Bøger af Friedrich Nietzsche

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Es un libro escrito entre 1883 y 1885 por el filósofo alemán Friedrich Nietzsche, considerado su obra maestra. La obra contiene las principales ideas de Nietzsche, expresadas de forma poética: está compuesta por una serie de relatos y discursos que ponen en el centro de atención algunos hechos y reflexiones de un profeta llamado Zaratustra, personaje inspirado en su tocayo fundador del zoroastrismo. Compuesta principalmente por episodios más o menos independientes, sus historias pueden leerse en cualquier orden a excepción de la cuarta parte de la obra, pues son un cúmulo de ideas y relatos menores independientes que conforman un solo relato general.

This work is both an unrestrained attack on Christianity and a further exposition of Nietzsche's will-to-power philosophy so dramatically presented in Zarathustra. Christianity, says Nietzsche, represents "everything weak, low, and botched; it has made an ideal out of antagonism towards all the self-preservative instincts of strong life." By contrast, Nietzsche defines good as: "All that enhances the feeling of power, the Will to Power, and power itself in man. What is bad?-All that proceeds from weakness. What is happiness?-The feeling that power is increasing, -that resistance has been overcome." In attempting to redefine the basis of Western values by demolishing what Nietzsche saw as the crippling influence of the Judeo-Christian tradition, THE ANTICHRIST has proved to be highly controversial and continuously stimulating to later generations of philosophers. Includes unique illustrations.

El texto ofrece una crítica muy dura al antropomorfismo y a la tendencia humana a ocultar lo singular bajo lo abstracto, lo universal. Las tradiciones religiosas y el platonismo, que no aparecen mencionadas en el texto pero sí en el resto de la obra de Nietzsche, son paradigmáticas de esta tendencia.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Is a book by philosopher Friedrich Nietzsche, first published in 1886. It draws on and expands the ideas of his previous work, Thus Spoke Zarathustra, but with a more critical and polemical approach. In Beyond Good and Evil, Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in their consideration of morality. Specifically, he accuses them of founding grand metaphysical systems upon the faith that the good man is the opposite of the evil man, rather than just a different expression of the same basic impulses that find more direct expression in the evil man. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.

""Die Geburt der Trag������die: Unzeitgem����������e Betrachtungen"" ist ein Buch des deutschen Philosophen Friedrich Nietzsche, das im Jahr 1903 ver������ffentlicht wurde. In diesem Werk untersucht Nietzsche die Urspr�����nge der griechischen Trag������die und ihre Bedeutung f�����r die moderne Kultur. Er argumentiert, dass die Trag������die ein Ausdruck des Dionysischen, also des irrationalen und instinktiven Teils des menschlichen Wesens, ist, der im Kontrast zum Apollinischen steht, dem rationalen und kontrollierten Teil. Nietzsche behauptet, dass die moderne Kultur den Dionysischen unterdr�����ckt und dadurch seine kreative Kraft verliert. Das Buch enth�����lt auch �����berlegungen zu Kunst, Musik und Philosophie sowie kritische Betrachtungen zu deutschen Denkern seiner Zeit. ""Die Geburt der Trag������die"" gilt als eines von Nietzsches wichtigsten Werken und hat einen gro�����en Einfluss auf die Philosophie, Literatur und Kunst des 20. Jahrhunderts ausge�����bt.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A corpse is a pleasant thought for a worm, and a worm is a dreadful thought for every living creature. Worms fancy their kingdom of heaven in a fat body; professors of philosophy seek theirs in rummaging among Schopenhauer's entrails, and as long as rodents exist, there will exist a heaven for rodents. In this, we have the answer to our first question: How does the believer in the new faith picture his heaven?

Maintaining cheerfulness in the midst of a gloomy task, fraught with immeasurable responsibility, is no small feat; and yet what is needed more than cheerfulness? Nothing succeeds if prankishness has no part in it. Excess strength alone is the proof of strength.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Friedrich Wilhelm Nietzsche fue un filósofo, poeta, músico y filólogo alemán, considerado uno de los pensadores contemporáneos más influyentes del siglo XIX.

