism and war that are soon thwarted by a Swiss solider using her bedroom to hide from the authorities. Arms and the Man is a three act play that's filled with insightful observations about politics, tradition and courtship.Raina is a young woman who's hopelessly devoted to her fiancé Sergius Saranoff. While he's away at war, she meets Captain Bluntschli, a Swiss mercenary who enters her bedroom seeking shelter from enemy troops. During his short stay, the pair engage in a lively discussion about battles and bravery exposing their opposing views. This random encounter sparks a series of events that leads to a political and emotional awakening that changes Raina's life forever.Arms and the Man is one of George Bernard Shaw's earliest successes. It's a refreshing commentary on the romanticism of war and faulty traditions. The play was originally produced in 1894 and has been performed around the world for more than hundred years. With an eye-catching new cover, and professionally typeset manuscript, this edition of Arms and the Man is both modern and readable.

"Shaw will not allow complacency; he hates second-hand opinions; he attacks fashion; he continually challenges and unsettles, questioning and provoking us even when he is making us laugh. And he is still at it. No cliché or truism of contemporary life is safe from him." -Michael HolroydOf all of George Bernard Shaw's plays, Pygmalion has been the most enduring. Based on the Greek Classical myth, this work is both extremely witty and psychologically penetrating. Composed in five acts, the play examines social and ethical issues and the inherent flaws of human interactions.Henry Higgins, a London phonetics teacher, wagers a bet with a colleague that he can transform the cockney-accented diction and manners of an impoverished flower girl, and pass her off as member of high society. The girl, Eliza Doolittle, accepts to take part of the experiment in the hope that her consequential metamorphosis will aid her in procuring a job in a proper flower shop. Her transfiguration, however, comes at great cost. Shaw's exceptionally sharp dialogue and characteristic wit is unmatched in this classic and timeless work of drama. With an eye-catching new cover, and professionally typeset manuscript, this edition of Pygmalion is both modern and readable.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.