Bøger af Fanny Howe

In this brilliant work that transcends genre-lyric essay, prose poem, philosophical fiction-Fanny Howe pursues her realization that keen metaphysical inquiry is radically essential to everyday life.

Beautiful essays by Fanny Howe, a poet praised for her "private quest through the metaphysical universe . . . the results are startling and honest" (The New York Times Book Review)Fanny Howe's richly contemplative The Winter Sun is a collection of essays on childhood, language, and meaning by one of America's most original contemporary poets. Through a collage of reflections on people, places, and times that have been part of her life, Howe shows the origins and requirements of "a vocation that has no name." She finds proof of this in the lives of others-Jacques Lusseyran, who, though blind, wrote about his inner vision, surviving inside a concentration camp during World War II; the Scottish nun Sara Grant and Abbé Dubois, both of whom lived extensively in India where their vocation led them; the English novelists Antonia White and Emily Brontë; and the fifth-century philosopher and poet Bharthari. With interludes referring to her own place and situation, Howe makes this book into a Progress rather than a memoir. The Winter Sun displays the same power as found in her highly praised collection of essays, The Wedding Dress, a book described by James Carroll as an "unflinching but exhilarating look at real religion, the American desolation, a woman's life, and, always, the redemption of literature."

A spiritually resonant and politically urgent new collection by the winner of the Lenore Marshall poetry prizeMy father was a soldierwho was smaller than my sonwhen he returned as a ghost.I begged him to stay with usbut he said: "Not until you come to life."-from "[Untitled]"Fanny Howe's bold new collection responds to the contrast between American imperialist goals and the realities of life lived "on the ground." While our minds are preoccupied with the war games on television, we go on living among our ordinary joys and appetites. How can we live under these dissonant conditions and reconcile our existence with our longings?

The story of failure asks one question only: What do people who lose do next? ''Let the best one win.'' War is one way. The other way is religion. Let me at the stakes. It''s so much a matter of patience. No fury, beyond all reason, no sequence broken, but diverted. Nothing seems to cooperate when you lose control. Blue becomes violet. Bend your head to the blank. The solution is so simple: don''t identify yourself with your description of yourself.

The conclusion of a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, resistance, and poverty.First published by Semiotexte in 2001, Indivisible concludes a radically philosophical and personal series of Fanny Howe novels animated by questions of race, spirituality, childhood, transience, wonder, resistance, and poverty. Depicting the tempestuous multiracial world of artists and activists who lived in working-class Boston during the 1960s, Indivisible begins when its narrator, Henny, locks her husband in a closet so that she might better discuss things with God. On the verge of a religious conversion, Henny attempts to make peace with the dead by telling their stories.

Fanny Howe s literary genius envisages the figure of the Child as exemplary of profound knowledge that cannot wield power. Night Philosophy is an echo of all those who continue to refuse to pay the price of dominating others.

Radical Love gathers five of Fanny Howe's novels: Nod, The Deep North, Famous Questions, Saving History, and Indivisible, previously out-of-print and hard to find classics whose characters wrestle with serious political and metaphysical questions against the backdrop of urban, suburban, and rural America.

In times of great uncertainty, the urgency of the artist's task is only surpassed by its difficulty. Ours is such a time, and rising to the challenge, novelist and poet Fanny Howe suggests new and fruitful ways of thinking about both the artist's role and the condition of doubt. In these original meditations on bewilderment, motherhood, imagination, and art-making, Howe takes on conventional systems of belief and argues for another, brave way of proceeding. In the essays "e;Immanence"e; and "e;Work and Love"e; and those on writers such as Carmelite nun Edith Stein, French mystic Simone Weil, Thomas Hardy, and Ilona Karmel-who were particularly affected by political, philosophical, and existential events in the twentieth century--she directly engages questions of race, gender, religion, faith, language, and political thought and, in doing so, expands the field of the literary essay. A richly evocative memoir, "e;Seeing Is Believing,"e; situates Howe's own domestic and political life in Boston in the late '60s and early '70s within the broader movement for survival and social justice in the face of that city's racism. Whether discussing Weil, Stein, Meister Eckhart, Saint Teresa, Samuel Beckett, or Lady Wilde, Howe writes with consummate authority and grace, turning bewilderment into a lens and a light for finding our way.

This collection of new poems by one of the most respected poets in the United States uses motifs of advance and recovery, doubt and conviction-in an emotional relation to the known world. Heralded as "e;one of our most vital, unclassifiable writers"e; by the Voice Literary Supplement, Fanny Howe has published more than twenty books and is the recipient of the Gold Medal for Poetry from the Commonwealth Club of California. In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets.The poems in Gone describe the transit of a psyche, driven by uncertainty and by love, through various stations and experiences. This volume of short poems and one lyrical essay, all written in the last five years, is broken into five parts; and the longest of these, "e;The Passion,"e; consecrates the contradictions between these two emotions. The New York Times Book Review said, "e;Howe has made a long-term project of trying to determine how we fit into God's world, and her aim is both true and marvelously free of sentimental piety."e; With Gone, readers will have the opportunity to experience firsthand Howe's continuation of that elusive and fascinating endeavor.

Presents a selection of poems. This book includes peoms in which the theme is the exile of the spirit in this world and the painfully exciting, tiny margin in which movement out of exile is imaginable and perhaps possible. It protests against the difficulty of salvation.