Nietzsche distingue dos clases: la de los señores y la de los esclavos. La clase de los señores a su vez está compuesta de dos castas: la guerrera y la sacerdotal, las cuales valoran aristocrática o sacerdotalmente. Así, la segunda deriva de la primera y se convierte en su antítesis, pues ambas parten de presupuestos distintos: la casta de los guerreros practica las virtudes del cuerpo; la casta sacerdotal se define por la impotencia e inventa el espíritu. Ambas castas son rivales.

C'est en 1871 que parut la Naissance de la Tragédie . L'auteur prenait comme point de départ le problème de la douleur. Pourquoi chez ce peuple heureux des Grecs, la naissance de l'art, cette vision complète où se réfugie l'homme fatigué de la réalité décousue, cette création par l'idée d'un monde meilleur qui console du monde mauvais ? L'apparente tranquillité radieuse des anciens cachait-elle un pessimisme profond ? Les dieux sereins de l'Olympe ne seraient-ils eux-mêmes qu'une illusion heureuse que les Grecs se forgèrent pour supporter la vie ? Le pessimisme cesserait d'être un signe de décadence comme nous sommes trop enclins à le croire ? Autant de questions insolubles, et qui même n'avaient pas été posées.

A travers la figure emblématique de David Strauss, Nietzsche attaque vigoureusement, et avec ironie, les philistins de la culture allemande. Pour y arriver, il distingue clairement la Kultur de l'homme instruit de la Bildung, propre de l'homme cultivé. L'homme instruit, le philistin, est celui qui vit dans l'illusion de posséder un savoir, qui par essence lui échappe puisqu'il ne l'interroge pas. Or, selon Nietzsche, la culture implique l'idée de sens critique, d'autonomie du jugement, de perception du sens de ce qui existe. Elle passe par une bonne maîtrise de la langue, une connaissance des grandes oeuvres de l'art et de la pensée, une ouverture à la démarche scientifique, une idée des lois et des institutions qui régissent la société dans laquelle nous vivons.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. To keep at a distance all the possible scruples, excitements, and misunderstandings that the thoughts united in this essay will occasion, in view of the peculiar character of our aesthetic public, and to be able to write these introductory remarks, too, with the same contemplative delight whose reflection-the distillation of good and elevating hours-is evident on every page, I picture the moment when you, my highly respected friend, will receive this essay. Perhaps after an evening walk in the winter snow, you will behold Prometheus unbound on the title page, read my name, and be convinced at once that, whatever this essay should contain, the author certainly has something serious and urgent to say; also that, as he hatched these ideas, he was communicating with you as if you were present, and hence could write down only what was in keeping with that presence. You will recall that it was during the same period when your splendid Festschrift on Beethoven came into being, amid the terrors and sublimities of the war that had just broken out, that I collected myself for these reflections.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The fall of our footsteps ringeth too hollow through their streets. And just as at night, when they are in bed and hear a man abroad long before sunrise, so they ask themselves concerning us: Where goeth the thief? Go not to men, but stay in the forest! Go rather to the animals! Why not be like me--a bear amongst bears, a bird amongst birds?" "And what doeth the saint in the forest?" asked Zarathustra. The saint answered: "I make hymns and sing them; and in making hymns I laugh and weep and mumble: thus do I praise God. With singing, weeping, laughing, and mumbling do I praise the God who is my God. But what dost thou bring us as a gift?" When Zarathustra had heard these words, he bowed to the saint and said: "What should I have to give thee! Let me rather hurry hence lest I take aught away from thee!"--And thus they parted from one another, the old man and Zarathustra, laughing like schoolboys. When Zarathustra was alone, however, he said to his heart: "Could it be possible! This old saint in the forest hath not yet heard of it, that GOD IS DEAD!"

