Bøger af Frank Kermode

A major reassessment of the great English novelistThis impressive new book by the celebrated British critic Frank Kermode examines hitherto neglected aspects of the novelist E. M. Forster's life and work. Kermode is interested to see how it was that this apparently shy, reclusive man should have claimed and kept such a central position in the English writing of his time, even though for decades he composed no fiction and he was not close to any of his great contemporaries-Henry James, Ford Madox Ford, Joseph Conrad, James Joyce.Concerning E. M. Forster has at its core the Clark Lectures that Kermode gave at Cambridge University in 2007 on the subject of Forster, eighty years after Forster himself gave those lectures, which became Aspects of the Novel. Kermode reappraised the influence and meaning of that great work, assessed the significance of Forster's profound musicality (Britten thought him the most musical of all writers), and offered a brilliant interpretation of Forster's greatest work, A Passage to India. But there is more to Concerning E. M. Forster than that. Thinking about Forster vis-àvis other great modern writers, noting his interest in Proust and Gide and his lack of curiosity about American fiction, and observing that Forster was closest to the people who shared not his literary interests or artistic vocation but, rather, his homosexuality, Kermode's book offers a wise, original, and persuasive new portrait not just of Forster but of twentieth-century English letters.

A magnum opus from our finest interpreter of The BardThe true biography of Shakespeare--and the only one we need to care about--is in his plays. Frank Kermode, Britain's most distinguished scholar of sixteenth-century and seventeenth-century literature, has been thinking about Shakespeare's plays all his life. This book is a distillation of that lifetime of thinking.The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that the best ones were Shakespeare's. Their language is often difficult, and it must have been hard even for contemporaries to understand. How did this language develop? How did it happen that Shakespeare's audience could appreciate Hamlet at the beginning of the decade and Coriolanus near the end of it?In this long-awaited work, Kermode argues that something extraordinary started to happen to Shakespeare's language at a date close to 1600, and he sets out to explore the nature and consequences of the dynamic transformation that followed. For it is in the magnificent, suggestive power of the poetic language itself that audiences have always found meaning and value. The originality of Kermode's argument, the elegance and humor of his prose, and the intelligence of his discussion make this a landmark in Shakespearean studies.

From a great critic of english literature, a different kind of text: a luminous account of his own life. Throughout this uniquely personal work, Frank Kermode touches on the deeper, lighter, ineffable issues of autobiography, and he does so with his characteristic grace, precision, and amused wisdom. Tracing his life from his childhood through his six years in the Royal Navy during World War II, from his student days in Liverpool to his battles at Cambridge over the literature curriculum and faculty, he shows us the miraculous connections between life and literature, between the world and the word; more, he transforms and ennobles both.

This collection of essays discusses some of the central works and areas of literature in the Renaissance period of cultural history.

A major reassessment of the one of the greatest English novelist of the twentieth century, from celebrated critic Sir Frank Kermode.

This classic work, back in print for the first time in over a decade, questions the public's harsh perception of the artist, while at the same time gently poking fun at the artists' own, often inflated self-image.

In The Age of Shakespeare, Frank Kermode uses the history and culture of the Elizabethan era to enlighten us about William Shakespeare and his poetry and plays. Opening with the big picture of the religious and dynastic events that defined England in the age of the Tudors, Kermode takes the reader on a tour of Shakespeares England, vividly portraying Londons society, its early capitalism, its court, its bursting population, and its epidemics, as well as its artsincluding, of course, its theater. Then Kermode focuses on Shakespeare himself and his career, all in the context of the time in which he lived. Kermode reads each play against the backdrop of its probable year of composition, providing new historical insights into Shakspeares characters, themes, and sources. The result is an important, lasting, and concise companion guide to the works of Shakespeare by one of our most eminent literary scholars.

The true biography of Shakespeare - and the only one we really need to care about - is in the plays. Sir Frank Kermode, Britain's most distinguished literary critic, has been thinking about them all his life. This book is a distillation of that lifetime's thinking. The great English tragedies were all written in the first decade of the seventeenth century. They are often in language that is difficult to us, and must have been hard even for contemporaries. How and why did Shakespeare's language develop as it did? Kermode argues that the resources of English underwent major change around 1600. The originality of Kermodes's writing, and the intelligence of his discussion, make this book a landmark.

Frank Kermode attempts to determine the criteria for classical literature through an analysis of the social and intellectual importance of great works of the past.

Includes essay on Botticelli that traces the artist's sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting.

Kermode assesses the revolutionary transformations in literary criticism over the last fifteen years and places them in historical perspective. Examining novels ranging in scope from a 1907 bestseller to the avant-garde works of various periods, he includes such writers as Conrad, Ford Madox Ford, Michel Butor, and Thomas Pynchon.

Kermode examines enigmatic passages and episodes in the gospels. From his reading come ideas about what makes interpretation possible-and often impossible. He considers ways in which narratives acquire opacity, and he asks whether there are methods of distinguishing all possible meaning from a central meaning which gives the story its structure.

Edited and with an Introduction by Frank KermodeA Woman Killed with Kindness by Thomas HeywoodVolpone by Ben JonsonThe Revenger's Tragedy by Cyril TourneurThe Maid's Tragedy by John Fletcher and Francis BeaumontA Chaste Maid in Cheapside by Thomas MiddletonThe Duchess of Malfi by John WebsterThe Changeling by Thomas Middleton and William RowleyThe lyrical, bloodthirsty tragedies and witty urban comedies in this original collection were first performed during the reign of King James I (1603—25). Though nearly four centuries old, they display surprisingly modern sensibilities regarding sex, violence, morality, and honor. Brilliantly introduced and annotated by Frank Kermode, these seven Jacobean masterpieces are the finest and most representative plays of a time when drama was the most vital and important mirror of English society.