Bøger af Gabriele D'Annunzio

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The most complete English translation of Gabriele D'Annunzio's poetical works, together with the full original texts. Gabriele D'Annunzio, Prince of Montenevoso, Duke of Gallese (12 March 1863 - 1 March 1938), was an Italian poet, journalist, playwright and soldier during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and later political life from 1914 to 1924. He was often referred to under the epithets Il Vate ("the Poet") or Il Profeta ("the Prophet").During the First World War, perception of D'Annunzio in Italy transformed from literary figure into a national war hero. He was associated with the elite Arditi storm troops of the Italian Army and took part in actions such as the Flight over Vienna. As part of an Italian nationalist reaction against the Paris Peace Conference, he set up the short-lived Italian Regency of Carnaro in Fiume (Rijeka, today's Croatia) with himself as Duce. The constitution made "music" the fundamental principle of the state and was corporative in nature. Though D'Annunzio never declared himself a fascist, he has been described as the forerunner of Italian fascism as his ideas and aesthetics influenced it and the style of Benito Mussolini.

Le vergini delle rocce, in misura più accentuata dei precedenti romanzi di D'Annunzio, si conforma come un vero e proprio poema in prosa con una trama chiaramente subordinata alla poesia in essa contenuta e con tutti i personaggi (ad eccezione del protagonista) immersi in una fissità atemporale. La poesia raggiunge forse i suoi momenti più alti nelle descrizioni dei paesaggi e degli ambienti naturali che fanno da cornice alla vicenda, emblematici di un Meridione profondo, in cui la vita sembra concentrarsi in una valle appartata dal mondo e dominata da imponenti pareti rocciose.Di fondamentale importanza è lo stile oratorio adottato nel testo, elaborato da D'Annunzio in lunghi mesi di lavoro e considerato dal Vate essenziale per il successo del romanzo, sia in Italia che all'estero (Aonia edizioni).

The Flame (1900) is a novel by Gabriele D¿Annunzio. Inspired by the author¿s interpretation of the work of Friedrich Nietzsche and Walter Pater, The Flame is a semi-autobiographical account of the end of D¿Annunzio¿s relationship with famed actress Eleonora Dusa. Considered a central text of Italian Decadentism, the novel has earned comparisons to the work of Oscar Wilde and Joris-Karl Huysmans. ¿With an all-comprehensive glance, she looked around at all the beauty of this last twilight of September. In the dark wells of her eyes were reflected the circles of light made by the oar as it flashed in the water, which was illuminated by the glittering angels that shone from afar on the campaniles of San Marco and San Giorgio Maggiore.¿ Venice, a symbol of the Renaissance, is changing. The churches and canals of old remain, but an era of cultural achievement is coming to a close. As the public anticipates the death of legendary composer Richard Wagner, who has taken to his deathbed at the palace of Cä Vendramin Calergi, Stelio Effrena dreams of establishing his reputation as one of Italy¿s greatest poets. Filled with theories of art and philosophies of life, possessing an undeniable mastery of language, he nevertheless feels uninspired by his muse, the aging actress La Foscarina. Meditative and introspective, The Flame has attracted praise for its portrayal of nineteenth century Venice, a city seemingly lost in time. With a beautifully designed cover and professionally typeset manuscript, this edition of Gabriele D¿Annunzio¿s The Flame is a classic work of Italian literature reimagined for modern readers.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Triumph of Death is a novel written by Italian author Gabriele D¿¿¿¿¿¿¿Annunzio in 1896. The book is set in the late 1800s in Italy and follows the life of a young aristocrat named Andrea Sperelli. Andrea is a wealthy and handsome man who is obsessed with beauty and the pursuit of pleasure. He spends his days indulging in art, poetry, and music, and his nights engaging in affairs with various women.As the story progresses, Andrea becomes increasingly disillusioned with his hedonistic lifestyle and begins to question the meaning of his existence. He becomes involved with a woman named Elena Muti, who he believes embodies the ideal of beauty and purity. However, their relationship is complicated by the fact that Elena is already engaged to another man.The novel explores themes of beauty, love, and death, and is known for its decadent and sensual writing style. D¿¿¿¿¿¿¿Annunziö¿¿¿¿¿¿s vivid descriptions of art, music, and nature create a rich and immersive world that draws the reader in. However, the book also contains darker elements, such as the frequent references to death and decay, which serve to underscore the fleeting nature of beauty and pleasure.Overall, The Triumph of Death is a complex and thought-provoking work of literature that explores the human condition in all its complexities. It is a must-read for anyone interested in Italian literature or the decadent movement of the late 19th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Kun aatelisherra Giorgio kävelee Roomassa rakastajattarensa Ipppolitan kanssa, pariskunta kohtaa jotain kammottavaa. Ihmisiä on kerääntynyt sillan viereen ja kaikki tuijottavat alas. Joku on tehnyt juuri itsemurhan. Sillan tapahtumat eivät jätä Giorgiota rauhaan, sillä myös hänen setänsä päätti elämänsä oman käden kautta. Pikkuhiljaa kuolema alkaa vallata Giorgion mieltä yhä enemmän ja enemmän – ja hänen suhtautumisensa Ippolitaa kohtaan muuttuu pelottavan vainoharhaiseksi.Gabriele D'Annunzio (1863–1938) oli merkittävä italialainen kirjailija, joka julkaisi niin runoutta, proosaa kuin myös näytelmiä. Häneltä on suomennettu romaani Kuoleman riemuvoitto.