Friedrich Nietzsche (1844-1900) es uno de los grandes mitos de la cultura occidental. Su pensamiento ha traspasado tanto las fronteras nacionales como las disciplinarias, y sus repercusiones han llegado hasta los ámbitos de la religión, el psicoanálisis, la historia, el arte. Quizás por esto mismo ha sido y sigue siendo uno de los filósofos peor comprendidos. Existe, así, una suerte de leyenda de Nietzsche, que ha producido, entre otras cosas, una flagrante ficción que opaca en muchos casos las ideas del propio autor. Nacido en Rócken (Sajonia), hijo y nieto de pastores protestantes, Nietzsche dedicó gran parte de su obra al cuestionamiento de la religión y su secularización en la filosofía y la moral, partiendo de una perspectiva afirmadora de la vida. En su sostenido trato con la religión, manifestó una marcada hostilidad frente al cristianismo, al que caracterizaba como una moral de esclavos, producto del resentimiento de los débiles contra los fuertes. Así, la moral cristiana y la metafísica platónica y cristiana se presentan como dos de los objetivos más recurrentes de sus ataques. El Anticristo fue escrito en el final del verano de 1888 y en el comienzo del otoño. Este polémico texto pudo ser redactado rápidamente gracias al material acumulado para La voluntad de poder. En función de las vicisitudes ocurridas a partir del derrumbe intelectual de Nietzsche, el manuscrito no vio la luz hasta fines de 1894, año en que fue publicado por el Archivo Nietzsche.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Engravings of Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. At the present day no clear and consistent opinion seems to be held regarding Classical Philology. We are conscious of this in the circles of the learned just as much as among the followers of that science itself. The cause of this lies in its many-sided character, in the lack of an abstract unity, and in the inorganic aggregation of heterogeneous scientific activities which are connected with one another only by the name "Philology." It must be freely admitted that philology is to some extent borrowed from several other sciences, and is mixed together like a magic potion from the most outlandish liquors, ores, and bones.

"Offers dazzling observations of human psychology, social interaction, esthetics and religion. The book is one of the best examples of Nietzsche's ability to unmask the essence of social reality and expose the origins of our illusions."-New York Times Book Review. Translated by Marion Faber and Stephen Lehmann. Introduction and notes by Marion Faber.

Ce livre pose la question de la valeur de la culture historique des sociétés modernes. Nietzsche se demande en effet si l'oubli n'est pas nécessaire au bonheur, à l'action, et si, l'homme ne peut être victime d'un excès de mémoire: " trop d'histoire tue l'homme" nous dit-il dans ce livre.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. "Incidentally, I despise everything which merely instructs me without increasing or immediately enlivening my activity." These are Goethe's words. With them, as with a heartfelt expression of Ceterum censeo [I judge otherwise], our consideration of the worth and the worthlessness of history may begin. For this work is to set down why, in the spirit of Goethe's saying, we must seriously despise instruction without vitality, knowledge which enervates activity, and history as an expensive surplus of knowledge and a luxury, because we lack what is still most essential to us and because what is superfluous is hostile to what is essential. To be sure, we need history. But we need it in a manner different from the way in which the spoilt idler in the garden of knowledge uses it, no matter how elegantly he may look down on our coarse and graceless needs and distresses. That is, we need it for life and action, not for a comfortable turning away from life and action or merely for glossing over the egotistical life and the cowardly bad act. We wish to use history only insofar as it serves living. But there is a degree of doing history and a valuing of it through which life atrophies and degenerates. To bring this phenomenon to light as a remarkable symptom of our time is every bit as necessary as it may be painful.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. NIETZSCHE'S essay, Richard Wagner in Bayreuth, appeared in 1876, and his next publication was his present work, which was issued in 1878. A comparison of the books will show that the two years of meditation intervening had brought about a great change in Nietzsche's views, his style of expressing them, and the form in which they were cast. The Dionysian, overflowing with life, gives way to an Apollonian thinker with a touch of pessimism. The long essay form is abandoned, and instead we have a series of aphorisms, some tinged with melancholy, others with satire, several, especially towards the end, with Nietzschian wit at its best, and a few at the beginning so very abstruse as to require careful study.

Podríamos decir que Nietzsche tiene el arte del estilo 'hasta en la ciencia'. Pero esto es más que una metáfora para el Nietzsche que describe el proyecto de cómo plantear la cuestión de la ciencia como tal, cuando pone la cuestión de su propio arte de escribir en el prefacio escrito posteriormente a su primer libro sobre la forma o el estilo trágico, su famoso Ensayo de autocrítica.

