Bøger af Frances Burney

EVELINA TELLS THE STORY OF A YOUNG GIRL, FRESH FROM THE PROVINCES, WHOSE INITIATION INTO THE WAYS OF THE WORLD IS FREQUENTLY PAINFUL, THOUGH IT LEADS TO SELF-DISCOVERY, MORAL GROWTH, AND FINALLY, HAPPINESS. THIS NOVEL REVEALS SUPERBLY THE LIFE AND TEMPER OF EIGHTEENTH-CENTURY ENGLAND, AS SEEN THROUGH THE CURIOSITY OF IT YOUNG HEROINE.

In Evelina or the History of a Young Lady¿s Entrance into the World, the title character leaves her isolated country home for vibrant London society. As she stumbles through the city, she encounters many people including the handsome, Lord Orville. Evelina is a young woman whös spent her entire childhood in seclusion. Although the legitimate daughter of Sir John Belmont, she was raised in the country with Reverend Villars. When Evelina is offered a chance to visit London, she quickly accepts the opportunity. Upon her arrival, her questionable origins and naïveté make her a target for rumors and speculation. Despite her unconventional ways, she catches the eye of nobleman, Lord Orville and tries to navigate formal rules of society and courtship. Evelina or the History of a Young Lady¿s Entrance into the World is a compelling story bursting with humor and romanticism. The author beautifully weaves multiple characters and arcs into one satisfying narrative. Originally published in 1778, Evelina maintains its refreshing outlook on contemporary life. With an eye-catching new cover, and professionally typeset manuscript, this edition of Evelina is both modern and readable.

The Wanderer or Female Difficulties follows a woman fleeing France to escape a painful past, only to be met with new obstacles along the way. It's an honest depiction of eighteenth-century life without the presence of political or familial support.A wandering woman emigrates to England to escape the violent uprising of 1790s France. With no friends or family, she must find work and connect with others for assistance. Her lack of finances and social status leave her vulnerable to the whims of wealthy employers. Despite her situation, the woman becomes involved with a man who's unaware of her troubled past. She struggles to maintain her privacy as the truth becomes harder to hide.The Wanderer or Female Difficulties highlights the flaws of English society built on politics and patriarchy. One woman's survival depends on the kindness or cruelty of others. It's a glaring injustice, that forces her to make light of dire circumstances.With an eye-catching new cover, and professionally typeset manuscript, this edition of The Wanderer or Female Difficulties is both modern and readable.

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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This Is A New Release Of The Original 1907 Edition.

"Cecilia" from Frances Burney. Known as Fanny Burney, English novelist, diarist and playwright (1752-1840).

Evelina: Or the History of a Young Lady's Entrance into the World is a novel written by English author Frances Burney and first published in 1778. In this epistolary novel in three volumes, Evelina, the title character, is the unacknowledged daughter of a dissipated English aristocrat. Her dubious birth has seen her raised in rural seclusion until her eighteenth year. Through a series of humorous events that take place in London and the resort town of Bristol-Hotwells, Evelina learns how to navigate the complex layers of 18th century society and earn the love of a distinguished nobleman. This sentimental novel of manners often satirizes the society in which it is set and is a significant precursor to later works by Jane Austen and Maria Edgeworth, whose novels explore many of the same issues. Frances Burney (13 June 1752 - 6 January 1840), also known as Fanny Burney and after her marriage as Madame d'Arblay, was an English novelist, diarist and playwright. She was born in Lynn Regis, now King's Lynn, England, on 13 June 1752, to musical historian Dr. Charles Burney (1726-1814) and Esther Sleepe Burney (1725-1762). The third of six children, she was self-educated and began writing what she called her "scribblings" at the age of ten. In 1793, aged 42, she married a French exile, General Alexandre D'Arblay. Their only son, Alexander, was born in 1794. After a lengthy writing career, and travels that took her to France for more than ten years, she settled in Bath, England, where she died on 6 January 1840. Frances Burney was a novelist, diarist and playwright. She wrote in all four novels, eight plays, one biography and twenty volumes of journals and letters. She has gained critical respect in her own right, but also foreshadows such novelists of manners with a satirical bent as Jane Austen and Thackeray. She published her first novel, Evelina, anonymously in 1778. When the book's authorship was revealed, it brought her almost immediate fame due to its unique narrative and comic strengths. She followed it with Cecilia in 1782, Camilla in 1796 and The Wanderer in 1814. All Burney's novels explore the lives of English aristocrats, and satirise their social pretensions and personal foibles, with an eye to larger questions such as the politics of female identity. With one exception, Burney never succeeded in having her plays performed, largely due to objections from her father, who thought that publicity from such an effort would be damaging to her reputation. The exception was Edwy and Elgiva, which unfortunately was not well received by the public and closed after the first night's performance. Although her novels were hugely popular during her lifetime, Burney's reputation as a writer of fiction suffered after her death at the hands of biographers and critics who felt that the extensive diaries, published posthumously in 1841, offered a more interesting and accurate portrait of 18th-century life. Today critics are returning to her novels and plays with renewed interest in her outlook on the social lives and struggles of women in a predominantly male-oriented culture. Scholars continue to value Burney's diaries as well for their candid depictions of English society in her time. Throughout her career as a writer, her wit and talent for satirical caricature were widely acknowledged: literary figures such as Dr Samuel Johnson, Edmund Burke, Hester Thrale and David Garrick were among her admirers. Her early novels were read and enjoyed by Jane Austen, whose own title Pride and Prejudice derives from the final pages of Cecilia. William Makepeace Thackeray is reported to have drawn on the first-person account of the Battle of Waterloo, recorded in her diaries, while writing Vanity Fair.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Cecilia, subtitled Memoirs of an Heiress, is the second novel by English author Frances Burney, set in 1779 and published in 1782. The novel, about the trials and tribulations of a young upper class woman who must negotiate London society for the first time and who falls in love with a social superior, belongs to the genre of the novel of manners. A panoramic novel of eighteenth-century London, Cecilia was highly successful with at least 51 editions Cecilia, or Memoirs of an Heiress was published in July 1782. Frances Burney began working on the novel in 1780, after her father, Dr. Charles Burney, and her literary mentor, Samuel Crisp, suppressed her play entitled The Witlings. Her father had concerns that the play, a comedic satire of bluestocking(s), would offend "real people" whom he depended on for artistic patronage, particularly Elizabeth Montagu. This disappointment and the pressure to produce a second novel in order to capitalize on the success of her first work Evelina, seems to have placed considerable strain on Burney, and may have colored the tone and content of Cecilia.[3] It seems that the Cecilia Stanley of The Witlings became the Cecilia Beverley of Cecilia

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.