"Leda uden svanen" er historien om en ung kvinde - hendes navn får læseren aldrig at vide – hvis tilværelse trods hendes skønhed og mange elskere er uden kærlighed, og hvis liv er domineret af en mystisk mand, som afpresser og underkuer; en på flere måder dunkel historie, som fortælles med en nærmest hypnotisk fremdrift af forfatterens alter-ego, Desiderio Moriar (navnet kan oversættes som "Jeg vil dø af begær").Titelfortællingen blev første gang udgivet som føljeton i Corriere della Sera i 1913. Ved bogudgivelsen i 1916 tilføjedes "En Licents", som i en slags fiktionaliseret dagbogsform beretter om forfatterens oplevelser som soldat og flyver i Frankrig og Italien under de første år af 1. verdenskrig.Gabriele D'Annunzio (1863–1938), var en italiensk forfatter, dramatiker, journalist, aristokrat og officer. Han indtog en fremtrædende plads i italiensk litteratur fra omkring 1890, og senere som politiker fra 1914.D'Annunzio kombinerede i sin litterære produktion elementer fra naturalismen og symbolismen med et erotisk billedsprog, og var en af de fremmeste fortolkere af den europæiske dekadence i Italien.Hans mange kærlighedsaffærer, ikke mindst det stormfulde forhold til den berømte skuespillerinde Eleanora Duse, hans forskellige heroiske eventyr under Første Verdenskrig og den næsten operetteagtige besættelse af bystaten Fiume (i dag Rijeka i Kroatien) i 1919-20 gjorde ham til en levende legende. I sine senere år ophørte han stort set med forfattervirksomheden og beskæftigede sig i stedet med politik som fortaler for en slags Nietsche-inspireret ultranationalisme, der var nært beslægtet med fascismen. I en periode optrådte han ligefrem som Mussolinis politiske rival, men blev pacificeret ved at blive "udnævnt" til Italiens nationalskjald.

The setting for his collection of eighteen stories by Gabriele D'Annunzio (1863-1938) was the Adriatic seaport of Pescara and its hinterland in the Italian region of Abruzzo, the author depicting events and personalities from the time of his youth, but also drawing from bygone incidents that were yet memorable in the area's folk history. Pescara may not have had the cachet of celebrated cities such as Venice or Florence, but sympathetically and wryly revealed here by the pen of one of Italy's great writers it lives and breathes with a vitality probably best compared to that of James Joyce's 'dear dirty Dublin'. Indeed Joyce, who admired D'Annunzio, may well have been inspired by the Italian's cameos of small-town life, his parade of saints, voluptuaries and reprobates, their repressions, obsessions, individual dissolutions, collective explosions of anarchy, and their aptness for bizarre behavior that extended from the catatonic to the manic. D'Annunzio came to recognize just how exotic his native region was after he had left it for Rome, where he worked for some years as a journalist and essay writer in the employ of various literary magazines. His Abruzzo articles, and especially those in which he records examples of extraordinary devotional behavior (akin to what Mark Twain was witnessing at that time on the banks of the Ganges), became the basis of the stories in this collection. D'Annunzio was a published poet at the age of sixteen, and his verse has never been absent from the Western Canon since. Something of his painterly style, the layered brushwork of his descriptions, the gorgeous romantic renderings of rural scenes and the moods of the sea, his celebrations of sensuality, his aesthete's fascination with all the possible bodily conditions, from the virginal-voluptuous to the decayed and moribund (he has been hailed as 'the body's poet'), will amaze and delight the reader even in the blandest and most dictionary-dependent translation. The present one is no such, however. Vladislav Zhukov is an experienced translator who has rendered works from four languages into English, including a substantial book of poetry, three volumes of short stories, and a novel (all available on Amazon.com). His knowledge of Italian is that of someone who acquired the language while living in Italy during his youth.

The Child of Pleasure , is many of the old books which have been considered important throughout the human history. They are now extremely scarce and very expensive antique. So that this work is never forgotten we republish these books in high quality, using the original text and artwork so that they can be preserved for the present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.