Bøger af G. K. Chesterton

Father Brown is a Catholic priest, but a slightly unusual one in that he¿s also an amateur detective. Unlike his more famous literary cousin Sherlock, Father Brown takes a less analytical and more intuition-oriented approach to solving the many murders that he happens to come across.This collection of short murder mysteries is Brown¿s first appearance on the literary stage. In it we see him practicing his unique brand of sleuthing alongside his sometimes-partner, the reformed master criminal Flambeau.

Father Brown, full-time Catholic priest and part-time amateur detective, returns in this third collection of short stories.Unlike the first two collections, this time Father Brown is investigating alone; his sidekick, the former criminal Flambeau, is nowhere to be seen. Father Brown has to solve a murder (including his own!) in each story, and since several also appear to involve the supernatural, he has ample opportunity to elaborate on his thoughts concerning it. As with the first two collections, Chesterton is often as concerned with the moral of the story as with the mystery itself.Most of the stories were previously published in The Pall Mall Magazine, though one appeared in Cassell¿s Magazine and another was written specifically for this collection.

Sometimes described as thrilling, sometimes as comic, and sometimes as metaphysical or spiritual, The Man Who Was Thursday is perhaps a little of each. The tale begins when an undercover policeman infiltrates a mysterious Anarchist group. As the novel progresses, things become more comic and improbable, and eventually evolve in to a sort of abstract, dreamlike state. Filled with Christian allegory, Thursday is a glittering, fascinating exploration of good versus evil and theology through the lens of adventure, wit, and the surreal.

Father Brown returns in his fourth collection of stories, and his sidekick Flambeau makes a return as well, although only in the two framing stories at the beginning and end of the collection.In the intervening ten stories, Father Brown is alone, and investigating mysteries involving objects as varied as mirrors, literal goldfish (made out of gold), and a suit of armor. As always, his investigations also provide him an opportunity to expound on the nature of evil, the differences between a charlatan¿s representation of the supernatural and the real thing, and the opportunities for thieves and murderers to repent of their deeds.

Father Brown, G. K. Chesterton¿s crime-solving Catholic priest, is back in this second collection of Father Brown short stories.In this collection, Brown is joined by his sidekick, the former arch-criminal Flambeau. Brown is directly involved in the investigations less frequently than in The Innocence of Father Brown, and several of the stories don¿t even feature murder. Despite this, the shorts each feature Brown solving a mystery using his characteristic insight into human nature and morality.The stories in this collection were initially published in various serials, including McClure¿s Magazine and The Pall Mall Magazine. Chesterton arranged them in this collection almost in order of publication.

The Napoleon of Notting Hill, like so many Chesterton novels, deftly straddles the fence between humor and philosophy. The place is London, in the far-future year of 1984. Inexplicably, not too much has changed since the turn of the century¿except that the king is chosen at random. Things quickly take a turn for the worse when the people randomly select an imbecile who only cares about a good joke.With the new prankster king in place, the novel continues on with surprisingly action-packed breeziness, exploring themes of identity, patriotism, politics, and government.

We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age.Will you support our efforts with a donation?Charles Swinburne and his friend, the private detective Rupert Grant, are startled when Major Brown recounts the things that happened to him that morning. Along with Rupert¿s brother, the ex-judge Basil Grant, they launch headlong into their investigation only to discover that the antagonist is a member of the Club of Queer Trades. Over the course of six short stories, the secrets of the Club come to light in surprising ways.The Club of Queer Trades was one of G. K. Chesterton¿s earlier works, and was originally serialized in Harper¿s Weekly in 1904 before being collected into a novel in 1905. In recent years it was produced as a six-part radio drama by the BBC.

G. K. Chesterton was an English writer, journalist, philosopher, poet and lay theologian. He delighted in standing conventional wisdom on its head in order to expose what he considered to be the lack of substance in the ¿vague modern.¿In Heretics, he touches on a range of topics, including social Darwinism, eugenics, nihilism and atheism, while enumerating the flaws he finds in the work of his intellectual contemporaries such as Rudyard Kipling, Friedrich Nietzsche, George Bernard Shaw, and H. G. Wells.

" Scene: A plantation of thin young trees, in a misty and rainy twilight; some woodland blossom showing the patches on the earth between the stems.The Stranger is discovered, a cloaked figure with a pointed hood. His costume might belong to modern or any other time, and the conical hood is so drawn over the head that little can be seen of the face.A distant voice, a woman's, is heard, half-singing, half-chanting, unintelligible words. The cloaked figure raises its head and listens with interest. The song draws nearer and Patricia Carleon enters. She is dark and slight, and has a dreamy expression. Though she is artistically dressed, her hair is a little wild. She has a broken branch of some flowering tree in her hand. She does not notice the stranger, and though he has watched her with interest, makes no sign. Suddenly she perceives him and starts back.Patricia. Oh! Who are you?.."

" A cloud was on the mind of men, and wailing went the weather, Yea, a sick cloud upon the soul when we were boys together. Science announced nonentity and art admired decay;The world was old and ended: but you and I were gay.Round us in antic order their crippled vices came¿Lust that had lost its laughter, fear that had lost its shame.Like the white lock of Whistler, that lit our aimless gloom,Men showed their own white feather as proudly as a plume.Life was a fly that faded, and death a drone that stung;The world was very old indeed when you and I were young.They twisted even decent sin to shapes not to be named:Men were ashamed of honour; but we were not ashamed.Weak if we were and foolish, not thus we failed, not thus;When that black Baal blocked the heavens he had no hymns from us. Children we were¿our forts of sand were even as weak as we,High as they went we piled them up to break that bitter sea.Fools as we were in motley, all jangling and absurd,When all church bells were silent our cap and bells were heard."

