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  • af Gabriel De Lautrec
    240,95 kr.

    This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

  • af Gabriel De Lautrec
    209,95 kr.

    The present volume contains De Lautrec's short novel The Sacred Fire (1904), and a selection from short prose poems (1898). The latter benefit from being juxtaposed with the former because one of the episodes of the novel reveals the circumstances in which they were composed, with not only explains their surreal nature but allows them to serve as an illustration of the argument made in that episode.The Sacred Fire opens with a description of a secret ritual practiced by one of the cults of the French Occult Revival, and much of the discussion featured in the story deals with the nature and philosophy of magic. Despite its ground-breaking nature, it never achieved publication in volume form until now.The prose poems are among the most important precursors of surrealism, contemporary with the most significant contributions that Alfred Jarry made to the preliminary foundations of that movement. They are among the most extreme examples of the Decadent Movement, and together with the short novel a fascinating commentary on its psychology and esthetics.

  • af Gabriel De Lautrec
    213,95 kr.

    The undisputed masterpiece of Gabriel de Lautrec (1867-1938), THE VENGEANCE OF THE OVAL PORTRAIT, which borrows its title from Edgar Allan Poe, is a collection of 28 stories at the crossroads of horror, fantasy and science fiction. Its singular inspiration owes as much to the author's predilection for dark humor, Grand Guignol and the mixing of genres, as it does to the influence of alcohol and hashish, which he used regularly.De Lautrec was a disciple of Alphonse Allais and the winner of the 1920 Humorists' Award. While he hid behind a smiling mask, his troubled personality is on display in this series of mysterious and thrilling tales. Reviewers have compared them variedly to Mark Twain, Edgar Allan Poe, H. G. Wells and Maurice Renard.