Bøger af Franco Moretti

Barcellona e New York due città, Michele e Victoria un uomo e una donna, lontani tra loro ma con alle spalle un passato che li unisce e che li accomuna a Roma.Si è poi tanto sicuri che dopo un fatto brutto che la vita ci riserva non si possa avere un'altra possibilità?Si è poi tanto sicuri che dopo tanta fatica e tanto sacrificio si arriva a fare una vita serena e gratificante il destino non ci volta le spalle?Questo è il romanzo su cui s'intrecciano le vite dei due protagonisti costretti a cambiare la vita per le vicissitudini che il fato gli pone.Si è poi così sicuri che tutto accade per caso, che dietro ai cambiamenti non ci sia la "mano" dei loro padri e quindi del passato.Chi ha letto "Il Segreto della Spianata" troverà alcune risposte su l'opera "Sui Passi del Passato"alle domande rimaste in sospeso.Chi ha letto "Sui Passi Del Passato" troverà alcune risposte su "Il Segreto della Spianata" alle domande rimaste in sospeso.

The influential and controversial critic takes literary history out of the classroom and into the publicIn the field of literary history and theory, Franco Moretti is synonymous with innovation. The cofounder of the Stanford Literary Lab, he brought quantitative methods into the study of the novel, enabling a "distant" reading that uses computation to analyze literary production over centuries. But at the same time, he was also teaching undergraduates the history of literature. Knowing Moretti, it's no surprise that he didn't teach the course the accepted way: one author after another, in a long uninterrupted chain. Instead, he put an irregular chessboard in front of his students that was too strange to be taken for granted. Literary history had become a problem, and he offered a solution.In Far Country, Moretti take these lectures out of the classroom and lets us share in the passion and excitement that comes from radical critique. Unconstrained by genre, Moretti juxtaposes Whitman and Baudelaire, the Western and film noir, even Rembrandt and Warhol, illuminating each through their opposition. With his guidance, we revel in the process of transformation-the earthquakes that shook the "how" of artistic form-and begin to shape a new view on American culture.Bracing in its insight and provocative in its conclusions, Far Country is a critical look at the development of American cultural hegemony.

Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land—all are celebrated “wonders” of modern literature, whether in its mandarin or popular form. However, it is the fact that these texts are so central to our contemporary notion of literature that sometimes hinders our ability to understand them. Franco Moretti applies himself to this problem by drawing skillfully on structuralist, sociological and psycho-analytic modes of enquity in order to read these texts as literary systems which are tokens of wider cultural and political realities. In the process, Moretti offers us compelling accounts of various literary genres, explores the relationships between high and mass culture in this century, and considers the relevance of tragic, Romantic and Darwinian views of the world.

Charting entire genres - the epistolary, the gothic, and the historical novel - as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, this work shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

A combination of narrative theory and social history, this new edition includes an additional final chapter on the collapse of the Bildungsroman in the years around World War I (a crisis which opened the way for Modernist experimentation).

Building a theory of the modern epic which has provided many of the "sacred texts" of Western literary culture, this work covers epics from "Faust" to "One Hundred Years of Solitude". The West's reception of these texts constitutes a ritual of self-absolution for centuries of colonialism.