Tremendous Trifles is comprised of 39 chapters, each functioning as their own essay or story. With whimsical, light-hearted prose, vivid figurative language, and unparalleled insight, Chesterton covers a variety of philosophical principles of everyday life. Chesterton often used ordinary events and objects to explain deeper matters. Using relatable and accessible examples, Tremendous Trifles also test biases and preconceived ideas, specifically in the cases of fairy tales and folk lore. Stories of these genres are passed down from generation to generation, changed each time they are told, yet usually framed more optimistically than the original tale. Chesterton encourages readers to question this, and examine the implications the example may have on the other stories they hear. Accompanying the suggestion to recognize bias, the importance of one's point of view is also examined. In Tremendous Trifles, Chesterton uses a metaphor to explain perspective. There are only two ways to see the world--either as a giant, or as a nymph. One sees all the wonders of the world as a speck of dust, the other is in awe of a single blade of grass. While advocating for seeing the beauty in simple, everyday encounters, Tremendous Trifles raises thought-provoking questions and advises that sometimes a better life is just a change of perspective away. Containing both essays of importance and intrigue and stories of silly nature, Tremendous Trifles is the perfect combination of excitement and understanding. Written in a conversational and intimate format, Tremendous Trifles by G.K Chesterton is a collection of essays and stories that features philosophical theories of happiness, perspective, and narratives. Described as thought-provoking and humorous, Tremendous Trifles educates without the use intimidating or exclusive advice. While celebrating simplicity and encouraging people to find joy in the mundane, Tremendous Trifles uncovers truths about humankind that have remained relevant to modern audiences. This edition of Tremendous Trifles by G.K Chesterton is now presented in an easy-to-read font and features a striking new cover design. With these accommodations, Tremendous Trifles is restored to modern standards while preserving its original ingenuity.

When the government cracks down on alcohol sales, two men decide to leave their small fishing village to avoid the law and find new opportunities. The Flying Inn is an irreverent satire that delivers a unique commentary on power and politics. Humphrey Pump, also known as ¿Hump,¿ is a bar owner whose business is undercut by strict alcohol regulations. Adult beverages can only be sold when a pub sign in present. But instead of adhering to the rules, he hits the road with a sign and barrel of rum in tow. Pump is joined by Patrick Dalroy, an entertaining companion, who is just as committed to his wandering way of life. Despite their attempts to escape police, the rogue partners are eventually roped into a much larger plot. The Flying Inn is a daring piece of speculative fiction that uses satire to balance its more serious elements. Published in 1914, the story is greatly influence by the social and political concepts of its day. This gives readers insight into the many fears surrounding early twentieth century government. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Flying Inn is both modern and readable.

A group of English anarchists become unsuspecting ploys in this psychological thriller. The Man Who Was Thursday, by G.K. Chesterton, is a surreal narrative fueled by secret identities and hidden motives. It features a protagonist who is indoctrinated into an anarchist council and becomes part of a deadly attack.

G. K. Chesterton's beloved priest-detective, Father Brown, bids farewell in his final appearance in The Scandal of Father Brown (1935), the fifth and concluding collection of short stories. With his endearing and shambling demeanor, Father Brown masterfully untangles a diverse array of mysteries, often while playfully feigning bewilderment. Accompanied by a captivating and enchanting ensemble of characters, Father Brown embarks on a series of complicated and unpredictable adventures. The book commences with an improbable scandal involving Father Brown and the beautiful Hypatia Hard. Subsequently, Father Brown delves into solving perplexing murders, inexplicable disappearances, sinister poisonings, audacious thefts, and other illicit deeds. This Warbler Classics edition includes an extensive biographical timeline of Chesterton's life and work.

" One of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but it is not vulgar intrinsicallyit is the actual centre of a million flaming imaginations. In former centuries the educated class ignored the ruck of vulgar literature. They ignored, and therefore did not, properly speaking, despise it. Simple ignorance and indifference does not inflate the character with pride. A man does not walk down the street giving a haughty twirl to his moustaches at the thought of his superiority to some variety of deep-sea fishes. The old scholars left the whole under-world of popular compositions in a similar darkness."

" It will hardly be denied that there is one lingering doubt in many, who recognise unavoidable self-defence in the instant parry of the English sword, and who have no great love for the sweeping sabre of Sadowa and Sedan. That doubt is the doubt whether Russia, as compared with Prussia, is sufficiently decent and democratic to be the ally of liberal and civilised powers. I take first, therefore, this matter of civilisation.It is vital in a discussion like this, that we should make sure we are going by meanings and not by mere words. It is not necessary in any argument to settle what a word means or ought to mean. But it is necessary in every argument to settle what we propose to mean by the word. So long as our opponent understands what is the thing of which we are talking, it does not matter to the argument whether the word is or is not the one he would have chosen. A soldier does not say "We were ordered to go to Mechlin; but I would rather go to Malines." He may discuss the etymology and archæology of the difference on the march; but the point is that he knows where to go. So long as we know what a given word is to mean in a given discussion, it does not even matter if it means something else in some other and quite distinct discussion. We have a perfect right to say that the width of a window comes to four feet; even if we instantly and cheerfully change the subject to the larger mammals; and say that an elephant has four feet. The identity of the words does not matter, because there is no doubt at all about the meanings; because nobody is likely to think of an elephant as four foot long, or of a window as having tusks and a curly trunk."