"Beyond Good and Evil" is Nietzsche at his best. In the book the philosopher attempts to systematically sum up his philosophy through a collection of 296 aphorisms grouped into nine different chapters based on their common theme. For the reader who has yet to discover Nietzsche in this translation by Helen Zimmern will be found a fabulous introduction. For those who have already discovered Nietzsche here you will find the opportunity to understand the whole of Nietzsche's philosophy.

La Généalogie de la Morale appartient aux oeuvres de la maturité de Friedrich Nietzsche, puisqu'elle a été publiée en 1887, après Ainsi parlait Zarathoustra. Dans cet essai, le penseur allemand traite de philosophie morale, cherchant à retracer l'origine de nos conceptions morales: selon lui, les valeurs prennent leur source dans la morale chrétienne, qu'il tient pour une morale du ressentiment, une morale d'esclave, dont il faut se libérer: la morale du surhomme sera ainsi une morale de la libération. Le livre est structuré en trois essais, ce qui le rend un peu plus accessible que certains oeuvres écrites en aphorismes et déliées, comme le Gai Savoir.

A bien des égards, Par-delà le bien et le mal est une synthèse complète de la philosophie de Nietzsche à sa maturité, et plus particulièrement de sa pensée morale. Le livre se compose de 296 aphorismes, d'une longueur très variable. Ces aphorismes sont regroupés thématiquement en neuf chapitres différents. Bien que chaque aphorisme puisse être lu et analysé de manière indépendante, on peut voir une progression linéaire entre les aphorismes et au sein des chapitres.

The critical side of Friedrich Nietzsche's (1844-1900) philosophy was aimed at modernity: he believed that with modernization came the loss of the "highest" and "noblest" types of humans and the societal conditions to produce them. The positive side of Nietzsche's philosophy was aimed at retrieving the Worldview of ancient Greek culture. As incoherent as the critical side of Nietzsche's philosophy may seem, the positive side of his philosophy is consistent; thus, the positive side can render both sides more coherent. In tracing the history of humanity's degeneration into modernity, Nietzsche came to recognize Aristophanes' complaints against Euripides and Socrates as an original revelation of Western culture's steep decline. In other words, the philosophy of Euripides leads to a worldview in which human dignity is devalued, and the philosophy of Socrates leads to a worldview constituted by nihilism. Given our decadent modern position in the history of humanity, the original Western Worldview of the ancient Greeks may be difficult to envision. Yet, Nietzsche discovered that how the ancient Greeks understood tragedy reveals both how they understood existence and how they lived with the dignity of an authentic nobility. Ancient Greek culture honored the sense in which existence is governed by divine forces - forces which exceed the powers of mortals. Similarly, existential mysteries, such as fate, death, and love, exceed our ability to fully grasp them, and, as evidenced by their capacity to overwhelm us, they somehow involve divinity. Thus, according to Nietzsche, the ancient Greeks could exist in authentic communion with such divine forces because the Greeks had a noble relation to their own mortality. This can be envisioned from their point of view regarding tragedy, and Nietzsche called this ancient Greek perspective on existence "the Dionysian Worldview." According to the ancient Greeks: Time is a circle, Dionysus is a god, and a "god" is "that which lights up a world." Thus, on the one hand, the general response which the Dionysian Worldview calls for regarding the Eternal Recurrence of existence, including of course the tragic, may be philosophically characterized as Amor Fati. On the other hand, Full Throttle Heart characterizes the particular experience of Amor Fati in response to tragedy: a response that confirms the Dionysian Worldview by experiencing tragedy as the rapture and ecstasy of divine affectivity. This book is divided into three parts. The first part, "How to Read Nietzsche" shows Nietzsche's philosophy as sufficiently consistent such that readers should be able to turn to any passage throughout Nietzsche's writings and have their bearings. The second part presents the first edition's frolicking, romping, and exhorting dithyrambs in light of the insight that the Dionysian Worldview is the unifying principle of Nietzsche's philosophy. This includes a discussion of the Mysteries of Dionysus as they relate to Plato's dialogs and the Eleusinian Mysteries. Lastly, the third part of this book provides Scalambrino's translation of Nietzsche's so-called "Madness Letters" from January, 1889.